SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

V. M. Rozin. Postculture as the basis for the distinction of the concepts of culture

 

Discussions:

In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

A. Ya. Flier. Phenomenon of cultural form

N. A. Khrenov. On the way to «Posthuman»: anthropological, mythological and artistic potential of the puppet (beginning)

V. I. Grachev. Information-rhizomorphic basis of the communicative paradigm of modern culture 4 (ending)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Sapinska, A. A. Lisenkova. Education vs neo-enlightenment: some trends in digital culture

N. Yu. Lukina. About the beauty of antique statues, Picassos and traffic lights

CULTURAL REFLECTIONS

N. A. Khrenov. Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (beginning)

M. A. Poletaeva. Evolution of ideas about the «alien»

V. V. Breitburg. The principle of clip thinking when creating musicals

REVIEWS, MESSAGES, MATERIALS

M. I. Kozyakova. Review of the book by A. S. Zapesotsky «The Formation of global culture and conflicts of civilizations»

E. N. Polyudova. Modern cultural research as a book of reflections: reflections on the book of E. N. Shapinskaya «Philosophy of music»


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Revolution and culture: desacralisation of revolution in Russian cinema
of the turn of XX-XXI centuries
(continuation)

Abstract. The article discusses the process of gradual, cautious at first, demythologized, and then increasingly blatant desacralization of the revolutionary events of 1917 that was the most evident interpretation in the works of the national cinema. The first steps on this path were made in Soviet times, and already in the post-Soviet desacralisation of the revolution became one of the main themes of cinema.

Keywords. Revolution, demythologization, desacralization, and cinema.


[19] Pasternak, B. Doctor Zhivago. M.: Soviet writer, 1989. P. 434.
[20] I. Bunin Cursed days. M.: Contemporary, 1991. P. 38.
[21] Sorokin P. Decree. Cit. P. 88.
[22] A. Solzhenitsyn Essays: in 3 vol. Vol. 3. Yaroslavl: Upper Volga, 1995.  P. 298.
[23] S. Melgunov, the Red terror in Russia. New York: Brandi Publishing, 1979. P. 97.
[24] Ibid. P. 97.
[25] D. Fraser the Golden bough. M.: Politizdat, 1980. P. 69.
[26] Burke E. Decree. Cit. P. 79.
[27] Ibid.
[28] Carlyle, T. The Decree. Cit. P. 319.
[29] R. Haym, Hegel and his time. Lectures on the original origin, essence and dignity of Hegel's philosophy. SPb.: Science, 2006. P. 283.
[30] Teng I. the Origin of modern France. Vol. 2. Anarchy. M: Type. I. F. Panteleeva, 1907. P. 27.
[31] Sorokin P. Decree. Cit. P. 141.
[32] I. Bunin, Cursed days. P. 16.
[33] Sorokin P. Decree. Cit. P. 134.
[34] Ibid. P. 134.
[35] The Depressive mood among young people. Yesenin. M.: Izd. Communist Academy of Sciences, 1927. P. 57.
[36] Sorokin P. Decree. Cit. P. 138.
[37] Bunin I. Decree. Cit. P. 71.
[38] Ibid. P. 43.
[39] Ibid. P. 18.
[40] Ibid. P. 43.
[41] Ibid. P. 42.

 

 

ISSN 2311-3723

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OOO «Soglasie» publisher

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Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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