SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

A.Ya. Flier. A systematic model of the social functions of culture

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's column)

A.V. Kostina, A.Ya. Flier. Ternary functional model of culture (continued)

V.M. Rozin. Features and constitution of musical reality

N.A. Khrenov. Russian culture at the turn of the XIX-XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

 

Analytics:

CULTURAL REFLECTIONS

I.V. Kondakov. The cat as a cultural hero: from Puss in Boots to Schrodinger's Cat

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)

I.E. Isakas. Hypothesis. The Christmas tree is a symbol of the second coming of Christ

THE DUEL

A.Ya. Flier. Is culture inevitable? (on the limits of the social usefulness of culture) (Philosophical dystopia)

A.A. Pelipenko. Culture as an inevitability (on the subjective status of culture)


Announcement of the next issue

 

 

Kozyakova Maria Ivanovna
Doctor of Philosophy, Professor,
The Schepkin Higher Theatre School
under the Russian State Maly Theatre
e-mail: markoz@yandex.ru

The evolution of the screen: the myths of modern culture

Abstract. Doing for centuries, from protective devices to the final element of complex electronic devices, the screen appears as a symbol of the information age. The screen returns to human civilization to the archaic magic, directly experienced sensations in the world. The article describes the evolution of the screen, the formation of screen culture and its components, the virtuality and the imagery of contemporary media with the aim of realizing the actualization of archaic.   
 
Keywords. Screen, screen culture, imagery, mythologism, magic, cinema, television.
 

[1] McLuhan M. The Remedy Itself is the Content // Information Society. Coll. Moscow: AST, 2004. C. 345.
[2] Fran. Ecran can be translated as a screen. See, for example: Large Encyclopedic Dictionary. Moscow: Nauka, 2000.
[3] Castells M. Information Age: Economy, Society and Culture. Moscow: State University Higher School of Economics, 2000. P. 316.
[4] McLuhan М. Op. cit. P. 346.
[5] Manovich L. Archaeology of the Сomputer Screen// New Audiovisual Technologies: a Collection of Articles. S.-Petersburg: Dmitry Bulanin», 2011. P. 55.
[6] Alberti L.B. Three books about painting // Masters of art about art. In 7 vols. Vol. 2. Renaissance.  Moscow: Iskusstvo, 1966. P. 29.
[7] Cultural and Linguistic Diversity in the Information Society. Ministry of Culture and Mass Communications of the Russian Federation, Roc. com. UNESCO programmes  «Information for All», S.-Petersburg, 2004 [e-resource]. URL: http://sif.vniidad.ru›index.php? … notices/index/IdNotice.   
[8] Ibid.
[9] Prokhorov A.V., Razlogov K.E., Ruzin V.D. Culture of the Coming Millennium//Questions of Philosophy. 1989. № 6.
[10] Eko U. From the Internet to Guttenbergu: Text and Hypertext (excerpts from the public lecture by Umberto Eko at the economic faculty of Moscow State University on May 20, 1998) [e-resource]. URL: http://philosophy.ru/library/eco/internet.html.  
[11] Tarkovsky A. Imprinted time//New audiovisual Technologies: collection of articles. S.-Petersburg: "Dmitry Bulanin", 2011. P. 121-122.
[12] Sadul G. Charlie's life. Moscow: Progress, 1965 [e-resource]. URL: http://itexts.net›avtor-zhorzh-sadul/232127-zhizn-charli.
[13] Manovich L. Op. cit. P. 59.
[14] Dukov E.V. Network: Public and Art. Moscow: State Institute of Art Studies, 2016.
[15] Cultural and Linguistic Diversity in the Information Society.
[16] Eko U. Op. cit.
[17] In a folded, compressed form, in potency, it can be kept indefinitely, almost forever, especially when it comes to modern media. You can also remember the films "put on the shelf", which are known only after the post-mortem, when their "imprisonment" ends.
[18] Jung K Present and Future/Analytical Psychology. M: Martys, 1995.
[19] As noted in the Dictionary of Antiquity, only with III c. our era Magic has become Associated with Witchcraft. The Term itself Comes from the Name of the Priestly Caste in the mussels in Persia. See: Dictionary of Antiquity. Moscow: Progress, 1989.
[20] Jung K. G. Structure of Psyche and Archetypes. Moscow: Academic Prospectus, 2007. P. 125.
[21] Enantiodromy - run to meet. The idea of enantiodromy belongs to Heraclitus.
[22] Ionin L.G. New Magical Era // Logos. 2005. № 2 (47). P. 157.
[23] Markov B.V. Man in the age of mass media (symbols of the epoch Internet)//Information society: collection. Moscow: AST, 2004. P. 502.   
[24] His role in the history of Western civilization is considered in detail in the fundamental work of E. Gland "The Phenomenon of Visual. From Ancient Origins to the beginning Twenty Century ". Moscow: Progress-Tradition, 2012.
[25] Ogurchikov P.K. Screen culture as a new mythology (on the example of cinema): author's abstract. dis ... Doct. culturology. S.-Petersburg,  2008.
[26] Bart R. Mythology. Moscow: Academic Project, 2008. P. 252.
[27] Jung K. Present and Future/Analytical Psychology. Moscow: Martis, 1995. P. 221.
[28] Folk Russian Fairy Tales by A.N. Afanasyev: in 3 vol. Moscow: Nauka, 1984-1985. Т. 3. P. 87.
[29] Mihalkovich. Film and television, or the similarities // New Audiovisual Technologies. S.-Petersburg: "Dmitry Bulanin", 2011. P. 367.
[30] In the Encyclopaedic Dictionary by Brockhaus and Efron Mirror, in which one can see what is being done around the world, is attributed to the eastern plot.
[31] Balmont K.D. The Glow Dawns. Moscow: Grif, 1912 [e-Resource]. URL: http://ru.wikisource.org›wiki/Зарево_зорь_(Бальмонт).
[32] In this case the telephone number of the company was in the phone directory right in front of the Atari, the American Company Production and publishing of computer games.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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