SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORY OF CULTURAL GENESIS

I. V. Kondakov. Culturogenesis to culturogenesis (from diamond to «cat music»)



Discussions:

IN THE SEARCH FOR THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section)

A. Ya. Flier. The Culture of Evil

N. A. Khrenov. Between America and China: the Concept of the «Other» in the Formation and Transformation of the Civilizational Identity of Russia (continued)

N. A. Khrenov. Culture and Historical Memory (end)



Analytics:

HIGH ART IN THE CULTURE OF MODERNITY (E. N. Shapinskaya’sSectoin)

E. N. Shapinskaya. Subject positions in musical cognitivism: from interpretation to reflection. About the books by J. Bostridge«Schubert's Winter Journey» and J. E. Gardiner «Music in the Heavenly City»

N. Yu. Lukina. Up-to-date and up-to-date. Repeatable and unique. Stupid and eternal

CULTURAL REFLECTIONS

V. M. Rozin. The Psyche of the Deviant Personality in the Mirrors of Family and Culture (following the book «Multiple Minds of Billy Milligan» by Daniel Keyes)

V. I. Grachev. Communication is the connecting substance

M. I. Kozyakova. Screen culture as multiplication of space: Paradoxes of new worlds

REVIEWS, MESSAGES, MATERIALS

E. N. Shapinskaya. Creativity, life, fate: a subjective view of the philosopher. About the book by V. M. Rozin«The World of the artist Roman Faerstein. The life and work of Lyubov and Anna Zimonenko»


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Culture and historical memory
(end)

Abstract. The article is devoted to the interest of modern cinema in history and its artistic interpretations as a form of manifestation of the historical memory of society. The method of using historical allusions to illustrate the Director's ideas is also considered. At the same time, the superiority of the cyclical civilizational view of history over the linear evolutionary one is asserted.

Keywords: history, memory, cinema, allusions, cyclical course of history, artistic interpretation.
 

[30] Le Goff J. History and memory. Moscow, ROSSPAN, 2013. P. 2.
[31] Ibid. P. 82.
[32] Huizinga J. Shadows of tomorrow. Man and culture. Darkened world. St. Peterburg: 2010. P. 174.
[33] Habermas Yu. Edict. Op. P. 95.
[34] Adorno Vol. What does "working out the past" mean? // Inviolable reserve. 2005. No. 2-3. P. 38.
[35] Le Goff J. Decree. Op. P. 14.
[36] Sinyavsky A. Literary process in Russia. Moscow, 2003. P. 179.
[37] Ibid. P. 183.
[38] Khrenov N. The history of cinema in the 1970s: the history of the change of generations or the history of the change of vision systems? // Yaroslavl Pedagogical Bulletin. 2017. No. 1. P. 253.
[39] Simmel G. Kriziskultury // Simmel G. Izbrannoe. Vol. 1. Filosofiyakultury. Moscow, 1996. P. 490.
[40] Levi-Strauss K. Mythologiki. T. 1. Raw and cooked. Moscow-St. Peterburg, 2000. P. 26.
[41] Habermas Yu. Decree. Op. P. 118.
[42] Ibid. P. 100.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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T. Glazkova

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