Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014




E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge




A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development




A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness



A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos

Announcement of the next issue



Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography

The History of Images after the History of Art:
Culturological Aspect
(Part 1)

Abstract. The article focuses on impoverishment of communication with artistic values and analysis of its interrelation with the period of formation of industrial society. Such a process is classified by the author as regress of culture, which makes expedient the point to be discussed in a culturological aspect. A breakdown of the hierarchy of culture in transitional periods contributes to shifting of marginal aesthetic formations to the centre of artistic culture. A specific organizing mosaic principle starts to work. Discussing the history of new visuality, the author marks that to some extent it appears as the history of birth, formation and change of different systems of vision.

Key words. Aesthetic experience, new visuality, mosaic principle, civilization progress, artistic values, contemplation, transformation of perception, oversimplification of culture.

[1] Baudrillard J. Simulacra and Simulations. М.: Publishing House «Postum», 2015.P. 14.
[2] Ibid. P. 14.
[3] Huxley A. Point Counter Point. Brave New World. Ape and Essence. Stories. М.: NF Pushkinskaya Biblioteka, Co Ltd Izdatelstvo AST
[4] Baudrillard J. Op. cit. P. 138.
[5] Ibid. P. 137.
[6] Khrenov N.A. Cinema: Rehabilitation of Archetypical Reality. М.: Agraf, 2006.
[7] Vico G. The New Science of Giambattista Vico". М.: REFL-book; Кiev: ISА, 1994. P. 439.
[8] Motroshilova N.V. Civilization and Barbarism in the Age of Global Crisis. М.: IFRAN, «Kanon+» RООI «Reabilitatsiya», 2010
[9] Motroshilova N.V.  S. Frank and N. Berdyayev on New Barbarism // Culture and Form: to the 60th Anniversary of A.L. Dobrokhotov: Proceedings / ed. by I.A. Boldirev. М.: GU-VShE, 2010.
[10] Blok A.A. The Collapse of Humanism // Blok A.A. Collected Works. In 8 volumes. Col. 6. M. - L.: Hudozhestvennaya Literatura, 1962.
[11] Khrenov N.А. The History of Art as The History of Culture: White Spots of Art Studies in view of Point of View P. Sorokin’s Paradigm. The World of Culture and Cultural Studies.Issue 4. SPb.: NOKO, 2015
[12] Konrad N. Polybius and Sima Qian // Conrad N. West and East. М.: Glav.Red. vost. lit-ri, 1972.
[13] Jaspers K. The Origin and the Goal of History. М.: Politizdat, 1991.
[14] Vico G. Op. cit. P. 29.
[15] Ibid.  
[16] Khrenov N.А. Public in the History of Culture. М.: GII, 2002; Khrenov N.А. Public in the History of Culture. Public Phenomena in the Context of the Phycology of Mass. М.: Аgraf, 2007;
Khrenov N.А. Spectacles in the Age of Mass Rebellion. М.: Nauka, 2006.
[17] Chaadayev P.Ya. Articles and Letters. М.: Spvremennik, 1989. P. 59.
[18] Danilevsky N.Ya. Russia and Europe. A View on Cultural and Political Attitude of the Slavic World towards the Germanic and Romance World. М.: Akademitcheskyi Proekt,1991. P. 282.
[19] Bulgakov S.N. Two Cities. Investigations on the Nature of Public Ideals. Spb.: Publishing House RGHI, 1997. P. 259.
[20] Charsky V.V.  The Theatre // THe Theatre Crisis. 1908. P. 136.
[21] Ashkenazy Z.G. Tragedy, Mystery and Morality // The Annual Almanac of Imperial Theatres. 1912. Issue 7. P. 3.
[22] Leontyev K.N. The Middle European as the Ideal and Weapon of World Destruction // Leontyev K.N. The Selected Works. М.: Rarog, Moskovskyi Rabotchyi, 1993. P. 159.
[23] Nietzsche F. The Will to Power. М.: Kulturnaya Revolutsiya, 2005. P. 63.
[24] Ibid. P. 65.
[25] Plato. Works: In 3 volumes. Vol. 2., М.: Мysl, 1970. P. 216.
[26] Vasari G. Lives of the Most Excellent Painters, Sculptors, and Architects. М.: Iskusstvo, 1956. P. ХVII.
[27] Vico G. Op. cit. P. 55.
[28] Ibid. P. 72.
[29] Tocqueville А. Democracy in America. М.: Progress, 1992. P. 200.
[30] Ibid. P. 323.
[31] Le Bon G. Psychology of Peoples and Masses // Crowd Psychology. Social and Political Mechanisms of Crowd Manipulation М.: Eksmо; SPb.: Terra fantastica, 2003.
[32] Tocqueville А. Op. cit. P. 324.
[33] Ibid. P. 350.
[34] Ibid. P. 351.



ISSN 2311-3723

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Scientific Association of Culture Researchers

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