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A. Ya. Flier. Local cultural system: sustainability factors


In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. Conceptualization of G. R. Baltanova Muslim women and culture

N. A. Khrenov. On the history of the formation of the science of culture: Oswald Spengler (to the 100th anniversary of the book «the Decline of Europe»)

M. I. Kozyakova. Synesthesia in the postmodern era: aesthetics déjà'vu


HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’sSectoin)

E. N. Shapinskaya. Bulgarian culture in Russia: traditions and modernity (interview with Maya Pramatarova)

E. N. Shapinskaya. Digital history: the future of our past


N. A. Khrenov. Culture and play: activation of the gaming instinct in the era of transition from the middle ages to Imperial Russia (end)

V. I. Grachev. Information-rhizomorphic basis of communicative paradigm of modern culture. Three

A. Ya. Flier.  Culture and the problem of the noosphere: it is not necessary to make a fairy tale come true


A. Ya. Flier. Theory of culture


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Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography

Philosophy of Art in View of the Appearance of Culture Concept (Part 1)

Abstract. In Part 1 the author argues that in the context of its origin and essence philosophy of art, called “aesthetics”, is closely connected with episteme of world outlook, its being called by convention “modernity” in terms of J. Habermas and reflecting rationally sensual perception of art and its interpretation which in our times are immerging in crisis more and more.

Key words. Art, culture, Enlightenment, modernism, philosophy of life, aesthetics, art criticism, gestalt.


[1] Foucault М. The Order of Things: An Archaeology of the Human Sciences. М.: Progress, 1977.
[2] Adorno Т. Negative Dialectic. М.: Nautchny Mir, 2003. P. 92.
[3] Structure and Development of Science. М.: Progress, 1978. P. 274.
[4] Foucault М. Op. cit., p. 99.
[5] Habermas J. The Philosophical Discourse of Modernity. М.: Ves Mir, 2003. P. 10.
[6] Ibid., p. 12.
[7] Deleuze G., Guattari F. What Is Philosophy? М.: Akademitchesky Proekt, 2009. P. 117.
[8] Haym R. Hegel und Seine Zeit. SPb: Nauka, 2006. P. 22.
[9] Foucault М Op. cit., p. 39.
[10] Hegel G.W.F. Aesthetics. V. 1. М.: Iskusstvo, 1968. P. 7.
[11] Habermas J. Op. cit., p. 68.
[12] Bazaine J. Histoire de L`histoire De L`art. De Vasary a Nos Jours. М.: Progress-Kultura, 1995. P. 143.
[13] Besançon А. L’Image interdite, une histoire intellectuelle de l’iconoclasme. М.: МIK, 1999. P. 285.
[14] Bazaine J. Op. cit., p. 49.
[15] Bitchkov V.V. Aesthetics. М.: Proekt, 2003. P. 49.
[16] Adorno Т. Aesthetic Theory. М.: Respublika, 2001. P. 480.
[17] Ibid., p. 472.
[18] Ibid., p. 473.
[19] Hegel G.W.F. Aesthetics. Vol. 1. P. 38.
[20] Ibid., p. 12.
[21] Ibid, p. 19.
[22] Shelling F. W. J. The Philosophy of Art. М.: Mysl, 1966. P. 50.
[23] Ibid., p. 51.
[24] Habermas J. Op. cit., p. 269.
[25] Haym R. Op. cit., p. 98.
[26] Ibid., p. 98.
[27] Bytchkov V.V. Op. cit., p. 272.
[28] Bazaine J. Op. cit., 26.
[29] Ibid., p. 74.
[30] Ibid., p. 119.
[31] Blauberg I.I. Henri Bergson. М.: Progress-Traditsiya, 2003. P. 383.
[32] Sopokin P.А. Social and Cultural Dynamics. A Research on Large Systems of Art, Truth, Ethics, Law and Public Relations. SPb.: RHGI, 2000. P.408
[33] Deleuze G., Guattari F. A Thousand Plateaus: Capitalism and Schizophrenia. Ekaterinburg: U-Faktoria; M.: Astrel, 2010. P. 26.
[34] Ibid., p. 32.
[35] Beryaev N.А. The Philosophy of Freedom. The Meaning of Creativity. М.: Pravda, 1989. P. 257.



ISSN 2311-3723

OOO «Soglasie» publisher

Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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