Электронный журнал «Культура культуры» :: A century later: the tragic experience of Soviet Culture

SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
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Scientific peer-reviewed electronic periodical
Since 2014

Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)

Announcement of the next issue

Nikolay Andreevich Khrenov,
Doctor of Philosophy, Professor,
All-Russian State University
of Cinematography named after S.A. Gerasimov,
e-mail: nihrenov@mail.ru

A century later: the tragic experience of Soviet Culture
(continuation)

Abstract. The article examines the negative aspects of Soviet cultural policy for more than 70 years - repression against writers and artists, because of which many authors spent many years in prison, and some lost their lives altogether, political, ideological, and sometimes aesthetic prohibitions on the publication of some works, ideological stamps in the image/ the description of some characters, etc., which developed the cult of groveling before the authorities among the population. Moreover, all this was unstable and changed with each change of ruler. Nevertheless, even in these conditions, figures of artistic culture managed to create masterpieces.

Keywords: power, culture, ideology, cultural policy, repression, censorship, artistic stamps.

[11] Sorokin P. Sociology of revolution. M.: Astrel, 2008. 349 p.
[12] Pasternak B. Doctor Zhivago. M., 1989. p. 440.
[13] Motroshilova N. S. Frank and N. Berdyaev on the "new barbarism". p. 173.
[14] Konrad N. About world literature in the Middle Ages // Konrad N. West and East. M.: The main editorial office of Oriental Literature, 1972. pp. 432-445; 435.
[15] Blok A. The Collapse of humanism // Blok A. Collected works: In 8 vols. 6. M.- L.: State Publishing House of Fiction, 1962. p. 93.
[16] Konrad N. Decree. op. p. 435.
[17] Pasternak B. Decree. op. p. 590.
[18] "The Russian idea" problems of culture – problems of cinema. p. 124.
[19] Ivanov Vyach. Native and universal. M.: "Republic", 1994. p. 132.
[20] Yuzovsky Yu. About the "Lady with camellias" and the beauty of life // Literary critic. 1934. No. 6. p. 150.
[21] From the autobiography of ideas. Conversations of M. A. Lifshitz // Context 1987. Literary and theoretical studies. M.: Nauka, 1988. pp. 264-318, 279.
[22] Hegel G.-V.-F. Philosophy of religion: In 2 vols. 2. M., 1977. pp. 144-470.
[23]. In the same place.
[24] Ibid., p. 226.
[25] Losev A. Aesthetics of the Renaissance. Moscow: Mysl, 1978. 623 p.;
[26] Burkhardt Ya. Culture of Italy in the Renaissance. Moscow: Intrada, 1996. P. 87.
[27] Drogalina Zh., Dyachkov A.V. V. Nalimov and gnosticism // Russia and gnosis. Proceedings of the international scientific conference "Early Christian Gnostic Text in Russian Culture": In 2 vols. 1. St. Petersburg: RHGA, 2015. pp. 56-64. pp. 60-407.
[28] Ibid., p. 59.
[29] XIV Congress of the All-Union Communist Party (b). Verbatim report. Moscow: State Publishing House, 1926. p. 50.
[30]. Ustryalov N. The path of Thermidor // Ustryalov N. Under the sign of Revolution. Harbin, 1925.
[31] XIV Congress of the All-Union Communist Party (b). Decree. op. c. 358.
[32] Ustryalov N. Decree. op. C. 237.
[33] XIV Congress of the All-Union Communist Party (b). Decree. op. C. 358.
[34] Kozlov V., Plimak E. The concept of the Soviet thermidor. The banner. 1990. No. 7. p. 168.
[35] Grossman V. Everything is flowing // October. 1989. No. 6. p. 98.
[36] Popper K. Open society and its enemies: In 2 vols. Vol. 1. The Charms of Plato. M.: Phoenix. International Foundation for Cultural Initiative, 1992. p. 207.
[37] Ibid.
[38] Ibid., p. 208.
[39] Ibid.
[40] Adaskina N. 30-ies: contrasts and paradoxes of Soviet artistic culture // Soviet art studies. The art of the twentieth century. Issue 25. M., 1989. P. 17.
[41] Mikhailovsky S., Molok N. Piranesi in the USSR // Piranesi. Before and after. Italy is Russia. XVIII–XXI centuries. Moscow: Pushkin State Museum of Fine Arts, 2016. p. 267.
[42] Ibid. p. 272.
[43] Mayskaya M. “Dungeons...”// Piranesi in the USSR. p. 81.
[44] Sinyavsky A. What is socialist realism // Sinyavsky A. The literary process in Russia. M., 2003. pp. 165, 139-175.
[45] For great cinematography. All-Union Creative Meeting of workers of Soviet cinematography (January 8-13, 1935, Moscow). p. 49.
[46] Ibid. p. 128.

ISSN 2311-3723

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OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

Issue produced by:

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Editor in Chief
T. Glazkova

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SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS Scientific peer-reviewed electronic periodical Since 2014
	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG

Hypotheses: THE THEORY OF CULTURE E.A. Orlova. The anthropological foundations of scientific knowledge Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section) A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued) N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued) V.M. Rozin. Some features of modern art V.I. Ionesov. Memory of things in images and plots of cultural introspection Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Social and organizational functions of culture M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued) Announcement of the next issue	Nikolay Andreevich Khrenov, Doctor of Philosophy, Professor, All-Russian State University of Cinematography named after S.A. Gerasimov, e-mail: nihrenov@mail.ru A century later: the tragic experience of Soviet Culture (continuation) Abstract. The article examines the negative aspects of Soviet cultural policy for more than 70 years - repression against writers and artists, because of which many authors spent many years in prison, and some lost their lives altogether, political, ideological, and sometimes aesthetic prohibitions on the publication of some works, ideological stamps in the image/ the description of some characters, etc., which developed the cult of groveling before the authorities among the population. Moreover, all this was unstable and changed with each change of ruler. Nevertheless, even in these conditions, figures of artistic culture managed to create masterpieces. Keywords: power, culture, ideology, cultural policy, repression, censorship, artistic stamps. [11] Sorokin P. Sociology of revolution. M.: Astrel, 2008. 349 p. [12] Pasternak B. Doctor Zhivago. M., 1989. p. 440. [13] Motroshilova N. S. Frank and N. Berdyaev on the "new barbarism". p. 173. [14] Konrad N. About world literature in the Middle Ages // Konrad N. West and East. M.: The main editorial office of Oriental Literature, 1972. pp. 432-445; 435. [15] Blok A. The Collapse of humanism // Blok A. Collected works: In 8 vols. 6. M.- L.: State Publishing House of Fiction, 1962. p. 93. [16] Konrad N. Decree. op. p. 435. [17] Pasternak B. Decree. op. p. 590. [18] "The Russian idea" problems of culture – problems of cinema. p. 124. [19] Ivanov Vyach. Native and universal. M.: "Republic", 1994. p. 132. [20] Yuzovsky Yu. About the "Lady with camellias" and the beauty of life // Literary critic. 1934. No. 6. p. 150. [21] From the autobiography of ideas. Conversations of M. A. Lifshitz // Context 1987. Literary and theoretical studies. M.: Nauka, 1988. pp. 264-318, 279. [22] Hegel G.-V.-F. Philosophy of religion: In 2 vols. 2. M., 1977. pp. 144-470. [23]. In the same place. [24] Ibid., p. 226. [25] Losev A. Aesthetics of the Renaissance. Moscow: Mysl, 1978. 623 p.; [26] Burkhardt Ya. Culture of Italy in the Renaissance. Moscow: Intrada, 1996. P. 87. [27] Drogalina Zh., Dyachkov A.V. V. Nalimov and gnosticism // Russia and gnosis. Proceedings of the international scientific conference "Early Christian Gnostic Text in Russian Culture": In 2 vols. 1. St. Petersburg: RHGA, 2015. pp. 56-64. pp. 60-407. [28] Ibid., p. 59. [29] XIV Congress of the All-Union Communist Party (b). Verbatim report. Moscow: State Publishing House, 1926. p. 50. [30]. Ustryalov N. The path of Thermidor // Ustryalov N. Under the sign of Revolution. Harbin, 1925. [31] XIV Congress of the All-Union Communist Party (b). Decree. op. c. 358. [32] Ustryalov N. Decree. op. C. 237. [33] XIV Congress of the All-Union Communist Party (b). Decree. op. C. 358. [34] Kozlov V., Plimak E. The concept of the Soviet thermidor. The banner. 1990. No. 7. p. 168. [35] Grossman V. Everything is flowing // October. 1989. No. 6. p. 98. [36] Popper K. Open society and its enemies: In 2 vols. Vol. 1. The Charms of Plato. M.: Phoenix. International Foundation for Cultural Initiative, 1992. p. 207. [37] Ibid. [38] Ibid., p. 208. [39] Ibid. [40] Adaskina N. 30-ies: contrasts and paradoxes of Soviet artistic culture // Soviet art studies. The art of the twentieth century. Issue 25. M., 1989. P. 17. [41] Mikhailovsky S., Molok N. Piranesi in the USSR // Piranesi. Before and after. Italy is Russia. XVIII–XXI centuries. Moscow: Pushkin State Museum of Fine Arts, 2016. p. 267. [42] Ibid. p. 272. [43] Mayskaya M. “Dungeons...”// Piranesi in the USSR. p. 81. [44] Sinyavsky A. What is socialist realism // Sinyavsky A. The literary process in Russia. M., 2003. pp. 165, 139-175. [45] For great cinematography. All-Union Creative Meeting of workers of Soviet cinematography (January 8-13, 1935, Moscow). p. 49. [46] Ibid. p. 128.	ISSN 2311-3723 Founder: OOO «Soglasie» publisher Publisher: Scientific Association of Culture Researchers Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013 The magazine is indexed: Issued quarterly in electronic form only *Issue produced by:* Editorial Director A. Flier Editor in Chief T. Glazkova Head of IT Center A. Lukyanov Our banner: Our e-mail: cultschool@gmail.com OUR PARTNERS:

	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG
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