SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORY OF CULTURE

A. Ya. Flier. Local cultural system: sustainability factors



Discussions:

In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. Conceptualization of G. R. Baltanova Muslim women and culture

N. A. Khrenov. On the history of the formation of the science of culture: Oswald Spengler (to the 100th anniversary of the book «the Decline of Europe»)

M. I. Kozyakova. Synesthesia in the postmodern era: aesthetics déjà'vu



Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’sSectoin)

E. N. Shapinskaya. Bulgarian culture in Russia: traditions and modernity (interview with Maya Pramatarova)

E. N. Shapinskaya. Digital history: the future of our past

CULTURAL REFLECTIONS

N. A. Khrenov. Culture and play: activation of the gaming instinct in the era of transition from the middle ages to Imperial Russia (end)

V. I. Grachev. Information-rhizomorphic basis of communicative paradigm of modern culture. Three

A. Ya. Flier.  Culture and the problem of the noosphere: it is not necessary to make a fairy tale come true


NEW BOOK

A. Ya. Flier. Theory of culture

 


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the S. Gerasimov Russian State
 University of Cinematography
e-mail: nihrenov@mail.ru

Interaction between Art and Cultural Studies:
Methodological and Historical aspects (Part 3)

Annotation. In the article the author continues to discuss his interpretation of cultural studies, presented in Parts 1 and 2, as a modern “art studies without names”, being considered in terms of cyclical view of history and cultural dynamics. The author gives ground for art as the major historical and social form of culture.

Keywords. Culture, art, history, cultural studies, art studies, society as a cultural product, transitional period.

[45] Sedlmayr H. Loss of Midst (Verlust der Mitte). Moscow: Progress, 2008.
[46] Hegel G. W. F. Aesthetics. V 3. Moscow: Sovietskaya Entsiklopediya. P. 167.
[47] Hegel G. W. F. Ibidem. P. 113.
[48] Bely A. Symbolism as World Outlook. Moscow: Respublika, 1994. P. 26
[49] Gombrich E.H. The Story of Art. Moscow: Iskusstvo – 21 century, 2013. P. 563.
[50] Gombrich E.H. Ibidem. P. 585.
[51] Khrenov N. Six Theses on Aesthetics of Russian Symbolism // Spirit of Symbolism. Russian and West European Art in the Contest of the Epoch in the late 1890s - early 1900s. Moscow: Progress-Traditsiya, 2012
[52] Wölfflin H. Principles of Art History. Moscow, Leningrad: 1930. P. 186.
[53] Wölfflin H. Ibidem. P. 276.
[54] Hegel G. W. F. Aesthetics. V 2. Moscow: Sovietskaya Entsiklopediya, 1969. P. 13.
[55] Hegel G. W. F. Ibidem. P. 217.
[56] Hegel G. W. F. Aesthetics. V 3. P. 350.
[57] Lotman Yu.  Culture and Explosion. Moscow: Gnosis, 1992.
[58] Stepun F. Mystical Outlook (Mystische Weltschau). Five Characters of Russian Symbolism, St. Petersburg: Vladimir Dal, 2012.
[59] Kroeber A.L. Selected Works. The Nature of Culture. Moscow: ROSSPEN, 2004. P. 763.
[60] Ibidem.
[61] Wölfflin H. Ibidem. P. 12.
[62] Kroeber A.L. Ibidem. P. 21.
[63] Kroeber A.L. Ibidem. P. 777.
[64] Hegel G. W. F. Ibidem. P. 556.
[65] Heidegger M. Holderlin and the Essence of Poetry (Hölderlin und das Wesen der Dichtung). St. Petersburg: Academitchesky Project, 2003.
[66] Truffaut F. Hitchcock (Le Cinéma selon Alfred Hitchcock). Moscow: Epstein-Centre, 1996.
[67] Shklovsky V. A Moscow Citizen Matvei Komarov. Leningrad: Priboy, 1929.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

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T. Glazkova

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