SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Kozyakova Maria Ivanovna
Doctor of Philosophy, Professor,
The Schepkin Higher Theatre School
under the Russian State Maly Theatre
e-mail: markoz@yandex.ru

History of art as a culture of entertainment: a person entertaining

Abstract. The article considers the function of art to amuse the public and draws a conclusion about the purely auxiliary nature of this function in the history of art, despite its mass demand. However, the closer to the present time, the more tendencies in the massization of art suppress the classical criteria of beauty.

Keywords. Art, entertainment, mass psychology, leisure, game.
 

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[2] Hejzinga J. Homo Ludens. In the Shadows of Tomorrow. M.: Progress-Academiya, 1992. Pp. 18-19.
[3] Panchenko A.M. Buffoons and "Reform of the Fun" of Peter I//Panchenko A.M. on Russian History and Culture. St. Petersburg: Azbuka, 2000. 489 p.
[4] Aristotle. Politics//Aristotle. Compositions: in 4 v. Vol. 4. Moscow: Mysl', 1983. P. 630.
[5] Plato. Laws. Book II. Moscow: Mysl', 1999.
[6] Bakhtin M.M. The Work of Francois Rabelais and Folk Culture of the Middle Ages and Renaissance. Moscow: Khudozhestvennaya literatura, 1990. P. 14.
[7] Ibid.
[8] Nekrylova A.F. Russian Folk City Holidays, Entertainment and Spectacles, the End of the XVIII-early XX Century. Leningrad: Iskusstvo, 1984. P. 6.
[9] Hejzinga J. Op. cit. P. 203.
[10] Augustine Aurelius. Confession. Petr Abelard. The history of my calamities. Moscow: Respublika, 1992. 335 p.
[11] Hejzinga J. Autumn of the Middle Ages. Moscow: Mysl', 1988. 416 p.
[12] Kant I. Compositions. In 6 vol. Moscow: Mysl', 1966. Т. 5. P. 323.
[13] Collingwood R.D. Principles of Art. Moscow: Yazyki russkoy kul'tury, 1999. P. 86.
[14] Hejzinga J. Autumn of the Middle Ages. P. 42.
[15] Collingwood R.D. Op. cit. P. 18.
[16] Losev A. History of Antique aesthetics. Sophists. Socrates. Plato. Moscow: Iskusstvo, 1969.  P. 265.
[17] Seneca L. A. Moral Letters to Luciliju. Moscow: Nauka, 1977. P. 86.
[18] Elias N. Court Society: A Study on the Sociology of the King and the Court Aristocracy. Moscow: Yazyki russkoy kul'tury, 2002. P. 173-174.
[19] Ortega-I-Gasset x. Dehumanization Art and other Works. M.: Soviet khudoznik, 1990. P. 78.
[20] Zorkaja N.M. Folklore. Lubok. Screen. Moscow: Nauka, 1994. P. 15.
[21] Osmolovsky A. Visual and entertainment industry (HZh № 40) [e-resource]. URL: http://www.guelman.ruxz/362/xx40/xx4007.htm
[22] Kirkegor P. Pleasure and Duty. Kiev: «Kiev», 1994. P. 363-364.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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