SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses

CULTURE AND LIFE

V.M. Rozin. Life as understanding being



Discussions

SEARCHING THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier’s Section)

A.Ya. Flier. Art in culture or culture in art?

N.А. Khrenov. Revolution and culture: desacralisation of revolution in Russian cinema of the turn of XX-XXI centuries (continuation)

N.А. Khrenov. Desacralisation of the Russian revolution of 1917 as a problem today: M. Gorky's novel "Life of Klim Samgin" in this perspective (continuation)

V.I. Grachev. Information-isomorphic basis of communicative paradigm of culture 2



Analytics

HIGH ART IN CONTEMPORARY CULTURE (E. Shapinskaya’s Section)

E.N. Shapinskaya. Monster as a cultural hero: representations of monstrosity in popular culture (ending)

E.N. Shapinskaya. Eternal values of cultural heritage, creativity and interpretative dyslexia (interview with O. Stefanov)

CULTURAL REFLECTIONS

N.А. Khrenov. Culture and game: activation of the game instinct in the era of transition from the middle ages to Imperial Russia (beginning)

V.G. Vlasov, N.Yu. Lukina. Stanze 5, 6, 7, 8… From talks of the philologist with researcher of art

V.I. Grachev. Cultures the phenomenon of apophatic "the Dialectics of myth" by A. F. Losev in the context topochron-axiogenic paradigm of culture

A. N. Kovalev. Divine proportion in search of the Renaissance (beginning)

REPUBLICATION

A.Ya. Flier. The birth of the temple: the experience of human self-determination in time (beginning)


Information on a forthcoming issue

 

 
 
Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor, 
Director of Education in the sphere of Culture, 
Russian Institute of Cultural Research. 
 
Dobrenkova Olga Panteleevna
Chief Structural Engineer, Aerodinamika LLC 
 
 
Dialog about The Marriage of Figaro:
problem of power and resistance in Beaumarchais’s play and Mozart’s opera:
interpretation in different contexts
 
 
Abstract: The authors discuss the problem  of power relations and their representations depending on historic and cultural context. In liminal periods traditional binarisms, such as "Power/Resistance", "Dominance/Subjugation" change their meanings up to reversal of the opposition. In postmodern culture, with its tendency to deconstruction of  binary oppositions, counterposing of these concepts is dispersed in the general fragmented space of "postculture", with its absence of a clear value-system and hierarchical order of cultural phenomena. As an illustration the analysis of Beaumarche's  "The Marriage of Figaro" and Mozart's opera written on its plot has been carried out. The authors examine several productions of the opera in which the policy of representation of power relations is most manifest as well as the semantic shift in interpretation of the characters and the plot depending on cultural dominants of  the epoch and on subject position of producers and performers.
 
Key words: Power, dominance, subjugation, interpretation, representation, opposition, binarism, culture, tradition, context, liminality, deconstruction
 
[1] Bella Ezerskaya. Seagull.№23(58)  http://www.chayka.org/article.php?id=991
[2] URL http://www.belcanto.ru/figaro.html 
[3] Beaumarchais. Selected Works. Vol.1. Moscow: Khudozhestvennaya Literatura, 1966. P. 265.
[4] Ibidem. P. 266
[5] Bella Ezerskaya. Seagull.№23(58) // URL  http://www.chayka.org/article.php?id=991
[6] Ibidem.
[7] Einstein A. Mozart. His Character. His Work. Oxford University Press, 1966. P. 430
[8] Ibidem. P 431
[9] URL http://www.belcanto.ru/figaro.html 
[10] Einstein A. Mozart. Р. 432
[11] Artamonov S.D. Beaumarchais’s Comedy Theater // Beaumarchais. Selected Works. Vol. 1. Theatre. Moscow: Khudozhestvennaya Literatura, 1966. P. 19
[12] Ibidem.
[13] http://arsl.ru/?page=40 
[14] Tito Gobbi. World of Italian Opera. Moscow: Raduga, 1989. P. 51. 
[15] Ibidem.
[16] Luhman N. Love as Passion. The Coification of Intimacy. Cambridge: Polity Press, 1986. P.87
[17] http://intoclassics.net/news/2011-10-14-25500
[18] Oreshenkova S. Jean-Pierre Ponnel: Master Inanimate Pictures.
URL http://www. kinozapiski.ru/data/home/articles/attache/266-327_oreshenkova.pdf  
[19] URL http://www.simonkeenlyside.info/index.php/performances/performances-opera
/nozze-di-figaro-mozart-count-almaviva/2007-01-vienna-nozze-di-figaro/ 
[20] URL http://www.google.ru/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=
&cad=rja&docid=P-HPvtaRuBOf3M&tbnid=19eaWv5732htnM:&ved=0CAQQjB0&url=
http%3A%2F%2Fblog.joins.com%2Fmalipres%2F6053968&ei=
SsvbUt7MMsaN4wSbi4CADQ&bvm=bv.59568121,d.bGE&psig=
AFQjCNHRaSDPt0hnvJs3vmwwevwnEeT7Fw&ust=1390222465671457)  
[21] Oreshenkova S. Ibidem. 
[22] Artamonov S.D. Beaumarchais’s Comedy Theate. P 19[23]
[24] Ibidem
[25] URL http://ru.wikipedia.org/wiki/%D0%A4%D0%B8%D0%B3%D0%B0%D1%80%D0%
BE#.D0.9F.D1.80.D0.BE.D0.B8.D1.81.D1.85.D0.BE.D0.B6.D0.B4.D0.B5.D0.BD.D0.B8.D0.B5
[26] Strutzer M.W. Figaro in the Age of Enlightenment or Art as thePprophecy of Politics as Well as the Offspring of Ability // Wolfgang Amadeus Mozart. Le Nozze di Figaro. Monarda Publishing House, 2006
[27] Turner V. Liminality and Community // Culture and Society. Contemporary debates. Cambridge: Cambridge University Press, 1995. P.147
[28] URL http://arsl.ru/?page=40.  
[29] Vipper Y.B. Artistic Fate and History. Moscow: Khudozhestvennaya Literatura, 1990. P.207-209
 [30] https://www.facebook.com/capodilupo.angelo/media_set?set=a.10200994189488401. 1073741992.1576788389&type=3)
[31]. (http://www.simonkeenlyside.info/index.php/performances/performances-opera/don- giovanni- mozart/ 2008-9-roh-london-don-giovanni/) 
[32]. URLhttp://www.lastfm.es/music/Simon+Keenlyside/+images/23603867) 
[33]. Baudrillard J. The Transparency of Evil. Moscow: Dobrosvet, 2009. P. 8. 
[34]  URL https://www.facebook.com/capodilupo.angelo/media_set?set=a.10200991543582255.
1073741991.1576788389&type=3)RLhttps://www.faceb ook.com/capodilupo.angelo/media_
set?set=a.10200991543582255.1073741991.1576788389&type=3) 
[35] https://www.facebook.com/photo.php?fbid=403050803124483&set=a.277500055679559. 59136.276911642405067&type=1&theater
[36]https://www.facebook.com/photo.php?fbid=304180459708688&set =pb.283112495148818.- 2207520000.1390646771.&type=3&theater 
 
 

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

Editor in Chief
T. Glazkova

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A. Lukyanov

 

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