SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORY OF CULTURE

V. M. Rozin. Postculture as the basis for the distinction of the concepts of culture

 

Discussions:

In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

A. Ya. Flier. Phenomenon of cultural form

N. A. Khrenov. On the way to «Posthuman»: anthropological, mythological and artistic potential of the puppet (beginning)

V. I. Grachev. Information-rhizomorphic basis of the communicative paradigm of modern culture 4 (ending)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Sapinska, A. A. Lisenkova. Education vs neo-enlightenment: some trends in digital culture

N. Yu. Lukina. About the beauty of antique statues, Picassos and traffic lights

CULTURAL REFLECTIONS

N. A. Khrenov. Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (beginning)

M. A. Poletaeva. Evolution of ideas about the «alien»

V. V. Breitburg. The principle of clip thinking when creating musicals

REVIEWS, MESSAGES, MATERIALS

M. I. Kozyakova. Review of the book by A. S. Zapesotsky «The Formation of global culture and conflicts of civilizations»

E. N. Polyudova. Modern cultural research as a book of reflections: reflections on the book of E. N. Shapinskaya «Philosophy of music»


Announcement of the next issue

 

 
 
Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
Deputy Research Director of
State Institute of Art Studies of
the Ministry of Culture of Russian Federation
e-mail: nihrenov@mail.ru
 
Interaction of Entertainment and Visual Forms in Contemporary Culture

Abstract: The article analyzes the problem of prevalence of visual and spectacular components in artistic culture of the last centuries. The author reflects on the causes and effects of this trend, which in this context can take place in the cultural consciousness of the masses, and comes to the conclusion that the period of dominance of hypertrophied visual appel in culture comes to its ends.

Keywords: Culture, literature-centrism, spectacle, visuality, theater, circus, cinema, television, program.

[1] Lessing G. Laocoon: An Essay on the Limits of Painting and Poetry. M.: Khudozhestvennaya Literatura, 1957, P. 231.
[2] Sedlmayr H. Loss of the Center. M.: Progress-tradition, 2008, P. 63.
[3] Sedlmayr H.Ibidem. P. 66.
[4] Sennett R. The fall of public man. M.: Logos, 2002, P. 233.
[5] Nietzsche F. Collected Works. In the 2 vols. Vol. 2. M.: Thought, 1990, P. 548.
[6] Sennett R. Ibidem. P. 267.
[7] Sennett R. Ibidem. P. 302.
[8] McLuhan M. Understanding media: The Extensions of Man. M.: Canon-Press, 2003, P. 371.
[9] Nietzsche F. Ibidem. P. 545.
[10] Nietzsche F. Ibidem. P. 548.
[11] Jung C.G. Soul and myth. Six archetypes. Kiev.: State Youth Library of Ukraine, 1996, P. 351.
[12] Eisenstein S. The Psychology of Art (Unpublished conspectus of lectures and articles) // Psychology of Processes of Art Creation. Leningrad.: Science, 1980, P. 183.
[13] Tennis F. Community and Society. Basic Concepts of Pure Sociology. St. Petersburg .: Publisher "Vladimir Dal", 2002, P. 12.
[14] Plato. Works: In 3 vol. Vol. 2. M.: Thought, 1970, P. 217.
[15] Derrida J. Of Grammatology. M.: Ad Marginem, 2000. P. 470.
[16] Freudenberg O.M. The Poetics of Plot and Genre. M.: Labyrinth, 1997, P. 270.
[17] Freudenberg O.M. Myth and Literature of Aantiquity. M.: "Eastern Literature", Russian Academy of Sciences, 1978, P. 434.
[18] Freudenberg O.M. Myth and Literature of Aantiquity. P. 101.
[19] Silyunas V. Transformations of "Montage of Attractions" // Theatre. 1975. № 8.
[20] Bazin A. What is Cinema? M.: Arts, 1972. P. 127.
[21] Mole A. Sociodynamics of Culture. M.: Progress, 1973. P. 209.
[22] Mole A. Ibidem. P. 44.
[23] McLuhan M. Ibidem. P.231.
[24] Kondakov I. The Image of the World Given in Words: Waves of Literature-centrism in History of Russian culture // Cyclic Rhythms in History, Culture and Art. M.: Science, 2004, P. 229.
[25] Belting H. Image and Cult. A History of Image before the History of Art. M.: Progress-Tradition, 2002. P.30.
[26] Freud Z. Psychoanalysis. Religion. Culture. M.: Renaissance, 1992, P. 234.
[27] Bernstein B. The Visual Image and the World of Art. St. Petersburg: Petropolis, 2006. P.  69.
[28] Lazarev V.N. History of Byzantine painting. Vol. 1. M.: Art, 1947. P. 13.
[29] Belting H. Ibidem. P. 35.
[30] Schrader P. Transcendental Style in Film: Ozu, Bresson, Dreyer // Kinovedcheskie Zapiski. 1997. № 32.
[31] Bernstein B. Ibidem. P. 101.
[32] Panofsky E. Idea. On the History of the Concept in Theory of Art from Antiquity to Classicism. ST. Petersburg.: Andrew Naslednikov Publisher, 1999.
[33] Freudenberg O.M. Myth and Literature of Antiquity. P. 47.
 
 

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

 

Issue produced by:

Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

Our banner:

Our e-mail:
cultschool@gmail.com

 

 

 

Our Facebook account:

 
 

OUR PARTNERS:

РУС ENG