Kozyakova Maria Ivanovna
Doctor of Philosophy, Professor,
The Schepkin Higher Theatre School
under the Russian State Maly Theatre
e-mail: markoz@yandex.ru

Modernity and G. G. Dadamyan's paradigms

Abstract. The article is devoted to the research methodology of G. G. Dadamyan, which he described in the work "Atlantis of Soviet art", where he conceptualizes "paradigms" that determined the life of society in a particular historical period. The use of" paradigms " in the study of culture seems to be very promising.

Key words. Paradigm, time, period, narrative, history, modernity, art, theatrical practice, creativity.
 

[1] Dadamyan G. G. Atlantis Soviet Art. 1917-1991. Part 1. 1917-1932. Moscow: GITIS, 2010. 524 p.
[2] McLuhan M. The Means itself is the content // Information society. Moscow: AST, 2004.  P. 344-345.
[3] G. Simmel, the Conflict of modern culture // Culturology. XX century: anthology. M.: Yurist, 1995. P. 379.
[4] Aesthetics and theory of art of the twentieth century. M.: Progress-Tradition, 2005. P. 23.
[5] Wilson, Stephen. Art and science as cultural actions [Electronic resource]// Laboratoria URL: http://newlaboratoria.ru/www/rus/art_and_science_2-2/. Date of application: 16.03.2018.
[6] Beck U. What is globalization? M.: Progress-Tradition, 2001. P. 175.
[7] Giddens E. Organization of a society. M.: Academic project, 2003. P. 111.
[8] Baudrillard J. The Transparency of evil. M.: Dobrosvet, 2000. P. 24.
[9] Weidle V.V. Dying art. Reflections on the fate of literary and artistic creativity. SPb.: AXIOMA, 1996. Pp. 110, 114.
[10] The Issues of theatre / PROSCAENIUM. M.: "Locus Standi", 2008. 1-2. P. 139.