SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Philosophy of Art in View of the Appearance of Culture Concept (Part 2)

Abstract. In Part 2 of the article the author continues discussing philosophy of art – aesthetics as creation of the culture of modernity with its linear rationally sensual perception of world outlook. At the same time he emphasizes the crisis of the culture of modernity due to its anti-anthropomorphism and the role of aesthetics in opposing it.

Key words. Art, culture, Enlightenment, modernity, philosophy of life and philosophy of art, aesthetics, art criticism, gestalt.



[36] Lukacs G. Die Eigenart des Aesthetischen (Distinctiveness of the Aesthetical). Vol. 1. М.: Progress, 1985. P. 161.
[37] Zeldmayer H. Art and Truth: Theory and Method of History of Art. М.: Iskusstvoznaniye, 1999. P. 93
[38] Foucault М. The Order of Things: An Archaeology of the Human Sciences. М.: Progress, 1977. P. 41.
[39] Ibid.
[40] Cassirer E. Selected Works. Essay on Man. М.: Gardariki, 1998. P. 156.
[41] Cassirer E. Kant’s Life and Thought. SPb.: Universitetskaya Kniga, 1997. P. 148.
[42] Ibid. P. 149.
[43] Ibid. P. 150.
[44] Ibid. P. 326.
[45] Deleuze G., Guattari F. What Is Philosophy? М.: Akademitchesky Proekt, 2009. P. 6.
[46] Cassirer E. Op. cit. P. 246.
[47] Lukacs G. Ibid. P. 288.
[48] Ibid. P. 122.
[49] Adorno Т. Negative Dialectic. М.: Nautchny Mir, 2003. P. 23.
[50] Hegel G.W.F. Aesthetics. V. 1. М.: Iskusstvo, 1968. P. 17.
[51] Cassirer E. Kant’s Life and Thought. SPb.: Universitetskaya Kniga, 1997. P. 78.
[52] Ibid. P. 304.
[53] Habermas J. The Philosophical Discourse of Modernity. М.: Ves Mir, 2003. P. 52.
[54] Heim R. Hegel und seinem Zeit (Hegel and His Time) . SPb: Nauka, 2006. P. 342.
[55] Ibid. P. 258.
[56] Ibid. P. 260.
[57] Ibid. P. 267.
[58] Ibid.
[59] Ibid. P. 271.
[60] Habermas J. Op. cit. P. 11.
[61] Bazin G. Histoire de L`histoire De L`art. De Vasary a Nos Jours (The History of History of Art from Vasari to Nowadays). М.: Progress-Kultura, 1995. P. 109.
[62] Cassirer E. Kant’s Life and Thought. P. 380.
[63] Adorno Т. Op. cit. P. 102.
[64] Ibid. P. 103.
[65] Ibid. P. 23.
[66] Berdyaev N.А. The Philosophy of Freedom. The Sense of Creativity. М.: Pravda, 1989. P. 269.
[67] Deleuze G., Guattari F. Op. cit. P. 131.
[68] Adorno Т. Op. cit. P. 340.
[69] Kozyrev A.P. Solovyov and Gnostics. М.: Publishing House Savin S.A., 2007. P. 13.
[70] Jaspers K. Nietzsche. An Introduction to the Understanding of His Philosophical Activity. SPb: Vladimir Dal, 2004. P. 378.
[71] Guardini R. The End of the Modern World // Questions of Philisophy. 1990. № 4. P. 137.
[72] Jaspers K. Nietzsche. An Introduction to the Understanding of His Philosophical Activity. P. 346.
[73] Horkheimer М., Adorno Т. Dialectic of Enlightenment: Philosophical Fragments. М.-SPb.: Medium, Yuventa, 1997. P. 8.
[74] Khrenov N.A. The Crisis of Art in the 20th Century: Art Statement and Culturological Interpretation // Questions of Culturology. 2011. № 1.
[75] Adorno Т. Op. cit. P. 323.
[76] Ibid. P. 327.
[77] Khrenov N.A. The Renaissance in domestic aesthetics of the late 1950s – early 1960s onwards in the context of the formation of the ideational culture type // Iskusstvoznaniye. 2009. № 1-2.
[78] Bytchkov V.V. Russian Theurgic Aesthetics. М.: Ladomir, 2007.
[79] Motroshilova N.V. Civiliation and Barbarism in the Age of Global Crises. М.: IFRAN, «Kanon+» ROOI «Reabilitatsya», 2010.
[80] Motroshilova N.V. S. Frank and N. Berdyaev on “New Barbarism” // Culture and Form: to the 60th Anniversary of A.L. Dobrokhotov / Proceedings. М.: ID GU- VSE, 2010.

 

 

ISSN 2311-3723

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