SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Lukina Natalia Yuryevna,
bibliographer and art critic,
St. Petersburg,
e-mail: natlukina@list.ru

 

ABOUT THE BEAUTY OF ANTIQUE STATUES, PICASSO AND TRAFFIC LIGHTS

Abstract. The article is devoted to the eternal themes of beauty and the meaning of art. Comparing the beauty of the works of antiquity and the contemporary state of art, the author comes to the sad conclusion that the actual concepts are meaningless and to another, optimistic conclusion about the eternity of the ideals of beauty.

Keyword. Antique art, actual art, will and representation, conceptualism, beauty, aesthetic ideal


[1] Dostoevsky F. M. The Karamazov Brothers. Book 3, Ch. III.
[2] Mâle É. L’art allemande etl’artfrançais du MoyenÂge. Paris: Colin, 1917. Pp. 242-243.
[3] Bulgakov S. N. Non-evening light. Contemplation and speculation. M.: Republic, 1994. Pp. 200-201.
[4] Rozanov V.V. Religion and culture. Digest of articles. SPb: Publishing House of P. Pertsov, 1899. P. 162.
[5] Wipper B. R. Articles about art. M.: Art, 1970. P. 167.
[6] Andreeva E. Yu. Everything and Nothing: Symbolic figures in the art of the second half of the 20th century. SPb: Ivan Limbach Publishing House, 2011.
[7] Yakimovich A. K. New Time. Art and culture of the XVII — XVIII centuries. SPb: Azbuka-Classic, 2004. Pp. 45-46.
[8] Kyung A, Cerasi J. Who’s Afraid of Contemporary Art? Guide to the world of contemporary art from A to Z. M.: Ad Marginem, 2018. P. 45
[9] De Duve, Th. In the Name of Art. To the archeology of our time. M.: Higher School of Economics, 2014. P. 12.
[10] Levitt S. Paragraphs on conceptual art. Moscow Art Journal. 2008. No. 69. November. URL:  http://xz.gif.ru/numbers/69/paragr-concept/
[11] The artist glued a banana to the wall and sold it twice for $ 120 thousand. Weekly "Zvezda" 8.12. 2019. URL: https://tvzvezda.ru/news/vstrane_i_mire/content/2019128250-nI9ez.html
[12] Pochhua L. Aesthetics of failure Maurizio Cattelana. 2018. URL: https://birdinflight.com/en/pochemu_eto_shedevr/20180830-kattelan.html
[13] Losev A. F. The historical meaning of R. Wagner's aesthetic worldview. In: R. Wagner. Selected works. M.: Art, 1978. P. 36.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

 

Issue produced by:

Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

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