SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Russian State University of Physical Education,
Sport, Youth and Tourism.
e-mail: reenash@mail.ru

Image, Reality and Reinterpretation: an Analysis of Literary and Screen Texts

Abstract. The article touches upon a relationship between reality and different forms of its representation in cultural texts. The author focuses on representation, which dominates in modern media culture, its being the environment for mastering reality in (post)modern culture. Representation analysis of various sociocultural phenomena, related to literary and screen texts of (post)modern culture, shows that it is a construct far from being mimetic, built up in accordance with the representation policy dominating in a certain sociocultural situation. At the same time these representations determine the modern individual’s perception of reality, his having grown and been brought up in a totally mediatized culture.

Keywords. Representation, reality, mediatization, cultural text, screen art, literature, narrative.

 

[1] Bourdieu P. Artistic Taste and Cultural Capital // Culture and Society. Contemporary Debates. Ed. J.C. Alexander. Cambridge University Press, 1990. Р. 206.
[2] Hutcheon L. The Politics of Postmodernism. L.-NY.: Routledge, 1991. Р. 7.
[3] Ibid.
[4] Harvey D. The Condition of Postmodernity. Cambridge Ma, Oxford UK: Polity Press, 1992. Р. 30.
[5] Eagleton T. Literary Theory. Oxford: Wiley-Blackwell, 1996. Р. 156.
[6] Ibid. Р. 158.
[7] Hutcheon L. Op. cit. P. 6.
[8] Eagleton T. Op. cit. P. 88.
[9] Ibid. Р. 89.
[10] Ibid.
[11] Graham G. Philosophy of the Arts.  L.-NY.: Routledge, 1997. Р. 7.
[12] Rudnev V.P. The Dictionary of the 20th Century Culture. М.: Аgraf, 1997.
[13] Sukovataya V.А. The Face of the Other. Corporal Images of the Other in Cultural Anthropology. Kharkov: KhNU, 2009.  P. 49.
[14] Barthes R. From Work to Text // Barthes R. Selected Works. М.: Progress, 1989. P 412-423.
[15] Sukovataya V.А. Op. cit., p. 49.
[16] New Audiovisual Technologies. М.: URSS, 2005. P. 309.
[17] Harvey D. Op. cit., p.  49.
[18] Fiske J. British Cultural Studies // Channels of Discourse. Chapelhill, 1987. Р. 268.
[19] Sukovataya V.А. Op. cit., p. 47.
[20] Eagleton T. Op. cit., p. 145.
[21] Burgin, V. The End of Art Theory: Criticism and Postmodernity. Atlantic Highlands, NJ: Humanities Press International, 1986. Р. 108.
[22] Khrenov.N.А. Cinema: a Rehabilitation of Archetypic Reality. М.: Аgraf, 2006.  P. 112.
[23] Ibid., p. 113.
[24] Graham G. Op. cit., p. 125.
[25] Ibid.
[26] Ibid., p. 128.
[27] Lotman Yu., Tsivyan Yu. A Dialogue with Screen. Tallin: Alexandra, 1994. P. 310.
[28] Lynch D. Catching the Big Fish. Meditation, Consciousness and Creativity. М.: Eksmo, 2009. P. 23.
[29] New Audiovisual Technologies. P. 316.
[30] Deleuze G. Cinema. М.: Ad Marginem, 2004. P. 473.
[31] Ibid., p. 374.
[32] Ibid.
[33] Ibid., p. 479.
[34] Lynch D. Op. cit., p. 25.
[35] Deleuze G. Op. cit., p. 553.
[36] Ibid., p. 465.
[37] Razlogov К.E. The Screen Art: from Cinematograph to Internet.  М.: ROSSPEN, 2010. P. 19.
[38] Ibid., p. 21.
[39] Ibid., p. 89.
[40] Ibid., p. 92.
[41] Ibid., p.. 234.
[42] Ibid.
[43] Khrenov.N.А. Op. cit., p. 426.
[44] Deleuze G. Op. cit., p. 505.
[45] Razlogov К.E. Op. cit., p. 141.
[46] Ibid., p. 148.
[47] Melvil A.Yu. The Image of Other, the Image of Enemy //50/50. The New Thinking Dictionary. М.: Progress, 1989. P. 25.
[48] Shemanov A.Yu. Self-Identification and Culture. М.: Akademitchesky Proekt, 2007. P. 74.
[49] Adorno T. Cultural Industry Reconsidered // Culture and Society. Cambridge: Cambridge University Press, 1990. Р. 279.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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