SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Revolution and culture: desacralisation of revolution in Russian cinema
of the turn of XX-XXI centuries
(continuation)

Abstract. The article discusses the process of gradual, cautious at first, demythologized, and then increasingly blatant desacralization of the revolutionary events of 1917 that was the most evident interpretation in the works of the national cinema. The first steps on this path were made in Soviet times, and already in the post-Soviet desacralisation of the revolution became one of the main themes of cinema.

Keywords. Revolution, demythologization, desacralization, and cinema.


[19] Pasternak, B. Doctor Zhivago. M.: Soviet writer, 1989. P. 434.
[20] I. Bunin Cursed days. M.: Contemporary, 1991. P. 38.
[21] Sorokin P. Decree. Cit. P. 88.
[22] A. Solzhenitsyn Essays: in 3 vol. Vol. 3. Yaroslavl: Upper Volga, 1995.  P. 298.
[23] S. Melgunov, the Red terror in Russia. New York: Brandi Publishing, 1979. P. 97.
[24] Ibid. P. 97.
[25] D. Fraser the Golden bough. M.: Politizdat, 1980. P. 69.
[26] Burke E. Decree. Cit. P. 79.
[27] Ibid.
[28] Carlyle, T. The Decree. Cit. P. 319.
[29] R. Haym, Hegel and his time. Lectures on the original origin, essence and dignity of Hegel's philosophy. SPb.: Science, 2006. P. 283.
[30] Teng I. the Origin of modern France. Vol. 2. Anarchy. M: Type. I. F. Panteleeva, 1907. P. 27.
[31] Sorokin P. Decree. Cit. P. 141.
[32] I. Bunin, Cursed days. P. 16.
[33] Sorokin P. Decree. Cit. P. 134.
[34] Ibid. P. 134.
[35] The Depressive mood among young people. Yesenin. M.: Izd. Communist Academy of Sciences, 1927. P. 57.
[36] Sorokin P. Decree. Cit. P. 138.
[37] Bunin I. Decree. Cit. P. 71.
[38] Ibid. P. 43.
[39] Ibid. P. 18.
[40] Ibid. P. 43.
[41] Ibid. P. 42.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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