SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
Scientific peer-reviewed electronic periodical |
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Hypotheses: THEORETICAL REVIEW E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge
Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric) A.Ya. Flier. Culture as the basis of identity V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development
Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction
VIEWS A.Ya. Flier. Culture as a survival system and its 5 strategies A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos Announcement of the next issue
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![]() ![]() Khrenov Nikolai Andreevich, Doctor of Philosophy, Professor, the Gerasimov Russian State University of Cinematography e-mail: nihrenov@mail.ru Culture and Utopia: Medieval Complex of Utopism in the History of Russia (Part 1) Abstract. The first part of the article is dedicated to peripeties of interaction and development of avant-garde and conservatism trends in the first third of the 20th century. It is considered both in the spheres of art and politics, as well as in the context of their common utopian origin in ideology and mass consciousness. The author focuses on development of the Soviet prewartime cinematography, influencing the mass ideology to the greatest extent. Key words. Culture, symbolism, avant-garde, futurism, passeism, conservatism, utopia, mythological origin, imperial ideology.
[1] Zeldmayer H. Art and Truth: Theory and Method of History of Art. М.: Iskusstvoznaniye, 1999. P. 192.
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ISSN 2311-3723
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