SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Laughter and culture: from mentality to genre
(Start)

Abstract. The article is devoted to the historical evolution of laughter images in culture and, above all, in fiction. The attention of the author is focused on the interpretation of these laughing images in contemporary culture. We also consider the national characteristics of the laughter culture, in particular, the humor tradition in Russian literature.

Keywords. Culture, laughter, laughter culture, fiction, traditions of humor.
 

[1] Works of the First All-Russian Congress of Stage Figures 9-23 March 1897, 2009 in Moscow. Vol. 1. S.-Petersburg., 1898. P. 53.
[2] Ibid. Vol. 2. P. 267.
[3] Ibid.
[4] Studio. Art and Stage magazine. Moscow, 1912. № 27. P. 9.
[5] Rossov N. Sophocles in the Hands of Modernity//Theatre and Art. 1912. № 18. P. 385.
[6] Ashkenazi Z. Tragedy, Mysteries and Morality//Yearbook of the Imperial Theatres. 1912. № 7. P. 7.
[7] Lessing G. Hamburg Drama. Moscow-Leningrad: Academia, 1936. P. 21.
[8] Vsevolod-Gerngross V.N. History of the Russian Theatre. Leningrad-Moscow: Tea-Film-Printing, 1929. P. 30.
[9] Ibid. P. 73.
[10] Freud Z. Wit and his Attitude to the Unconscious//Artist and Fantasies. Moscow: Respublica, 1995. P. 84.
[11] Bakhtin M.M. The work of Francois Rabelais and Folk Culture of the Middle Ages and Renaissance. Moscow: Eksmo, 2014. C. 9.
[12] Khrenov N.A. Methodological Potential of Cultural Studies in the Study of Domestic and World Art Process//Art in Historical Dynamics of Art. Moscow: Soglasie, 2015. P. 206.
[13] Bakhtin M.M. Op. cit. P. 684.
[14] Bakhtin M.M. Op. cit. P. 48.
[15] Hertzen A.I. Compositions: In 9 vol. Vol. 3. Moscow: Goslitizdat, 1951. P. 92.
[16] A.I. Herzen on Art. Moscow: Iskusstvo, 1954. P. 223.
[17] Bakhtin M.M. Op. cit. P. 19.
[18] Kant I. Compositions: In 6 Vol. Vol. 3. Moscow: Mysl', 1964. P. 352.
[19] Ivanov S.A. Blessed Pohaby. Foolishness Cultural History. Moscow: Yazyki slavyanskoy kul'tury, 2005. P. 92.
[20] Ibid. P. 108.
[21] Bakhtin M.M. Op. cit. P. 77.
[22] Lessing G. Hamburg Drama. P. 254.
[23] Bakhtin M.M. Op. cit. P. 316.
[24] Toporov V. A Few Thoughts on the Origin of the Ancient Greek Drama//Text: Semantics and Structure. Moscow: Nauka, 1983.
[25] Ibid. P. 98.
[26] Averintsev C.C. Bakhtin and Russian Attitude to Laughter//From Myth to Literature: Collection in Honor of the 75 Anniversary of E.M. Meletinskiy. Moscow: RGGU, 1993. P. 343.
[27] A. K. Russian Drama in France // Teatr i iskusstvo. 1887. № 33. P. 578.
[28] Hertzen A.I. Compositions: In 9 vol. Vol. 3. Moscow: GIHL, 1956. P. 92.
[29] Shevyrev S. The Theory of Funny, with Application to the Russian Comedy//Moskvitjanin. 1851. № 3-4. P. 27.
[30] Freud Z. Op. cit. P. 121.
[31] Ibid. P. 101.
[32] Nedobrovo V.V. FEKS. Gregory Kozintsev. Leonid Trauberg. Moscow: Kinopechat; Leningrad: Typ. by Tov. Bukharin, 1928. P. 7.
[33] Ekstsentryzm. Petrograd: Gostipografija, 1922. P. 8.
[34] Nedobrovo V.V.  Op. cit. P. 6.
[35] Ibid. P. 8.
[36] Beliy А. Theatre and Modern Drama // Beliy А. Symbolism as Worldview. Moscow: Respublica, 1994. P. 153.
[37] Ashkenazi Z. Op. cit. P. 10.
[38] Ibid.
[39] Frejdenberg O.M. Poetics of the Plot and Genre. Moscow: Labirint, 1997. P. 22.
[40] Vico D. The foundation of a new science on the common nature of nations. Moscow – Kiev: Iris, REFL-book, 1994. P. 355.
[41] Ibid. P. 433.
[42] Berdyaev N.A. New Middle Ages//Berdyaev N.A. Philosophy of Creativity, Culture and Art. Vol. 1. Moscow: Iskusstvo, 1994. P. 406.
[43] Eikhenbaum B.M. Problems of Cinema Stylistics//Poetics of Cinema. Moscow-Leningrad: Kinopechat, 1927. P. 18.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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