SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
Scientific peer-reviewed electronic periodical |
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Hypotheses: THE THEORY OF CULTURE E.A. Orlova. The anthropological foundations of scientific knowledge
Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section) A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued) V.M. Rozin. Some features of modern art V.I. Ionesov. Memory of things in images and plots of cultural introspection
Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Social and organizational functions of culture M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued) Announcement of the next issue
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Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Director of Education in the sphere of Culture,
Russian Institute of Cultural Research.
e-mail: reenash@mail.ru
Dobrenkova Olga Panteleevna
Chief Structural Engineer, Aerodinamika LLC
e-mail: dobrenkova-olga@yandex.ru
Dialog about The Marriage of Figaro:
problem of power and resistance in Beaumarchais’s play and Mozart’s opera:
interpretation in different contexts
Abstract: The authors discuss the problem of power relations and their representations depending on historic and cultural context. In liminal periods traditional binarisms, such as "Power/Resistance", "Dominance/Subjugation" change their meanings up to reversal of the opposition. In postmodern culture, with its tendency to deconstruction of binary oppositions, counterposing of these concepts is dispersed in the general fragmented space of "postculture", with its absence of a clear value-system and hierarchical order of cultural phenomena. As an illustration the analysis of Beaumarche's "The Marriage of Figaro" and Mozart's opera written on its plot has been carried out. The authors examine several productions of the opera in which the policy of representation of power relations is most manifest as well as the semantic shift in interpretation of the characters and the plot depending on cultural dominants of the epoch and on subject position of producers and performers.
Key words: Power, dominance, subjugation, interpretation, representation, opposition, binarism, culture, tradition, context, liminality, deconstruction
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ISSN 2311-3723
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