SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

V. M. Rozin. Postculture as the basis for the distinction of the concepts of culture

 

Discussions:

In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

A. Ya. Flier. Phenomenon of cultural form

N. A. Khrenov. On the way to «Posthuman»: anthropological, mythological and artistic potential of the puppet (beginning)

V. I. Grachev. Information-rhizomorphic basis of the communicative paradigm of modern culture 4 (ending)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Sapinska, A. A. Lisenkova. Education vs neo-enlightenment: some trends in digital culture

N. Yu. Lukina. About the beauty of antique statues, Picassos and traffic lights

CULTURAL REFLECTIONS

N. A. Khrenov. Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (beginning)

M. A. Poletaeva. Evolution of ideas about the «alien»

V. V. Breitburg. The principle of clip thinking when creating musicals

REVIEWS, MESSAGES, MATERIALS

M. I. Kozyakova. Review of the book by A. S. Zapesotsky «The Formation of global culture and conflicts of civilizations»

E. N. Polyudova. Modern cultural research as a book of reflections: reflections on the book of E. N. Shapinskaya «Philosophy of music»


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Synthesis of arts as a synthesis of cultures: V. Kandinsky And S. Eisenstein
(beginning)

Abstract. The article is devoted to the study of the phenomenon of artistic avant-garde in the national culture of the first half of the twentieth century, the origin and basic creative and cultural principles of avant-garde. Directly these problems are analyzed on the example of creativity of V. Kandinsky and R. Eisenstein taking into account features of a cultural context of their activity.

Keywords. Art, avant-garde, new meanings, new forms, tradition, innovation.
 

[1] Hansen-Leve O. Russian formalism. Methodological reconstruction of development based on the principle of exclusion. M.: Languages of Russian culture, 2001. P. 17.
[2] Panofsky E. Idea. On the history of concepts in art theories. From antiquity to classicism. SPb.: Ed. "Andrey Heirs", 2002.
[3] Jung K. the structure of the psyche and the process of individuation. M.: Science, 1966. P. 30.
[4] Ibid. P. 31.
[5] Ibid. P. 32.
[6] Yampolsky M. Observer. Essays on the history of vision. M.: Ad Marginem, 2000.
[7] Yampolsky M. The World Of The Visible. Essays on early Kinopanorama. M.: film Studies notes, 1993.
[8] Yampolsky M. Observer. P. 8.
[9] Berdyaev N. Philosophy of creativity, culture and art. VOLUME. 2., M.: Art, 1994. P. 404.
[10] Yampolsky M. Observer. P. 48.
[11] Jacobson R. Movie Over? / The structure of the film. M.: Rainbow, 1984. P. 25.
[12] Eisenstein S. Method. Thom. 2. M.: Eisenstein-centre; Museum of cinema, 2002. P.55.
[13] Ibid. P. 49.
[14] Ortega-and-Gasset H. the Aesthetics. Philosophy of culture. M.: Art, 1991. P. 220.
[15] Kandinsky V. Selected works on the theory of art. Thom. 1. M.: Gilea, 2001.
[16] Eisenstein S. Selected works. At 6 Vol. Thom. 2. M.: Art, 1964. P. 128.
[17] Eisenstein S. Memoirs. Thom. 2. M.: Work; Museum of cinema, 1997. P. 303.
[18] In Prokofiev. Art criticism, history of art, theory of the General artistic process: their specificity and problems of interaction within the limits of art // Soviet art history. Issue 2. M.: Soviet artist, 1978.
[19] Khrenov N. Art history as a history of culture / / Culture and art. 2011.  No. 1. P. 92.
[20] Grabar I. Letters. 1891-1917. M.: Science, 1974. P. 195.
[21] Ibid. P. 192.
[22] Berdyaev N. Philosophy of freedom. The meaning of creativity. M.: Izd. "The truth", 1989. P. 523.
[23] Eisenstein S. Method. Thom. 1. P. 47.
[24] Fuck N. Utopian complex of Russian art of the first half of the twentieth century: from the avant-garde to the Byzantine tradition / / upper Volga philological Bulletin. 2015.  No. 1. P. 171.
[25] P. Eisenstein's Decree. OP. P. 77.
[26] Popper K. open society and its enemies. Vol. 1. The Spell Of Plato. M.: Phoenix, 1992. P. 208.
[27] Ibid. P. 209.
[28] Hanzen-Leve O. Decree. op. P. 111.
[29] F. Stepun the Mystical world-view. Five images of Russian symbolism. SPb.: Ed. "Vladimir Dal", 2012.
[30] Eisenstein S. Method. Vol. 2. P. 61.
[31] Vasari D. Biographies of the most famous painters, sculptors and architects. Vol. 1. M.: Art, 1956. P. 154.
[32] Makovsky S. On the Parnassus of the Silver age. M.: Twenty-first century-Harmony, 2000. P. 483.
[33] In Kandinsky. Decree. op. Vol. 2. P. 25.
[34] In Turchyn. Century XIX century XX-th // Twentieth century and the ways of European culture. M: GII, 2000. P. 35.
[35] Eisenstein S. Method. Vol. 1. P. 112.
[36] Kandinsky V. Decree. op. Vol.1. P.105.
[37] Kandinsky V. Decree. op. Vol. 1. P. 106.
[38] Mandelstam O. Word and culture. M.: Soviet pisatel’, 1987. P. 42.
[39] Kandinsky V. Decree. op. 2. P. 246.
[40] Kandinsky V. Decree. op. Vol. 1. P. 292.
[41] Kandinsky V. Decree. op. Vol. 1. P. 320.
[42] Voloshin M. Archaism in Russian painting (Roerich, Bogaevsky and Bakst) // Apollo. 1909.  No. 1. P. 50.
[43] Schmidt I. The main problems of theory and history. L.: Academia, 1925.
[44] Kandinsky V. Decree. op. Vol. 1. P. 239.
[45] Kandinsky V. Decree. op. Vol. 2. P. 51.
[46] Kandinsky V. Decree. op. Vol. 2. P. 54.
[47] Kandinsky V. Decree. op. Vol. 2. P. 267.
[48] Kandinsky V. Decree. op. Vol. 2. P. 262.
[49] Hanzen-Leve O. Decree. op. P. 184.
[50] Eisenstein S. Method. Vol. 1. P. 436.
[51] Ibid.
[52] Ibid. Vol. 2. P. 327.
[53] Kandinsky V. Decree. op. Vol. 2. P. 71.
[54] Decree P. Decree. op. Vol. 1. P. 46.

 

 

ISSN 2311-3723

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