SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

A.Ya. Flier. Cultural values and institutions: the relationship of concepts

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's Section)

A.Ya.Flier. Structuring culture according to its socio-functional specializations

N.A. Khrenov. A sociological turn in science. About the art of the XIX century: I. Ten's concept as an anticipation of a cultural turn (continued)

V.M. Rozin. Non-traditional, socio-cultural understanding of the book by Meer Shalev "Fontanella" (beginning)

 

Analytics:

HIGH ART IN MODERN CULTURE (E.N. Shapinskaya's Section)

E.N. Shapinskaya. Mass media in culture and society: from the history of cultural thought

CULTURAL REFLECTIONS

V.M. Rozin. The history of stand-up on the example of the "Amazing Mrs. Maisel" or the mosaic consciousness of modern viewers of TV series?

N.A. Khrenov. The Superman in the Russian version: philosophical aspects of the novel by F. Dostoevsky's "Demons" and V. Khotinenko's film based on this novel (ending)

A.Ya. Flier. Experience of comparing parameters of social types of modern subcultures

I.G. Antipova. Psychology and culture: perspectives of contextualism


Announcement of the next issue

 

 

Shapinskaya Ekaterina Nikolaevna
Doctor of Philosophy, Professor
Russian State
University of Physical Culture.
e-mail: reenash@mail.ru

Benjamin Britten in the (Inter)Cultural Space:
texts of works and contexts of interpretation

Abstract. Various productions of B. Britten's operas are considered from the point of view of the interaction of the work with the context of its interpretation. Three models of interpretation are identified: actualization of a work in the context of its creation, that is, in its "own" culture, the transfer of a musical work into a foreign cultural context and its staging in the context of intercultural interaction. All three cases show the ability of B. Britten's works to be interesting and significant in a variety of cultural contexts, which indicates both their universal significance and the ability (post)the modern space to absorb and master musical texts, different in temporal and cultural generation.

Keywords. Work, interpretation, cultural context, intercultural interaction, text, temporality, opera, polysemy, postmodernism, authenticity

 

[1] Adorno T. Favorites: Sociology of Music. M.-St. Petersburg: University Book, 1999. C 176.
[2] See: Bart R. From the work to the text // Bart R. Selected works. M.: Progress, 1989. 616 p.
[3] See: Jameson F. Postmodernism, or, The Cultural logic of Late Capitalism. L.-NY: Verso, 1995. 438 p.
[4] Graham G. Philosophy of the Arts. L.-NY: Routledge, 1997. p.138.
[5] Said E. The World, the Text and the Critic. Cambridge, Mass., 1983. p.32.
[6] Tsodokov E. Debriefing in a "Dream" and in reality. "A Midsummer Night's Dream" by Britten at the Stanislavsky and Nemirovich-Danchenko Musical Theater [Electronic resource] URL: http://www.operanews.ru/12061701.html
[7] Adorno T. Philosophy of New Music. M.: Logos XXI century, 2001. C.74.
[8] Britten. M.: Rudomino Book Center, 2013. C.112.
[9] Ibid. C.113.
[10] Ibid. C.113.
[11] Ibid. C.127.
[12] Ibid. C.124.
[13] Ibid. C.125.
[14] Ibid. C.125.
[15] Ibid. C.127.
[16] Tsodokov E. Decree. op.
[17] Adorno T. Favorites: Sociology of Music. C. 74.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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