SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 


Khrenov Nikolay Andreevich,
Doctor of Philosophy, Professor,
All-Russian State University
of Cinematography named after S.A. Gerasimov.
e-mail: nihrenov@mail.ru

A man in a pandemic situation: excursions into history
(beginning)

Abstract. The article examines the historical experience of the reaction and psychological survival of society in the conditions of mass death in a pandemic or something similar, which has been clearly reflected in modern cinema. It is not so important how the screen interpretation reliably reflects the real events of history, how important it is to show the general psychological picture of mass confusion.

Keywords. Culture, pandemic, psychology, death, compensation
 

[1] Erickson E. Identity: youth and crisis. M.: Progress, 1996. pp. 202-344.
[2] Khrenov N. Theater and cinema as objects of social sciences // Theater as a sociological phenomenon. St. Petersburg: Aleteya, 2009. pp. 101, 95-119, 520.
[3] Filippov A. Theater critic Alexey Bartoshevich: "Something is radically changing in the very essence of the theater, and it seems terribly sad to me." Newspaper "Culture" from 08.06.2020.
[4] Huizinga Y. Shadows of tomorrow. People and cultures. The Darkened World. St. Petersburg: Ivan Limbach Publishing House, 2010. p. 340.
[5] Lorenz K. The so-called evil. M.: Cultural Revolution, 2008. p. 282.
[6] Fromm E. Anatomy of human destructiveness. M.: Republic, 1994. 447 p.
[7] Ibid., p. 298.
[8] Ibid., p. 285.
[9] Ibid., p. 296.
[10] Camus A. A rebellious man. Philosophy. Politics. Art. Moscow: Politizdat, 1990. 415 p.
[11] Sorel J. Reflections on violence. Moscow: Phalanster, 2013. 293 p
[12] Fromm E. Decree. Op. C. 294.
[13] Markin Yu. The Art of the Third Reich // Decorative Art of the USSR. 1989. No. 3. C. 36.
[14] Solzhenitsyn A. GULAG Archipelago // Novy Mir. 1989. No. 10. C. 112.
[15] Lorenz K. Decree. Op. C. 515.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

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