SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Philosophy of Art in View of the Appearance of Culture Concept (Part 1)

Abstract. In Part 1 the author argues that in the context of its origin and essence philosophy of art, called “aesthetics”, is closely connected with episteme of world outlook, its being called by convention “modernity” in terms of J. Habermas and reflecting rationally sensual perception of art and its interpretation which in our times are immerging in crisis more and more.

Key words. Art, culture, Enlightenment, modernism, philosophy of life, aesthetics, art criticism, gestalt.

 

[1] Foucault М. The Order of Things: An Archaeology of the Human Sciences. М.: Progress, 1977.
[2] Adorno Т. Negative Dialectic. М.: Nautchny Mir, 2003. P. 92.
[3] Structure and Development of Science. М.: Progress, 1978. P. 274.
[4] Foucault М. Op. cit., p. 99.
[5] Habermas J. The Philosophical Discourse of Modernity. М.: Ves Mir, 2003. P. 10.
[6] Ibid., p. 12.
[7] Deleuze G., Guattari F. What Is Philosophy? М.: Akademitchesky Proekt, 2009. P. 117.
[8] Haym R. Hegel und Seine Zeit. SPb: Nauka, 2006. P. 22.
[9] Foucault М Op. cit., p. 39.
[10] Hegel G.W.F. Aesthetics. V. 1. М.: Iskusstvo, 1968. P. 7.
[11] Habermas J. Op. cit., p. 68.
[12] Bazaine J. Histoire de L`histoire De L`art. De Vasary a Nos Jours. М.: Progress-Kultura, 1995. P. 143.
[13] Besançon А. L’Image interdite, une histoire intellectuelle de l’iconoclasme. М.: МIK, 1999. P. 285.
[14] Bazaine J. Op. cit., p. 49.
[15] Bitchkov V.V. Aesthetics. М.: Proekt, 2003. P. 49.
[16] Adorno Т. Aesthetic Theory. М.: Respublika, 2001. P. 480.
[17] Ibid., p. 472.
[18] Ibid., p. 473.
[19] Hegel G.W.F. Aesthetics. Vol. 1. P. 38.
[20] Ibid., p. 12.
[21] Ibid, p. 19.
[22] Shelling F. W. J. The Philosophy of Art. М.: Mysl, 1966. P. 50.
[23] Ibid., p. 51.
[24] Habermas J. Op. cit., p. 269.
[25] Haym R. Op. cit., p. 98.
[26] Ibid., p. 98.
[27] Bytchkov V.V. Op. cit., p. 272.
[28] Bazaine J. Op. cit., 26.
[29] Ibid., p. 74.
[30] Ibid., p. 119.
[31] Blauberg I.I. Henri Bergson. М.: Progress-Traditsiya, 2003. P. 383.
[32] Sopokin P.А. Social and Cultural Dynamics. A Research on Large Systems of Art, Truth, Ethics, Law and Public Relations. SPb.: RHGI, 2000. P.408
[33] Deleuze G., Guattari F. A Thousand Plateaus: Capitalism and Schizophrenia. Ekaterinburg: U-Faktoria; M.: Astrel, 2010. P. 26.
[34] Ibid., p. 32.
[35] Beryaev N.А. The Philosophy of Freedom. The Meaning of Creativity. М.: Pravda, 1989. P. 257.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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