SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORY OF CULTURE

A. Ya. Flier. Paradigms and Schools of the Theory of culture of modern Russian cultural studies

 

Discussions:

IN THE SEARCH FOR THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section)

N. A. Khrenov. Between America and China: the Concept of the “Other” in the Formation and Transformation of the Civilizational Identity of Russia (continued)

V. M. Rozin. The Mission of Russia and its Relations to Europe in the Diaries of the Writer by F. M. Dostoevsky

T. V. Glazkova. The main concepts of Russian culture in the education system

 

Analytics:

HIGH ART IN THE CULTURE OF MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Shapinskaya. Spaces of consumerism in popular culture: shopping center in an urban environment

CULTURAL REFLECTIONS

N. A. Khrenov. How to think of going beyond the boundaries of culture: Systemic and non-systemic levels of cultural functioning (beginning)

M. I. Kozyakova. Cultural Studies – yesterday, today, tomorrow

V. I. Grachev. The phenomenology of sociocultural communication as a special Substance of Culture

REPUBLIKATSIYA

A. Ya. Flier. Woman as a cultural text


Announcement of the next issue

 

 
 
Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor, 
Director of Education in the sphere of Culture, 
Russian Institute of Cultural Research. 
 
Dobrenkova Olga Panteleevna
Chief Structural Engineer, Aerodinamika LLC 
 
 
Dialog about The Marriage of Figaro:
problem of power and resistance in Beaumarchais’s play and Mozart’s opera:
interpretation in different contexts
 
 
Abstract: The authors discuss the problem  of power relations and their representations depending on historic and cultural context. In liminal periods traditional binarisms, such as "Power/Resistance", "Dominance/Subjugation" change their meanings up to reversal of the opposition. In postmodern culture, with its tendency to deconstruction of  binary oppositions, counterposing of these concepts is dispersed in the general fragmented space of "postculture", with its absence of a clear value-system and hierarchical order of cultural phenomena. As an illustration the analysis of Beaumarche's  "The Marriage of Figaro" and Mozart's opera written on its plot has been carried out. The authors examine several productions of the opera in which the policy of representation of power relations is most manifest as well as the semantic shift in interpretation of the characters and the plot depending on cultural dominants of  the epoch and on subject position of producers and performers.
 
Key words: Power, dominance, subjugation, interpretation, representation, opposition, binarism, culture, tradition, context, liminality, deconstruction
 
[1] Bella Ezerskaya. Seagull.№23(58)  http://www.chayka.org/article.php?id=991
[2] URL http://www.belcanto.ru/figaro.html 
[3] Beaumarchais. Selected Works. Vol.1. Moscow: Khudozhestvennaya Literatura, 1966. P. 265.
[4] Ibidem. P. 266
[5] Bella Ezerskaya. Seagull.№23(58) // URL  http://www.chayka.org/article.php?id=991
[6] Ibidem.
[7] Einstein A. Mozart. His Character. His Work. Oxford University Press, 1966. P. 430
[8] Ibidem. P 431
[9] URL http://www.belcanto.ru/figaro.html 
[10] Einstein A. Mozart. Р. 432
[11] Artamonov S.D. Beaumarchais’s Comedy Theater // Beaumarchais. Selected Works. Vol. 1. Theatre. Moscow: Khudozhestvennaya Literatura, 1966. P. 19
[12] Ibidem.
[13] http://arsl.ru/?page=40 
[14] Tito Gobbi. World of Italian Opera. Moscow: Raduga, 1989. P. 51. 
[15] Ibidem.
[16] Luhman N. Love as Passion. The Coification of Intimacy. Cambridge: Polity Press, 1986. P.87
[17] http://intoclassics.net/news/2011-10-14-25500
[18] Oreshenkova S. Jean-Pierre Ponnel: Master Inanimate Pictures.
URL http://www. kinozapiski.ru/data/home/articles/attache/266-327_oreshenkova.pdf  
[19] URL http://www.simonkeenlyside.info/index.php/performances/performances-opera
/nozze-di-figaro-mozart-count-almaviva/2007-01-vienna-nozze-di-figaro/ 
[20] URL http://www.google.ru/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=
&cad=rja&docid=P-HPvtaRuBOf3M&tbnid=19eaWv5732htnM:&ved=0CAQQjB0&url=
http%3A%2F%2Fblog.joins.com%2Fmalipres%2F6053968&ei=
SsvbUt7MMsaN4wSbi4CADQ&bvm=bv.59568121,d.bGE&psig=
AFQjCNHRaSDPt0hnvJs3vmwwevwnEeT7Fw&ust=1390222465671457)  
[21] Oreshenkova S. Ibidem. 
[22] Artamonov S.D. Beaumarchais’s Comedy Theate. P 19[23]
[24] Ibidem
[25] URL http://ru.wikipedia.org/wiki/%D0%A4%D0%B8%D0%B3%D0%B0%D1%80%D0%
BE#.D0.9F.D1.80.D0.BE.D0.B8.D1.81.D1.85.D0.BE.D0.B6.D0.B4.D0.B5.D0.BD.D0.B8.D0.B5
[26] Strutzer M.W. Figaro in the Age of Enlightenment or Art as thePprophecy of Politics as Well as the Offspring of Ability // Wolfgang Amadeus Mozart. Le Nozze di Figaro. Monarda Publishing House, 2006
[27] Turner V. Liminality and Community // Culture and Society. Contemporary debates. Cambridge: Cambridge University Press, 1995. P.147
[28] URL http://arsl.ru/?page=40.  
[29] Vipper Y.B. Artistic Fate and History. Moscow: Khudozhestvennaya Literatura, 1990. P.207-209
 [30] https://www.facebook.com/capodilupo.angelo/media_set?set=a.10200994189488401. 1073741992.1576788389&type=3)
[31]. (http://www.simonkeenlyside.info/index.php/performances/performances-opera/don- giovanni- mozart/ 2008-9-roh-london-don-giovanni/) 
[32]. URLhttp://www.lastfm.es/music/Simon+Keenlyside/+images/23603867) 
[33]. Baudrillard J. The Transparency of Evil. Moscow: Dobrosvet, 2009. P. 8. 
[34]  URL https://www.facebook.com/capodilupo.angelo/media_set?set=a.10200991543582255.
1073741991.1576788389&type=3)RLhttps://www.faceb ook.com/capodilupo.angelo/media_
set?set=a.10200991543582255.1073741991.1576788389&type=3) 
[35] https://www.facebook.com/photo.php?fbid=403050803124483&set=a.277500055679559. 59136.276911642405067&type=1&theater
[36]https://www.facebook.com/photo.php?fbid=304180459708688&set =pb.283112495148818.- 2207520000.1390646771.&type=3&theater 
 
 

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

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T. Glazkova

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A. Lukyanov

 

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