SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 
 
Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
Deputy Research Director of
State Institute of Art Studies of
the Ministry of Culture of Russian Federation
e-mail: nihrenov@mail.ru
 
Interaction of Entertainment and Visual Forms in Contemporary Culture

Abstract: The article analyzes the problem of prevalence of visual and spectacular components in artistic culture of the last centuries. The author reflects on the causes and effects of this trend, which in this context can take place in the cultural consciousness of the masses, and comes to the conclusion that the period of dominance of hypertrophied visual appel in culture comes to its ends.

Keywords: Culture, literature-centrism, spectacle, visuality, theater, circus, cinema, television, program.

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[2] Sedlmayr H. Loss of the Center. M.: Progress-tradition, 2008, P. 63.
[3] Sedlmayr H.Ibidem. P. 66.
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[15] Derrida J. Of Grammatology. M.: Ad Marginem, 2000. P. 470.
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[17] Freudenberg O.M. Myth and Literature of Aantiquity. M.: "Eastern Literature", Russian Academy of Sciences, 1978, P. 434.
[18] Freudenberg O.M. Myth and Literature of Aantiquity. P. 101.
[19] Silyunas V. Transformations of "Montage of Attractions" // Theatre. 1975. № 8.
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[22] Mole A. Ibidem. P. 44.
[23] McLuhan M. Ibidem. P.231.
[24] Kondakov I. The Image of the World Given in Words: Waves of Literature-centrism in History of Russian culture // Cyclic Rhythms in History, Culture and Art. M.: Science, 2004, P. 229.
[25] Belting H. Image and Cult. A History of Image before the History of Art. M.: Progress-Tradition, 2002. P.30.
[26] Freud Z. Psychoanalysis. Religion. Culture. M.: Renaissance, 1992, P. 234.
[27] Bernstein B. The Visual Image and the World of Art. St. Petersburg: Petropolis, 2006. P.  69.
[28] Lazarev V.N. History of Byzantine painting. Vol. 1. M.: Art, 1947. P. 13.
[29] Belting H. Ibidem. P. 35.
[30] Schrader P. Transcendental Style in Film: Ozu, Bresson, Dreyer // Kinovedcheskie Zapiski. 1997. № 32.
[31] Bernstein B. Ibidem. P. 101.
[32] Panofsky E. Idea. On the History of the Concept in Theory of Art from Antiquity to Classicism. ST. Petersburg.: Andrew Naslednikov Publisher, 1999.
[33] Freudenberg O.M. Myth and Literature of Antiquity. P. 47.
 
 

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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