SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

 

Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (ending)

Abstract. The article is devoted to the transformation of the main parameters of theatrical art and techniques of theatrical expression in the context of cultural innovations of the twentieth century, mass communications, changes in global cultural orientations that caused a change in the theatrical language, the orientation of culture to "grammar", etc.

Keywords: theater, cinema, experiment, grammar, culture, reorientation, mass communication.
 

[59] Vsevolodsky V. Amphitheater // Bulletin of theater and art. Petrograd 1922. No. 2. P. 5.
[60] Meyerhold V. Articles. Letters. Speeches. Conversations: in 2 vols. 1. Moscow: Iskusstvo, 1968. P. 212.
[61] Yampolsky M. At the origins of cinema poetics. The Experience Of Georges Méliès // Art of cinema. 1981. No. 3. P. 146.
[62] Meyerhold V. Edict. Op. T. 1. P. 218.
[63] Ibid., Vol. 1. P. 222.
[64] Arto A. Theater and its double. Saint Petersburg: Symposium, 2000. P. 178.
[65] Trubochkin D. "It's all right! The elder dances...": Roman Comedy of the cloak in action, Moscow: GITIS, 2005. P. 350.
[66] Ibid. P. 357.
[67] Ibid. P. 358;
[68] Forreger N. avant-Garde art and music hall // Hermitage, 1922, No. 7. P. 6.
[69] Ibid. P. 6.
[70] Kozintsev G. Collected works: in 5 vols. Vol. 2. L.: Iskusstvo, 1983. P. 49.
[71] Ibid. P. 49.
[72] Ivanov V. Vs. Essays on the history of semiotics in the USSR. Moscow: Nauka, 1976. P. 127.
[73] Fischer-Lichte E. Aesthetics of performativity, Moscow: Kanon-Plus, 2015. P. 94.
[74] Eisenstein S. Method. Vol. 1. M., 2002. P. 125.
[75] Ibid. P. 123.
[76] Eichenbaum B. Problems of film studies // Poetika Kino. M-L.: Kinopechat, 1927. P. 23.
[77] Benveniste E. General linguistics, Moscow: Progress, 1974, P. 125.
[78] Bazin A. What is cinema? Moscow: Iskusstvo, 1972. P. 151.
[79] Piotrovsky A. On the theory of film genres // Poetics of cinema. M-L.: Minopacity, 1927. P. 155.
[80] Zorkaya N. at the turn of the century. At the origins of mass art in Russia 1900-1910. Moscow: Nauka, 1976. P. 193.
[81] Propp V. Morphology of fairy tales. M., 1969. P. 106.
[82] Eisenstein S. Ibid. P. 1074.
[83] Ivanov V. Vs. Essays on the history of semiotics in the USSR. Moscow: Nauka, 1976. P. 121.
[84] Eichenbaum B. Edict. Op. 17.
[85] Ibid. P. 29.
[86] Bachelis T. Shakespeare and Craig. M.: Nauka, 1983. P. 155.
[87] Ibid. P. 155.
[88] Eisenstein S. Decree. Op. P. 128.
[89] Ibid.

 

 

ISSN 2311-3723

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OOO «Soglasie» publisher

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Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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