Электронный журнал «Культура культуры» :: Benjamin Britten in the (Inter)Cultural Space

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E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

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A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

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A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

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A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos

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Shapinskaya Ekaterina Nikolaevna
Doctor of Philosophy, Professor
Russian State
University of Physical Culture.
e-mail: reenash@mail.ru

Benjamin Britten in the (Inter)Cultural Space:
texts of works and contexts of interpretation

Abstract. Various productions of B. Britten's operas are considered from the point of view of the interaction of the work with the context of its interpretation. Three models of interpretation are identified: actualization of a work in the context of its creation, that is, in its "own" culture, the transfer of a musical work into a foreign cultural context and its staging in the context of intercultural interaction. All three cases show the ability of B. Britten's works to be interesting and significant in a variety of cultural contexts, which indicates both their universal significance and the ability (post)the modern space to absorb and master musical texts, different in temporal and cultural generation.

Keywords. Work, interpretation, cultural context, intercultural interaction, text, temporality, opera, polysemy, postmodernism, authenticity

[1] Adorno T. Favorites: Sociology of Music. M.-St. Petersburg: University Book, 1999. C 176.
[2] See: Bart R. From the work to the text // Bart R. Selected works. M.: Progress, 1989. 616 p.
[3] See: Jameson F. Postmodernism, or, The Cultural logic of Late Capitalism. L.-NY: Verso, 1995. 438 p.
[4] Graham G. Philosophy of the Arts. L.-NY: Routledge, 1997. p.138.
[5] Said E. The World, the Text and the Critic. Cambridge, Mass., 1983. p.32.
[6] Tsodokov E. Debriefing in a "Dream" and in reality. "A Midsummer Night's Dream" by Britten at the Stanislavsky and Nemirovich-Danchenko Musical Theater [Electronic resource] URL: http://www.operanews.ru/12061701.html
[7] Adorno T. Philosophy of New Music. M.: Logos XXI century, 2001. C.74.
[8] Britten. M.: Rudomino Book Center, 2013. C.112.
[9] Ibid. C.113.
[10] Ibid. C.113.
[11] Ibid. C.127.
[12] Ibid. C.124.
[13] Ibid. C.125.
[14] Ibid. C.125.
[15] Ibid. C.127.
[16] Tsodokov E. Decree. op.
[17] Adorno T. Favorites: Sociology of Music. C. 74.

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

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SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS Scientific peer-reviewed electronic periodical Since 2014
	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG

Hypotheses: THEORETICAL REVIEW E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric) A.Ya. Flier. Culture as the basis of identity N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued) V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued) V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness VIEWS A.Ya. Flier. Culture as a survival system and its 5 strategies A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos Announcement of the next issue	Shapinskaya Ekaterina Nikolaevna Doctor of Philosophy, Professor Russian State University of Physical Culture. e-mail: reenash@mail.ru Benjamin Britten in the (Inter)Cultural Space: texts of works and contexts of interpretation Abstract. Various productions of B. Britten's operas are considered from the point of view of the interaction of the work with the context of its interpretation. Three models of interpretation are identified: actualization of a work in the context of its creation, that is, in its "own" culture, the transfer of a musical work into a foreign cultural context and its staging in the context of intercultural interaction. All three cases show the ability of B. Britten's works to be interesting and significant in a variety of cultural contexts, which indicates both their universal significance and the ability (post)the modern space to absorb and master musical texts, different in temporal and cultural generation. Keywords. Work, interpretation, cultural context, intercultural interaction, text, temporality, opera, polysemy, postmodernism, authenticity [1] Adorno T. Favorites: Sociology of Music. M.-St. Petersburg: University Book, 1999. C 176. [2] See: Bart R. From the work to the text // Bart R. Selected works. M.: Progress, 1989. 616 p. [3] See: Jameson F. Postmodernism, or, The Cultural logic of Late Capitalism. L.-NY: Verso, 1995. 438 p. [4] Graham G. Philosophy of the Arts. L.-NY: Routledge, 1997. p.138. [5] Said E. The World, the Text and the Critic. Cambridge, Mass., 1983. p.32. [6] Tsodokov E. Debriefing in a "Dream" and in reality. "A Midsummer Night's Dream" by Britten at the Stanislavsky and Nemirovich-Danchenko Musical Theater [Electronic resource] URL: http://www.operanews.ru/12061701.html [7] Adorno T. Philosophy of New Music. M.: Logos XXI century, 2001. C.74. [8] Britten. M.: Rudomino Book Center, 2013. C.112. [9] Ibid. C.113. [10] Ibid. C.113. [11] Ibid. C.127. [12] Ibid. C.124. [13] Ibid. C.125. [14] Ibid. C.125. [15] Ibid. C.127. [16] Tsodokov E. Decree. op. [17] Adorno T. Favorites: Sociology of Music. C. 74.	ISSN 2311-3723 Founder: OOO «Soglasie» publisher Publisher: Scientific Association of Culture Researchers Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013 The magazine is indexed: Issued quarterly in electronic form only *Issue produced by:* Editorial Director A. Flier Editor in Chief T. Glazkova Head of IT Center A. Lukyanov Our banner: Our e-mail: cultschool@gmail.com OUR PARTNERS:

	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG
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