
Hypotheses:
THEORETICAL REVIEW
E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge
Discussions:
IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)
A.Ya. Flier. Culture as the basis of identity
N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)
V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development
Analytics:
CULTURAL REFLECTIONS
A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction
N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)
V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness
VIEWS
A.Ya. Flier. Culture as a survival system and its 5 strategies
A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos
Announcement of the next issue
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Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
Deputy Research Director of
State Institute of Art Studies of
the Ministry of Culture of Russian Federation
e-mail: nihrenov@mail.ru
Art as a Means of Reforming Culture: An Experience of Symbolism (Part 1)
Abstract. The article researches the artistic movement of Symbolism (mainly in literature) and analyzes its role in the development of Russian culture, in the actualization of interest to the East and medieval art. The connection of Russian symbolism with the European philosophy of Romanism and existentialism is traced.
Keywords. Art, culture, literature, symbolism, romanticism, philosophical grounds.
[1] Bely A. Symbolism as a Worldview. M.: Republic, 1994. P. 255.
[2] Bely A. Ibidem. P. 259.
[3] Kozyrev A.P. Solovyov and Gnostics. M.: Savin S.A. Press, 2007. P. 400.
[4] First All-Union Congress of Soviet Writers. Verbatim record. M.: Goslitizdat, 1934. P. 12.
[5] Berdyaev N.A. Self-knowledge. An Experience of Philosophical Autobiography. M.: Book, 1991. P. 136.
[6] Ehrenburg I.G. People, Years, Life. Memories. 3 vol. Vol. 3. M.: Soviet Writer, 1990. P. 313.
[7] Kandinsky V.V. Selected Works on Theory of Art. Vol. 2. M.: Gilea, 2001, P. 20.
[8] Gaidenko P.P. Vladimir Solovyov and Philosophy of the Silver Age. M.: Progress-Tradition, 2001. P. 8.
[9] Blok A. Collected Works, 8 vols. Vol. 1. M.-L.: Literature, 1960. P. 269.
[10] Rousseau F-F. Selected Works, 3 vols. Vol. 1. M.: Literature, 1961, P. 48.
[11] Jaspers K. Nietzsche: An Introduction to the Understanding of His Philosophical Activity. St.-Pb.: Poligon, 2004. P. 363.
[12] Merezhkovsky D. Aesthetics and Criticism. Vol. 1. M.-Kharkov: Art, 1994. P. 137.
[13] Gaidenko P.P. Ibidem. P. 325.
[14] Berdyaev N.A. The New Religious Consciousness and Society. M.: Canon +, 1999. P. 38.
[15] Etkind A. Khlysty. Sects, Literature and Revolution. M.: NLO, 1998. P. 156.
[16] Zedlmayr H. Art and Truth. On the theory and method of the history of art. St.-Pb.: Axioma, 1999. P. 163.
[17] Bely A. Ibidem. P. 340.
[18] Khlebnikov V. Creations. M.: Soviet Writer, 1986. P. 648.
[19] Bely A. Ibidem. P. 35.
[20] Ibidem. P. 36.
[21] Blok A. Collected Works, 8 vol. Vol. 6. M.-L.: Literature, 1962. P. 111.
[22] Khodasevich V. Necropolis. St.-Pb.: Azbuka, 2008. P. 56.
[23] Jaspers K. Ibidem. P. 387.
[24] Ibidem. P. 395.
[25] Blok A. Collected Works, 8 vols. Vol. 5. M.-L.: Literature, 1962, P. 35.
[26] Bely A. On the border of Two Centuries. M.-Berlin: Helicon, 1922-1923. P. 436.
[27] Brusov V. Collected Works, 7 vols. Vol. 7. M.: Literature, 1975. P. 375.
[28] Khodasevich V. Ibidem. P. 36.
[29] Merezhkovsky D. Collected Works. Vol. 19-20. M.: I.D. Sytin Company Press, 1914. P. 203.
[30] Kosikov G.K. Two Ways of French Postmodernism: Symbolist Poetry and Lautreamont // French Symbolism Poetry. M.: MSU, 1993. P. 28.
[31] Annensky I. On Modern Lyricism // Apollo. 1909. n 2. P. 20.
[32] Hansen-Love A. Russian symbolism. System of Poetic Motif. St.-Pb.: Academic Project, 1999. P. 13.
[33] Solovyov V. Russian Symbolists // Solovyov V. Literary Criticism. M.: Sovremennik, 1990. P. 144.
[34] Solovyov V. Ibidem. P. 147.
[35] Sakulin P. Romanticism and Neo-Romanticism // Bulletin of Europe. 1915. N 3. P. 148.
[36] Stepun F. Mystical Worldview. Five Images of Russian Symbolism. St.-Pb.: Vladimir Dal Press, 2012. P. 28.
[37] Ibidem. P. 378.
[38] Kozyrev A. Solovyov and Gnostics. P. 201.
[39] Ivanov Vyach. The Native and the Universal. M.: Republic, 1994. P. 195.
[40] Solovyov V. Impressionism of Thought // Solovyov V. Philosophy of Art and Literary Criticism. M.: Art, 1991. P. 543.
[41] Bely A. Symbolism as a Worldview. P. 340.
[42] Ivanov Vyach. Ibidem. P. 148.
[43] Ibidem. P. 155.
[44] Ibidem. P. 150.
[45] Ibidem. P. 155.
[46] Ibidem. P. 225.
[47] Bely A. Symbolism as a Worldview. P. 244.
[48] Ibidem. P. 245.
[49] Koshut D. Art after Philosophy // History of Art. 2001. N 1. P. 545.
[50] Stepun F. Ibidem. P. 63.
[51] Journey to the East. Letters of Andrew Bely // East - West. Research. Translations. Publications. M.: Nauka, 1988, P. 156.
[52] Khodasevich V. Ibidem. P. 85.
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