SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Russian State University of Physical Education,
 Sport, Youth and Tourism.
e-mail: reenash@mail.ru

Monster as a cultural hero:
representations of monstrosity in popular culture

(ending)

Abstract. The article deals with the phenomenon of monstrosity in its representation in the texts of mass culture. The figure of the monster is seen as a vivid manifestation of the phenomenon of "friendliness", the example of which shows the change in attitude to the Other in different cultural contexts. The mythological origins of the image of a fantasy monster are traced, the mechanisms of creating monstrous images are identified, the most famous literary and screen representations of monstrous are analyzed. A comparison of literary and screen text, revealing by their means the problem of attitude to Another in culture. The conclusion is made about the ambivalence of fantasy-monstrous images that filled the modern mass culture from the point of view of the role in the formation of the relationship to the Other in culture and society.

Keywords. Monstrosity, mass culture, representation, myth, romanticism, cultural text, literature, cinema, Other


[25] Shevyrev S. P. Decree. Cit. P. 59.
[26] Ibid. P. 61.
[27] McNally, R. G., Florescu R. Op. Cit. P. 5.
[28] Khrenov N. Movies. M.: Agraf, 2006. P. 417.
[29] Bram Stoker. Dracula. L.: Penguin books, 1994. P. 25.
[30] Ibid. P. 31.
[31] Ibid. P. 47.
[32] Ibid. P. 207.
[33] Rice E. Interview with a vampire. M.: Eksmo, St. Petersburg: Domino, 2009. P. 198.
[34] Ibid. P. 142.
[35] Ibid. P. 143.
[36] Ibid. P. 48.
[37] Ibid. P. 8.
[38] Khrenov N. Movies. P. 339.
[39] Cases D. dying to eat // Twilight and philosophy. M.: OOO "United Press", 2010. P. 41.
[40] R. Housely Facts and fiction specifically for girls // Twilight and philosophy. M.: OOO "United Press", 2010. P. 196.
[41] Ibid. P. 197.
[42] Ibid.
[43] Fol P., Fose E. Twilight vampires // Twilight and philosophy. M.: OOO "United Press", 2010. P. 76.
[44] Ibid. P.87.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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