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CULTURE AND LIFE

V.M. Rozin. Life as understanding being



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SEARCHING THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier’s Section)

A.Ya. Flier. Art in culture or culture in art?

N.А. Khrenov. Revolution and culture: desacralisation of revolution in Russian cinema of the turn of XX-XXI centuries (continuation)

N.А. Khrenov. Desacralisation of the Russian revolution of 1917 as a problem today: M. Gorky's novel "Life of Klim Samgin" in this perspective (continuation)

V.I. Grachev. Information-isomorphic basis of communicative paradigm of culture 2



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HIGH ART IN CONTEMPORARY CULTURE (E. Shapinskaya’s Section)

E.N. Shapinskaya. Monster as a cultural hero: representations of monstrosity in popular culture (ending)

E.N. Shapinskaya. Eternal values of cultural heritage, creativity and interpretative dyslexia (interview with O. Stefanov)

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N.А. Khrenov. Culture and game: activation of the game instinct in the era of transition from the middle ages to Imperial Russia (beginning)

V.G. Vlasov, N.Yu. Lukina. Stanze 5, 6, 7, 8… From talks of the philologist with researcher of art

V.I. Grachev. Cultures the phenomenon of apophatic "the Dialectics of myth" by A. F. Losev in the context topochron-axiogenic paradigm of culture

A. N. Kovalev. Divine proportion in search of the Renaissance (beginning)

REPUBLICATION

A.Ya. Flier. The birth of the temple: the experience of human self-determination in time (beginning)


Information on a forthcoming issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Revolution and culture: desacralisation of revolution in Russian cinema
of the turn of XX-XXI centuries
(continuation)

Abstract. The article discusses the process of gradual, cautious at first, demythologized, and then increasingly blatant desacralization of the revolutionary events of 1917 that was the most evident interpretation in the works of the national cinema. The first steps on this path were made in Soviet times, and already in the post-Soviet desacralisation of the revolution became one of the main themes of cinema.

Keywords. Revolution, demythologization, desacralization, and cinema.


[19] Pasternak, B. Doctor Zhivago. M.: Soviet writer, 1989. P. 434.
[20] I. Bunin Cursed days. M.: Contemporary, 1991. P. 38.
[21] Sorokin P. Decree. Cit. P. 88.
[22] A. Solzhenitsyn Essays: in 3 vol. Vol. 3. Yaroslavl: Upper Volga, 1995.  P. 298.
[23] S. Melgunov, the Red terror in Russia. New York: Brandi Publishing, 1979. P. 97.
[24] Ibid. P. 97.
[25] D. Fraser the Golden bough. M.: Politizdat, 1980. P. 69.
[26] Burke E. Decree. Cit. P. 79.
[27] Ibid.
[28] Carlyle, T. The Decree. Cit. P. 319.
[29] R. Haym, Hegel and his time. Lectures on the original origin, essence and dignity of Hegel's philosophy. SPb.: Science, 2006. P. 283.
[30] Teng I. the Origin of modern France. Vol. 2. Anarchy. M: Type. I. F. Panteleeva, 1907. P. 27.
[31] Sorokin P. Decree. Cit. P. 141.
[32] I. Bunin, Cursed days. P. 16.
[33] Sorokin P. Decree. Cit. P. 134.
[34] Ibid. P. 134.
[35] The Depressive mood among young people. Yesenin. M.: Izd. Communist Academy of Sciences, 1927. P. 57.
[36] Sorokin P. Decree. Cit. P. 138.
[37] Bunin I. Decree. Cit. P. 71.
[38] Ibid. P. 43.
[39] Ibid. P. 18.
[40] Ibid. P. 43.
[41] Ibid. P. 42.

 

 

ISSN 2311-3723

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