SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORY OF CULTURE

A.Ya. Flier. A systematic model of the social functions of culture

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's column)

A.V. Kostina, A.Ya. Flier. Ternary functional model of culture (continued)

V.M. Rozin. Features and constitution of musical reality

N.A. Khrenov. Russian culture at the turn of the XIX-XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

 

Analytics:

CULTURAL REFLECTIONS

I.V. Kondakov. The cat as a cultural hero: from Puss in Boots to Schrodinger's Cat

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)

I.E. Isakas. Hypothesis. The Christmas tree is a symbol of the second coming of Christ

THE DUEL

A.Ya. Flier. Is culture inevitable? (on the limits of the social usefulness of culture) (Philosophical dystopia)

A.A. Pelipenko. Culture as an inevitability (on the subjective status of culture)


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Culture and Utopia: Medieval complex of utopism
in the history of Russia (ending)

Abstract. The second part of the article continues discussion on twists and turns of interaction and development of avant-garde and conservative trends in Russian culture in the first third of the 20th century. The author covers the process both in artistic and political spheres, as well as in their common utopian evolution in ideology and mass consciousness, with his dwelling upon development of the Soviet cinematography, making the most forceful impact on mass ideology.

Key words. Culture, symbolism, avant-garde, modernity, futurism, passionism, conservatism, utopia, mythological origin, imperial ideology.



[23] Eisenshtein S.M Memoirs. Vol. 2. P. 60.
[24] Ibid. P. 315.
[25] Eisenshtein S.M Memoirs. Vol. 1. С. 58.
[26] Eisenshtein S.M. Memoirs. Vol. 2. С. 61.
[27] Panchenko A.M. Religious Utopia of Russian Mystic Sects // Russian Utopias. P. 219.
[28] Etkind А.М. The Flagellant: Sects, Literature and Revolution. М.: Novoye Literaturnoye Obozreniye, 1998. P. 671.
[29] Eisenshtein S.M Memoirs. Vol. 2. P. 303.
[30] Ibid. P. 5.
[31 Ibid. P. 13.
[32] Ibid. P. 22.
[33] Ibid. P. 341.
[34] Ibid. P. 12.
[35] Ibid. P. 419.
[36] Eisenshtein S.M. Method. Vol. 1. P. 38.
[37] Eisenshtein S.M. Method. Vol. 2. P. 449.
[38] Ibid. P. 125.
[39 Ibid. P. 155.
[40] Krauss R. Le Photographique: Pour une théorie des écarts. М.: Ad Marginem Press, 2014. P. 132.
[41] Benjamin V. The Work of Art in the Age of Its Mechanical Reproduction. М.: the Goethe Cultural Centre  «MEDIUM», 1996. P. 60.
[42] Ivanov V.V. Essays on Prehistory of Semiotics // Ivanov V. Selected Works on Semiotics and History of Culture. Vol. 1. М.: Yaziki Russkoi Kultury, 1998. P. 749.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

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