SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 
 
Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Deputy Director of the Expert-Analytical center
for Development of Educational Systems
in the sphere of culture,
Lykhachev Russian Research Institute
for Cultural and Natural Heritage
e-mail: reenash@mail.ru

Culture in Digital Epoch:
Cultural Meanings and Aesthetic Values

Abstract. The article examines the problem of fate of art works in the epoch of predominance of Internet culture and digitalization. Basing on the essay by W.Benyamin “The work of Art in the Epoch of its Mass Representation” the author develops the idea about the contradictory character of influence of modern technologies on art works. On the one hand, due to digitalization and strategies of mass culture classical art becomes available all over the world. On the other hand, it does not mean its adequate perception by unprepared audience. The conclusion is made about the necessity of systematic art and aesthetic education, so that vast information about art and its works could serve the development of aesthetic and ethic values of our contemporaries.         

Keywords. Culture, art, technology, perception, digitization, informatization, globalization, aesthetic values, classical heritage.

The article was prepared with the support of Russian Foundation for Humanities. Grant N 14-03-00035.
[1] Benjamin W. The Work of Art in the Age of Mechanical Reproduction // Film Studies Journal. 1988. N 2. P. 152-167.
[2] Shapinsky E.N. Studies of Popular Culture. M.: Academic Project, 2008. P. 31.
[3] Benjamin W. Ibidem. P. 165.
[4] Ibidem.
[5] Ibidem.
[6] Ibidem. P. 167.
[7] Hardison, Jr., O.B. Disappearing through the Skylight. Culture and technology in the Twentieth Century. NY.: Penguin, 1990. Р. XII.
[8] Samohvalova V.I. Creativity: A Gift From Above. The Cosmic Principle. The Tribal Identity of Man. M.: Peoples’ Friendship University, 2007. P. 488.
[9] Ibidem. P. 491.
[10] Ibidem. P. 472.
[11] Hardison, Jr., O.B. Op. cit. Р. 231-232.
[12] Lebrecht N. When the Music Stops: managers, maestros and the corporate murder of classical music. M.: Classics – XXI, 2010. P. 482.
[13] Ibidem.
[14] Ibidem. P. 483.
[15] Shapinskaya E.N. Ibidem. P. 32.
[16] For more details see: Kordyukova O. A Bridge to the Past – A Step into the Future // Musical life. 2015. N 1. P. 44.
[17] Kotler F., Scheff J. Standing Room Only: Strategies for Marketing the Performing Arts. M.: Classics - XXI, 2012. P. 449.
[18] Ibidem. P. 636.
[19] Ibidem. P. 637.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

Editor in Chief
T. Glazkova

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A. Lukyanov

 

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