SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

A.Ya. Flier. The phenomenon of prestigious consumption

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya.Flier's Section)

A.Ya. Flier. Structuring culture according to the methods of social regulation

N.A. Khrenov. A sociological turn in science. About the art of the XIX century: I. Ten's concept as an anticipation of the cultural turn (continued)

V.M. Rozin. Non-traditional, socio-cultural interpretation of the book by Meer Shalev "Fontanella" (ending)

 

Analytics:

HIGH ART IN MODERN CULTURE (E.N. Shapinskaya'sSection)

E.N. Shapinskaya. "Storytelling" as a form of narrative in Modern Popular culture

CULTURAL REFLECTIONSBY

A.Ya. Flier. Historical transformation of culture from admiration of the past to aspiration to the future

N.A. Khrenov. A man in a pandemic situation: excursions into history (beginning)

V.M. Rozin. Love in culture and family: yesterday and today (based on the novel by Meir Shalev "Two bears Came out of the forest")

V.I. Grachev. Knowledge and information in modern Cultural Studies: Paradoxes of similarities and differences of content


Announcement of the next issue

 

 

Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Deputy Director of the Expert-Analytical Center
for Development of Educational Systems
in the Sphere of Culture,
the Lykhachev Russian Research Institute
for Cultural and Natural Heritage
e-mail: reenash@mail.ru

Aesthetic Values of Classical Heritage
in (Post)Modern Culture:
Theoretical Understanding and Cultural Practice


Abstract. The article examines the problem of crisis of the traditional system of aesthetic values in contemporary culture, a number of the 20th century cultural research theories dealing with different aspects of this field being considered (ideas of W. Benjamin, T. Adorno, P. Bourdieau, J. Baudrillard, followers of cultural studies approach). Through the examples of contemporary artistic practice the contradictory character of informatization and transformation of aesthetic values of art of the past in their interpretations in popular culture and postmodern art practices are shown. The author makes a conclusion about the necessity of preserving and developing a younger generation’s attitude towards. aesthetic value by joining efforts of specialists in the field of culture and education.

Key words. Aesthetic value, culture, art, informatization, reproduction, mass culture, interpretation, cultural capital, cultural heritage.


The article is prepared with the support of the Russian Humanitarian Scientific Fund, grant № 14-03-00035.

[1] Shapinskaya E.N. Music for All the Time. Yaroslavl: RIО YaPGU, 2015. P. 245.
[2] Shapinskaya E.N. Essays on Popular Culture. М.: Akademitchesky Proyekt, 2008.
[3] Berger J. Ways of Seeing. SPb: Claudberry, 2012. P. 40.
[4] Benjamin W. The Work of Art in the Age of Its Mechanical Reproduction. // Notes on Film Studies. 1988, № 2. P. 156.
[5] Ibid. P.  154.
[6] Ibid. P. 156.
[7] Shapinskaya E.N. Music for All the Time. P. 32.
[8] Benjamin W. Op. cit. P. 158.
[9] Ibid. P. 165.
[10] Ibid. P. 156.
[11] ] Berger J. Op. cit. P. 40.
[12] Samokhvalova V.I. Creativity: Sacred Gift. Space Principle. Generic Identity of Man.  М.: РУДН, 2007. P. 49.
[13] Ibid. P. 472.
[14] Bourdieu P. Distinction. Routledge: 1994.
[15] Adorno T. The Philosophy of New Music. М.: Logos, 2001. P. 45.
[16] Ibid.
[17] Ibid. P. 46.
[18] Adorno T. Aesthetic Theory. М.: Respublika. 2001. P. 206.
[19] Ibid. P. 266.
[20] Ibid.
[21] Ibid. P. 51.
[22] Shapinskaya E.N. Music for All the Time. P. 232.
[23] Ibid. P. 248.
[24] Shapinskaya E.N. Essays on Popular Culture. P. 19.
[25] Shapinskaya E.N. Music for All the Time. P. 250.
[26] Elkin J. Why Art Cannot Be Taught. М.: Ad Marginem Press, 2015. P. 123.
[27] Baudrillard J. Simulacra and Simulation. М.: POSTUM, 2016. P. 63.
[28] Ibid.
[29] Rozin V.М. Mind and Creativity. М.: Per Se, 2008. P. 214.
[30] Ibid. P. 208.
[31] Ibid. P. 214.
[32] Hardison, Jr, O.B. Disappearing through the Skylight. Culture and technology in the Twentieth Century. NY, Penguin, 1990. P. XII.
[33] Samokhvalova V.I. Op. cit. P. 438.
[34] Kotler P., Scheff J. Standing Room Only: Strategies for Marketing the Performing Arts. М.: Klassika ХХI, 2012. P.449.
[35] Ibid. P. 636.
[36] Ibid. P. 637.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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