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Scientific peer-reviewed electronic periodical
Since 2014

Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)

Announcement of the next issue

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
Deputy Research Director of
State Institute of Art Studies of
the Ministry of Culture of Russian Federation
e-mail: nihrenov@mail.ru

Myth and Culture in the XX Century:
Filmmaking of Myths (Part 2)

Abstract: The second part of the article examines the mythologization of the image of Hitler in L.Riefenstahl's film "Triumph of the Will", and the debunking of this myth in Chaplin’s film "The Great Dictator". In this context the author presents his concept of the role of art and cinematography of the 20-th century in particular, in the creation of a new political mythology.

Keywords: Political mythology, image systems, the impact on mass psychology, L. Riefenstahl, Ch. Chaplin, A. Sokurov.

[1] Moscovici S. The Age of the Crowd: A Historical Treatise on Mass Psychology. Moscow: Psychology and Psychotherapy Centre, 1996. P. 121.
[2] Ibidem. P.124.
[3] Sennett R. The Fall of Public Man. Moscow: Logos, 2002. P. 249.
[4] Ibidem. P. 267.
[5] Canetti E. Crowds and Power. Moscow: Ad marginem, 1997. P. 82.
[6] Ibidem. P. 334.
[7] Ibidem. P. 31.
[8] Ibidem. P. 21.
[9] Ibidem. P. 34.
[10] Ibidem. P. 24.
[11] Freud Z. Group Psychology and The Analysis of The Ego // Freud Z. The Ego and the Id. Selected Works. Vol. 1. Tbilisi: Merani. 1991. P. 119.
[12] Jung C.G. Tavistock lectures. Moscow-Kiev: Reflbook-Vackler, 1998, P. 186.
[13] Mann T. Collected Works. 10 vols. Vol. 9. Moscow: Goslitizdat, 1960. P. 177.
[14] Ibidem. P. 178.
[15] Meletinsky E.M. Primitive Origins of Verbal Art // Early Forms of Art. Moscow: Art, 1972, P. 176.
[16] Ibidem. P. 179.
[17] Khrenov N.A. Antibehavior – The Element of Laughter: Heroes of cinema as folkloric characters // Homo Ridens. Moscow: State Republican Center of Russian Folklore, 2008. P. 70.
[18] Meletinsky E.M. Ibidem. P. 178.
[19] Moscovici S. Machine for Making Gods. Moscow: Psychology and Psychotherapy Centre, 1998. P. 21.
[20] Ibidem. P. 48.
[21] Ibidem. P. 140.
[22] Gadamer H.-G. Truth and Method. Foundations of a Philosophical Hermeneutics. Moscow: Progress, 1988, P. 43.
[23] Losev A.F. Philosophy. Mythology. Culture. Moscow: Thought, 1991.
[24] Ibidem. P. 44.
[25] Hegel G.W.F. Selected Works. In 2 vols. Vol. 1. Moscow: Molodaya Gvardiya, 1970. P. 213.
[26] See: Khrenov N.A. Images of the Great Divide. Cinema in the Context of Cultural Cycles Change. Moscow: Progress, 2008. P. 256.

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

Issue produced by:

Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

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Our e-mail:
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SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS Scientific peer-reviewed electronic periodical Since 2014
	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG

Hypotheses: THE THEORY OF CULTURE E.A. Orlova. The anthropological foundations of scientific knowledge Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section) A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued) N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued) V.M. Rozin. Some features of modern art V.I. Ionesov. Memory of things in images and plots of cultural introspection Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Social and organizational functions of culture M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued) Announcement of the next issue	Khrenov Nikolai Andreevich, Doctor of Philosophy, Professor, Deputy Research Director of State Institute of Art Studies of the Ministry of Culture of Russian Federation e-mail: nihrenov@mail.ru Myth and Culture in the XX Century: Filmmaking of Myths (Part 2) Abstract: The second part of the article examines the mythologization of the image of Hitler in L.Riefenstahl's film "Triumph of the Will", and the debunking of this myth in Chaplin’s film "The Great Dictator". In this context the author presents his concept of the role of art and cinematography of the 20-th century in particular, in the creation of a new political mythology. Keywords: Political mythology, image systems, the impact on mass psychology, L. Riefenstahl, Ch. Chaplin, A. Sokurov. [1] Moscovici S. The Age of the Crowd: A Historical Treatise on Mass Psychology. Moscow: Psychology and Psychotherapy Centre, 1996. P. 121. [2] Ibidem. P.124. [3] Sennett R. The Fall of Public Man. Moscow: Logos, 2002. P. 249. [4] Ibidem. P. 267. [5] Canetti E. Crowds and Power. Moscow: Ad marginem, 1997. P. 82. [6] Ibidem. P. 334. [7] Ibidem. P. 31. [8] Ibidem. P. 21. [9] Ibidem. P. 34. [10] Ibidem. P. 24. [11] Freud Z. Group Psychology and The Analysis of The Ego // Freud Z. The Ego and the Id. Selected Works. Vol. 1. Tbilisi: Merani. 1991. P. 119. [12] Jung C.G. Tavistock lectures. Moscow-Kiev: Reflbook-Vackler, 1998, P. 186. [13] Mann T. Collected Works. 10 vols. Vol. 9. Moscow: Goslitizdat, 1960. P. 177. [14] Ibidem. P. 178. [15] Meletinsky E.M. Primitive Origins of Verbal Art // Early Forms of Art. Moscow: Art, 1972, P. 176. [16] Ibidem. P. 179. [17] Khrenov N.A. Antibehavior – The Element of Laughter: Heroes of cinema as folkloric characters // Homo Ridens. Moscow: State Republican Center of Russian Folklore, 2008. P. 70. [18] Meletinsky E.M. Ibidem. P. 178. [19] Moscovici S. Machine for Making Gods. Moscow: Psychology and Psychotherapy Centre, 1998. P. 21. [20] Ibidem. P. 48. [21] Ibidem. P. 140. [22] Gadamer H.-G. Truth and Method. Foundations of a Philosophical Hermeneutics. Moscow: Progress, 1988, P. 43. [23] Losev A.F. Philosophy. Mythology. Culture. Moscow: Thought, 1991. [24] Ibidem. P. 44. [25] Hegel G.W.F. Selected Works. In 2 vols. Vol. 1. Moscow: Molodaya Gvardiya, 1970. P. 213. [26] See: Khrenov N.A. Images of the Great Divide. Cinema in the Context of Cultural Cycles Change. Moscow: Progress, 2008. P. 256.	ISSN 2311-3723 Founder: OOO «Soglasie» publisher Publisher: Scientific Association of Culture Researchers Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013 The magazine is indexed: Issued quarterly in electronic form only *Issue produced by:* Editorial Director A. Flier Editor in Chief T. Glazkova Head of IT Center A. Lukyanov Our banner: Our e-mail: cultschool@gmail.com OUR PARTNERS:

	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG
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