SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THE THEORY OF CULTURE

E.A. Orlova. The anthropological foundations of scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)

A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)

N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

V.M. Rozin. Some features of modern art

V.I. Ionesov. Memory of things in images and plots of cultural introspection

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Social and organizational functions of culture

M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment

N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Philosophy of Art in View of the Appearance of Culture Concept (Part 1)

Abstract. In Part 1 the author argues that in the context of its origin and essence philosophy of art, called “aesthetics”, is closely connected with episteme of world outlook, its being called by convention “modernity” in terms of J. Habermas and reflecting rationally sensual perception of art and its interpretation which in our times are immerging in crisis more and more.

Key words. Art, culture, Enlightenment, modernism, philosophy of life, aesthetics, art criticism, gestalt.

 

[1] Foucault М. The Order of Things: An Archaeology of the Human Sciences. М.: Progress, 1977.
[2] Adorno Т. Negative Dialectic. М.: Nautchny Mir, 2003. P. 92.
[3] Structure and Development of Science. М.: Progress, 1978. P. 274.
[4] Foucault М. Op. cit., p. 99.
[5] Habermas J. The Philosophical Discourse of Modernity. М.: Ves Mir, 2003. P. 10.
[6] Ibid., p. 12.
[7] Deleuze G., Guattari F. What Is Philosophy? М.: Akademitchesky Proekt, 2009. P. 117.
[8] Haym R. Hegel und Seine Zeit. SPb: Nauka, 2006. P. 22.
[9] Foucault М Op. cit., p. 39.
[10] Hegel G.W.F. Aesthetics. V. 1. М.: Iskusstvo, 1968. P. 7.
[11] Habermas J. Op. cit., p. 68.
[12] Bazaine J. Histoire de L`histoire De L`art. De Vasary a Nos Jours. М.: Progress-Kultura, 1995. P. 143.
[13] Besançon А. L’Image interdite, une histoire intellectuelle de l’iconoclasme. М.: МIK, 1999. P. 285.
[14] Bazaine J. Op. cit., p. 49.
[15] Bitchkov V.V. Aesthetics. М.: Proekt, 2003. P. 49.
[16] Adorno Т. Aesthetic Theory. М.: Respublika, 2001. P. 480.
[17] Ibid., p. 472.
[18] Ibid., p. 473.
[19] Hegel G.W.F. Aesthetics. Vol. 1. P. 38.
[20] Ibid., p. 12.
[21] Ibid, p. 19.
[22] Shelling F. W. J. The Philosophy of Art. М.: Mysl, 1966. P. 50.
[23] Ibid., p. 51.
[24] Habermas J. Op. cit., p. 269.
[25] Haym R. Op. cit., p. 98.
[26] Ibid., p. 98.
[27] Bytchkov V.V. Op. cit., p. 272.
[28] Bazaine J. Op. cit., 26.
[29] Ibid., p. 74.
[30] Ibid., p. 119.
[31] Blauberg I.I. Henri Bergson. М.: Progress-Traditsiya, 2003. P. 383.
[32] Sopokin P.А. Social and Cultural Dynamics. A Research on Large Systems of Art, Truth, Ethics, Law and Public Relations. SPb.: RHGI, 2000. P.408
[33] Deleuze G., Guattari F. A Thousand Plateaus: Capitalism and Schizophrenia. Ekaterinburg: U-Faktoria; M.: Astrel, 2010. P. 26.
[34] Ibid., p. 32.
[35] Beryaev N.А. The Philosophy of Freedom. The Meaning of Creativity. М.: Pravda, 1989. P. 257.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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