Hypotheses:
THE THEORY OF CULTURE
E.A. Orlova. The anthropological foundations of scientific knowledge
Discussions:
IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)
A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)
N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)
V.M. Rozin. Some features of modern art
V.I. Ionesov. Memory of things in images and plots of cultural introspection
Analytics:
CULTURAL REFLECTIONS
A.Ya. Flier. Social and organizational functions of culture
M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment
N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system
N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)
Announcement of the next issue
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Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru
Laughter and culture: from mentality to genre (Continuation)
Abstract. The article is devoted to the historical evolution of laughter images in culture and, above all, in fiction. The attention of the author is focused on the interpretation of these laughing images in contemporary culture. We also consider the national characteristics of the laughter culture, in particular, the humor tradition in Russian literature.
Keywords. Culture, laughter, laughter culture, fiction, traditions of humor.
[44] Freidenberg O.M. Poetics of the plot and genre. Moscow: Labirint, 1997. P. 152.
[45] Meyerhold V.E. Articles. Letters. Speeches. Conversations. Vol. 1. M.: Iskusstvo, 1968. P. 224.
[46] Ibid. P. 226.
[47] Ibid.
[48] Ibid.
[49] Meyerhold V.E. Decree. op. Vol. 2. P. 86.
[50] OM Freidenberg Decree. op. P. 163.
[51] Ibid.
[52] Block A.A. Irony // Block A.A. Collected works: in 8 volumes. Vol. 5. Moscow - Leningrad: Gikhl, 1962. P. 345.
[53] Chukovsky K.I. Nat Pinkerton and modern literature. Moscow: Sovrem. creativity, 1910.
[54] Ashkinazi Z. Tragedy, mystery and morality / Yearbook of the Imperial Theaters. 1912. № 7. P. 11.
[55] Bakhtin M.M. Collected works: in 7 volumes. T. 5. Moscow: Russian dictionaries, 1996. P. 58.
[56] Bakhtin M.M. Creativity Francois Rabelais and folk culture of the Middle Ages and the Renaissance. Moscow: Eksmo, 2014. P. 481.
[57] Freidenberg O.M. Decree. op. P. 164.
[58] Bakhtin M.M. Decree. op. P. 58.
[59] Ibid.
[60] Bulgakov S.N. Apocalyptic and socialism // Compositions: in 2 volumes Vol. 2. Moscow: Nauka, 1993. P. 377.
[61] Ibid. P. 415.
[62] Ibid. P. 423.
[63] Ibid. P. 415.
[64] The satirical journals of N.I. Novikov, Novikov, N.I. Selected works. Moscow - Leningrad: Gikhl, 1951. S. 477.
[65] Mordovtsev D. Incriminating literature in the first Russian journals and embarrassment of glasnost (1769 - 1775) // Russian word. 1860. № 2. P. 310.
[66] Ibid. P. 308.
[67] Meyerhold V.E. Decree. op. Vol. 1. P. 301.
[68] Lessing G. Hamburg dramaturgy. P. 297.
[69] Pypin A. Vladimir Lukin // Notes of the Fatherland. 1853. 89. No. 8. P. 45.
[70] Ivanov Vyach.I. Native and universal. M .: Republic, 1994. P. 67.
[71] Pypin A. Vladimir Lukin // Notes of the Fatherland. 1853. Vol. 89. No. 9. P. 1.
[72] Meyerhold V.E. Decree. op. Vol. 2. P. 232.
[73] Grossman L. Tragedy-buff "Inspector" at Meyerhold // Gogol and Meyerhold. Moscow: Nikitin Subbotniks, 1927. P. 40.
[74] Ashkinazi Z. Ordinance. op. P. 21.
[75] Ibid. P. 16.
[76] Bakhtin M.M. Creativity Francois Rabelais ... P. 30.
[77] Hansen-Leve O. Russian formalism. Methodological reconstruction of development based on the principle of elimination. M.: Languages of Russian culture, 2001. P. 49.
[78] Ibid. 146.
[79] Meletinsky E.M. Primitive sources of verbal art // Early forms of art. M.: Iskusstvo, 1972.
[80] Freidenberg O.M. Tersit // The Japhetic Collection. № 6. Leningrad, 1930. P. 250.
[81] Bakhtin M.M. Creativity Francois Rabelais ... P. 112.
[82] Meletinsky E.M. Decree. op. P. 176.
[83] Bakhtin M.M. Creativity Francois Rabelais ... P. 625.
[84] Ibid. 625.
[85] Meletinsky E.M. The ancestors of Prometheus (Cultural hero in myth and epic) // Bulletin of the history of world culture. 1958. № 3. P. 116.
[86] Freidenberg O.M. Decree. op. P. 99.
[87] Ibid. P. 127.
[88] Gvozdev A.A., Piotrovsky A.I. History of the European theater. Moscow - Leningrad: Academia, 1931. P. 30.
[89] Ibid. P. 76.
[90] Bakhtin M.M. Decree. op. P. 618.
[91] Zabolin M. The Russian people. His customs, rituals, traditions, superstition and poetry. Moscow: Publishing of the book seller M. Berezina, 1880. P. 577.
[92] Library of the Ancient Rus literature. St. Petersburg: Nauka, 1997. P. 133.
[93] Ibid.
[94] Freidenberg O.M. Tears. P. 244.
[95] Gogol N.V. Collected Works: in 6 volumes. Vol. 4. Moscow: Goslitizdat, 1949. P. 257.
[96] Zelinsky F.F. The origin of the comedy // Zelinsky FF. From the life of ideas. St. Petersburg: Academia, 1905. P. 313.
[97] Toporov V.N. A few considerations about the origin of the ancient Greek drama // Text: semantics and structure. Moscow: Nauka, 1983.
[98] Wipper R. Psychology of the Theater // The World of God. St. Petersburg, 1902. № 2. With. 4.
[99] Ibid. C. 3.
[100] Ibid. C. 4.
[101] Ibid. C. 2.
[102] Radcliffe-Brown A. Structure and function in a primitive society. Moscow: Publishing firm "Eastern Literature", RAS, 2001. P. 110.
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