SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Russian State University of Physical Education,
Sport, Youth and Tourism.
e-mail: reenash@mail.ru

Image, Reality and Reinterpretation: an Analysis of Literary and Screen Texts

Abstract. The article touches upon a relationship between reality and different forms of its representation in cultural texts. The author focuses on representation, which dominates in modern media culture, its being the environment for mastering reality in (post)modern culture. Representation analysis of various sociocultural phenomena, related to literary and screen texts of (post)modern culture, shows that it is a construct far from being mimetic, built up in accordance with the representation policy dominating in a certain sociocultural situation. At the same time these representations determine the modern individual’s perception of reality, his having grown and been brought up in a totally mediatized culture.

Keywords. Representation, reality, mediatization, cultural text, screen art, literature, narrative.

 

[1] Bourdieu P. Artistic Taste and Cultural Capital // Culture and Society. Contemporary Debates. Ed. J.C. Alexander. Cambridge University Press, 1990. Р. 206.
[2] Hutcheon L. The Politics of Postmodernism. L.-NY.: Routledge, 1991. Р. 7.
[3] Ibid.
[4] Harvey D. The Condition of Postmodernity. Cambridge Ma, Oxford UK: Polity Press, 1992. Р. 30.
[5] Eagleton T. Literary Theory. Oxford: Wiley-Blackwell, 1996. Р. 156.
[6] Ibid. Р. 158.
[7] Hutcheon L. Op. cit. P. 6.
[8] Eagleton T. Op. cit. P. 88.
[9] Ibid. Р. 89.
[10] Ibid.
[11] Graham G. Philosophy of the Arts.  L.-NY.: Routledge, 1997. Р. 7.
[12] Rudnev V.P. The Dictionary of the 20th Century Culture. М.: Аgraf, 1997.
[13] Sukovataya V.А. The Face of the Other. Corporal Images of the Other in Cultural Anthropology. Kharkov: KhNU, 2009.  P. 49.
[14] Barthes R. From Work to Text // Barthes R. Selected Works. М.: Progress, 1989. P 412-423.
[15] Sukovataya V.А. Op. cit., p. 49.
[16] New Audiovisual Technologies. М.: URSS, 2005. P. 309.
[17] Harvey D. Op. cit., p.  49.
[18] Fiske J. British Cultural Studies // Channels of Discourse. Chapelhill, 1987. Р. 268.
[19] Sukovataya V.А. Op. cit., p. 47.
[20] Eagleton T. Op. cit., p. 145.
[21] Burgin, V. The End of Art Theory: Criticism and Postmodernity. Atlantic Highlands, NJ: Humanities Press International, 1986. Р. 108.
[22] Khrenov.N.А. Cinema: a Rehabilitation of Archetypic Reality. М.: Аgraf, 2006.  P. 112.
[23] Ibid., p. 113.
[24] Graham G. Op. cit., p. 125.
[25] Ibid.
[26] Ibid., p. 128.
[27] Lotman Yu., Tsivyan Yu. A Dialogue with Screen. Tallin: Alexandra, 1994. P. 310.
[28] Lynch D. Catching the Big Fish. Meditation, Consciousness and Creativity. М.: Eksmo, 2009. P. 23.
[29] New Audiovisual Technologies. P. 316.
[30] Deleuze G. Cinema. М.: Ad Marginem, 2004. P. 473.
[31] Ibid., p. 374.
[32] Ibid.
[33] Ibid., p. 479.
[34] Lynch D. Op. cit., p. 25.
[35] Deleuze G. Op. cit., p. 553.
[36] Ibid., p. 465.
[37] Razlogov К.E. The Screen Art: from Cinematograph to Internet.  М.: ROSSPEN, 2010. P. 19.
[38] Ibid., p. 21.
[39] Ibid., p. 89.
[40] Ibid., p. 92.
[41] Ibid., p.. 234.
[42] Ibid.
[43] Khrenov.N.А. Op. cit., p. 426.
[44] Deleuze G. Op. cit., p. 505.
[45] Razlogov К.E. Op. cit., p. 141.
[46] Ibid., p. 148.
[47] Melvil A.Yu. The Image of Other, the Image of Enemy //50/50. The New Thinking Dictionary. М.: Progress, 1989. P. 25.
[48] Shemanov A.Yu. Self-Identification and Culture. М.: Akademitchesky Proekt, 2007. P. 74.
[49] Adorno T. Cultural Industry Reconsidered // Culture and Society. Cambridge: Cambridge University Press, 1990. Р. 279.

 

 

ISSN 2311-3723

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