SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Between America and China:
the concept of the "Other" in the formation and transformation of the civilizational identity of Russia

(continued)

Abstract. The article attempts to understand the internal and external factors of civilizational identity, in this case, in its Russian version. The article focuses on external factors, which should be understood as the concept of "Other", i.e. another civilization. In this case, the Other means both American civilization and China as a civilization. The author insists that at the turn of the twentieth and twenty-FIRST centuries, three independent civilizations – Russia, America and China-demonstrate intensive forms of interaction, which affects the transformation of the civilizational identity of Russia. This is evident in the desire to resist American hegemony, and in the turn from the West towards China, which makes the idea of Eurasians that emerged in the first decades of the last century relevant. The article takes into account the discrepancy in the time phases of the functioning of these civilizations. If America finally acquires civilizational forms and continues to experience passionate tension in the twentieth century, then, for example, China is one of the oldest civilizations. Russia, which in its history has repeatedly radically revised its civilizational identity, deserves a special discussion. Today, in its history, it is experiencing another radical turn, more oriented to the East. The author's idea is usually illustrated by the experience of cinematography.

Keywords: civilization, civilizational identity, Russia, America, China, West, Byzantium, medieval Russia, Empire, Other, internal factor, external factor, psychological factor of identity, personality type, basic personality, fracture of civilization, passionary, passionary tension, V. Solovyov, N. Danilevsky, A. Khomyakov, Slavophiles, Spengler, Toynbee, Eurasianism, stoicism, phases of civilization, panmongolism.
 

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[27] Solovyov V. Three conversations about war, progress and the end of world history, with the inclusion of a short story about the Antichrist and with appendices. Moscow, 1991. P. 12.
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[30] Ibid.
[31] Savchenkova N. Reception of elements of Eastern culture in modern author's cinema (in the films of Jim Jarmusch and Quentin Tarantino) // China. Russia. USA. Features of reflection of cultural experience in the XXI century. St. Petersburg: Troitsky Bridge, 2018. P. 204.
[32] Toroptsev S. "International brand" of Chinese cinema: director Zhang Yimou. Moscow: Ekonomika, 2008. P. 259.
[33] Ibid. P. 165.
[34] Xuguang Ch. A study of the American, Russian and Chinese remakes of the cross-cultural film "Twelve Angry Men" // China. Russia. USA. Features of the reflection of cultural experience in the XX1 century. P. 209.
[35] Sontag S. O fotografii. M.: Ad Marginem Press, 2013. P. 223.
[36] Ibid. P. 225.
[37] Horuzhiy S. Research on the Hesychast tradition. In 2 vols. Vol. 2. St. Petersburg: Publishing House of the Russian Academy of Arts, 2012.
[38] Khrenov N. A. Tarkovsky's discourse from the cultural point of view: Russian messianism without imperial discourse // Yaroslavl Pedagogical Bulletin. 2018. No. 3.
[39] Burlatsky F. Mao Zedong and his heirs. Moscow: International Relations, 1979. P. 12.
[40] Toroptsev S. Edict. op. P. 258.
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[42] The XIII Congress of the Russian Communist Party (Bolsheviks). Stenographic report. M., 1924. P. 158.
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[44] Stalin I. Sochineniya. T. 5. M., 1947. P. 384.
[45] Khrenov N. Methodological aspect of studying the history of art: the principle of "the history of art without names" in the cinematic version // Theory of Artistic Culture. Issue 16. Moscow, 2018.
[46] Fundamentals of Eurasianism. Moscow: Arktogeya-Center, 2002. P. 482.
[47] Akunin B. History of the Russian state. From the origins to the Mongol Invasion. Moscow: AST, 2015. P. 370.
[48] Trubetskoy N. The Legacy of Genghis Khan. M., 2007. P. 306.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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