SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Kozyakova Maria Ivanovna
Doctor of Philosophy, Professor,
The Schepkin Higher Theatre School
under the Russian State Maly Theatre
e-mail: markoz@yandex.ru

History of art as a culture of entertainment: a person entertaining

Abstract. The article considers the function of art to amuse the public and draws a conclusion about the purely auxiliary nature of this function in the history of art, despite its mass demand. However, the closer to the present time, the more tendencies in the massization of art suppress the classical criteria of beauty.

Keywords. Art, entertainment, mass psychology, leisure, game.
 

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[2] Hejzinga J. Homo Ludens. In the Shadows of Tomorrow. M.: Progress-Academiya, 1992. Pp. 18-19.
[3] Panchenko A.M. Buffoons and "Reform of the Fun" of Peter I//Panchenko A.M. on Russian History and Culture. St. Petersburg: Azbuka, 2000. 489 p.
[4] Aristotle. Politics//Aristotle. Compositions: in 4 v. Vol. 4. Moscow: Mysl', 1983. P. 630.
[5] Plato. Laws. Book II. Moscow: Mysl', 1999.
[6] Bakhtin M.M. The Work of Francois Rabelais and Folk Culture of the Middle Ages and Renaissance. Moscow: Khudozhestvennaya literatura, 1990. P. 14.
[7] Ibid.
[8] Nekrylova A.F. Russian Folk City Holidays, Entertainment and Spectacles, the End of the XVIII-early XX Century. Leningrad: Iskusstvo, 1984. P. 6.
[9] Hejzinga J. Op. cit. P. 203.
[10] Augustine Aurelius. Confession. Petr Abelard. The history of my calamities. Moscow: Respublika, 1992. 335 p.
[11] Hejzinga J. Autumn of the Middle Ages. Moscow: Mysl', 1988. 416 p.
[12] Kant I. Compositions. In 6 vol. Moscow: Mysl', 1966. Т. 5. P. 323.
[13] Collingwood R.D. Principles of Art. Moscow: Yazyki russkoy kul'tury, 1999. P. 86.
[14] Hejzinga J. Autumn of the Middle Ages. P. 42.
[15] Collingwood R.D. Op. cit. P. 18.
[16] Losev A. History of Antique aesthetics. Sophists. Socrates. Plato. Moscow: Iskusstvo, 1969.  P. 265.
[17] Seneca L. A. Moral Letters to Luciliju. Moscow: Nauka, 1977. P. 86.
[18] Elias N. Court Society: A Study on the Sociology of the King and the Court Aristocracy. Moscow: Yazyki russkoy kul'tury, 2002. P. 173-174.
[19] Ortega-I-Gasset x. Dehumanization Art and other Works. M.: Soviet khudoznik, 1990. P. 78.
[20] Zorkaja N.M. Folklore. Lubok. Screen. Moscow: Nauka, 1994. P. 15.
[21] Osmolovsky A. Visual and entertainment industry (HZh № 40) [e-resource]. URL: http://www.guelman.ruxz/362/xx40/xx4007.htm
[22] Kirkegor P. Pleasure and Duty. Kiev: «Kiev», 1994. P. 363-364.

 

 

ISSN 2311-3723

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OOO «Soglasie» publisher

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Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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