SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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New Year's greetings (In Russian)

Hypothesis:

The 70th ANNIVERSARY of A. Y. FLIER

O. N. Volkostrelov, A. Ya. Flier. Culture is a program of group adaptive behavior of people. Interview

I. M. Bykhovskaya, O. I. Goryainova. Socialization and inculturation of the individual: a comparative analysis of socially significant practices

G. V. Drach. On cultural variability and social dynamics (referring to the works of A. Ya. Flier)

A.V. Kostina. A. Ya. Flier's concept of culture and its role in the development of Russian cultural studies

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. From the culture of modernity to the "post-culture"

N. A. Khrenov. Between america and china: the concept of the "other" in the formation and transformation of russia's civilizational identity (beginning)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Shapinskaya. "Ah, it's not hard to deceive me..." Love games in cyberspace

CULTURAL REFLECTIONS

N. A. Khrenov. Culture and historical memory (beginning)

A. Ya. Flier. Power and culture: self-organization of society according to the model of vertical hierarchy


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Culture and historical memory (beginning)

Abstract. The article is devoted to the interest of modern cinema in history and its artistic interpretations as a form of manifestation of the historical memory of society. The method of using historical allusions to illustrate the Director's ideas is also considered. At the same time, the superiority of the cyclical civilizational view of history over the linear evolutionary one is asserted.

Keywords. History, memory, cinema, allusions, cyclical course of history, artistic interpretation.


[1] Kagan M. Introduction to the history of world culture: in 2 vol. Vol. 2. St. Peterburg: Petropolis, 2003. P. 93.
[2] Assmann A. Transformations of the new regime of time // August, the twentieth century: Transformation of the life of a private man in the age of social cataclysms. Vol. 1. Moscow: New literary review, 2014. P. 29.
[3] Ibid. P. 29.
[4] Assmann A. Cultural memory. Moscow, 2004.
[5] Halbwachs M. The Collective and historical memory // Neprikosnovennyi zapas. 2005. No. 2-3.
[6] Le Goff J. History and memory. Moscow: ROSSPEN, 2013.
[7] Savelyeva I., Poletaev A. «Historical memory»: on the question of the boundaries of the concept // Phenomenon of the past. Moscow, 2005.
[8] Khrenov N. Transitivity as a consequence of oscillatory processes between the culture of the sensual and the culture of the ideational type // Transition processes in Russian art culture: The modern and contemporary history / Ed. N. A. Khrenov. Moscow: Nauka, 2003.
[9] Khrenov N. Russian culture at the crossroads of the West and the East. Russia as the subconscious of the West. Vostok kak podsoznanie Rossii [the East as the subconscious of Russia]. 2013. No. 3-4. P. 110.
[10] Makovsky S. Silhouettes of Russian artists. Moscow, 1999. P. 70.
[11] Bely A. Symbolism as a worldview. Moscow: Respublika, 1994. P. 26.
[12] Le Goff J. Edict. op. P. 9.
[13] Jaspers K. Nietzsche. Introduction to the understanding of his philosophizing. St. Petersburg: Vladimir Dal’, 2004. P. 476.
[14] Zedlmayr H. Art and truth. On the theory and method of art history. Moscow, 1999. P. 192.
[15] Pascal B. Thoughts. Moscow, 2009. P. 21.
[16] Toynbee A. Comprehension of history. Moscow: Progress, 1991. S. 434.
[17] Voznesensky A. Collected works: in 3 vol. Vol. 2. Moscow, 1984. P. 199.
[18] Herzen A. Collected works: in 30 vol. Vol. 2. Moscow, 1954. P. 217.
[19] Ibid. P. 294.
[20] Augustin A. Confessions of blessed Augustine, Bishop of Hippo. Moscow: Renaissance, 1991. P. 290.
[21] Assman A. Transformations of the new regime of time. P. 17.
[22] Ibid. P. 18.
[23] Toffler A. Futuroshok. St. Peterburg, 1997.
[24] Marinetti T. Manifesto of futurism // Manifesto. Modernity through the eyes of radical utopians. Arts, Politics. Deviation. Moscow: Devastator, 2014. P. 7.
[25] Ibid. P. 5.
[26] Habermas Yu. Philosophical discourse on modernity. Moscow: Vse Mir, 2003. P. 13.
[27] Florovsky G. Ways of Russian theology. Kiev, 1991. P. 500.
[28] Ibid. P. 501.
[29] Baudrillard J. America. St. Petersburg: Vladimir Dal’, 2000. P. 147.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

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T. Glazkova

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