Электронный журнал «Культура культуры» :: Prospero’s dreams told by the language of modern music: Thomas Adès phantasmagoria on "The Tempest" by William Shakespeare

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Shapinskaya Ekaterina Nikolaevna

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Lykhachev Russian Research Institute

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e-mail: reenash@mail.ru

Prospero’s dreams told by the language of modern music:

Thomas Adès phantasmagoria on "The Tempest" by William Shakespeare

Abstract: The article presents a cultural analysis of the opera 'The Tempest' by contemporary composer T. Adès which is based on Shakespeare's tragicomedy. The author raises a number of issues related to the possibility of telling by the language of modern music about works relating to a different era and representing another cultural form. The issue of the dynamics of cultural meanings when changing historical and cultural contexts is also raised.

Key words: context, culture, temporality, classical, cultural form, language interpretation, work, meaning.

[1] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html

[2] URL: http://www.ft.com/cms/s/7ff9d0f4-d185-11db-b921-000b5df10621.html

[3] URL: http://www.muzcentrum.ru/orfeus/programs/issue2084/

[4] Erica Jeal for the Guardian, March 14, 2007 // URL: http://music.guardian.co.uk/live/story/0,2033213,00.html

[5] Richard Morrison for the Times, 13 March 2007 // URL: http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article1507145.ecetempest-ades-prospero/2007-london-roh-the-tempest/

[6] Extract from an interview with Philip Langridge for Music OMH // URL: http://www.musicomh.com/classical_features/philip-langridge_0307.htm.

[7] Edward Seckerson, The Independent, 14 March 2007 // URL: http://enjoyment.independent.co.uk/music/reviews/article2356644.ece

[8] Koryabin I. Opera "The Tempest" by Thomas Adès at the Metropolitan Opera. // URL: http://www.belcanto.ru/12120302.html.

[9] URL: http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/ opera/article15071

[10] Kurmachev A. Not Sandy, but still a tempest. // URL: http://www.operanews.ru/12111803.html

[11] URL: http://music.guardian.co.uk/live/story/0,2033213,00.html

[12] Op. Cit. Koryabin I. Ibidem.

[13] Voronin T.S. John Boydell Shakespeare Gallery // The Magic of Literary Plot. Problems of Interpretation in Art. M.: Monuments of Historical Thought, 2012. P.262.

[14] Koryabin I. Ibidem.

[15] Koryabin I. Ibidem.

[16] URL: http://tribuna.mosconsv.ru/?p=4317

[17] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html

[18] URL: http://arashi-opera.livejournal.com/1238885.html

[19] URL: http://www.simonkeenlyside.info/indeg.php/performances/performances-opera/tempest-ades-prospero/2012-new-york-metropolitan-opera-the-tempest/

[20] Shakespeare W. The Complete Works of William Shakespeare. Vol. 2. M.: Olma-Press, 2002. P. 869

[21] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html

[22] URL: http://www.classicmus.ru/Lavrova_13.html

[23] Shakespeare W. Ibidem. P. 848.

[24] Kolchigin S. The Tempest in Shakespeare’s worldview // URL: http://www.proza.ru/2011/09/23/669

[25] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html

[26] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html

[27] Shakespeare W. Ibidem. P. 848.

[28] Kolchigin S. Ibidem.

[29] Kolchigin S. Ibidem.

[30] URL: http://www.simonkeenlyside.info/indeg.php/performances/performances-opera/tempest-ades-prospero/2012-new-york-metropolitan-opera-the-tempest/.

[31] Kurmachev A. Ibidem.

[32] Anu Mand. Bernt Notke. Between Innovation and Tradition. Tallinn 2010. P.9.

[33] Shakespeare W. Ibidem. P. 848.

ISSN 2311-3723

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	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG

Hypotheses: THEORETICAL REVIEW E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric) A.Ya. Flier. Culture as the basis of identity N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued) V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued) V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness VIEWS A.Ya. Flier. Culture as a survival system and its 5 strategies A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos Announcement of the next issue	*Shapinskaya Ekaterina Nikolaevna* Doctor of Philosophy, Professor, Deputy Director of the Expert-Analytical center for Development of Educational Systems in the sphere of culture, Lykhachev Russian Research Institute for Cultural and Natural Heritage. e-mail: reenash@mail.ru Prospero’s dreams told by the language of modern music: Thomas Adès phantasmagoria on "The Tempest" by William Shakespeare Abstract: The article presents a cultural analysis of the opera 'The Tempest' by contemporary composer T. Adès which is based on Shakespeare's tragicomedy. The author raises a number of issues related to the possibility of telling by the language of modern music about works relating to a different era and representing another cultural form. The issue of the dynamics of cultural meanings when changing historical and cultural contexts is also raised. Key words: context, culture, temporality, classical, cultural form, language interpretation, work, meaning. [1] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html [2] URL: http://www.ft.com/cms/s/7ff9d0f4-d185-11db-b921-000b5df10621.html [3] URL: http://www.muzcentrum.ru/orfeus/programs/issue2084/ [4] Erica Jeal for the Guardian, March 14, 2007 // URL: http://music.guardian.co.uk/live/story/0,2033213,00.html [5] Richard Morrison for the Times, 13 March 2007 // URL: http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article1507145.ecetempest-ades-prospero/2007-london-roh-the-tempest/ [6] Extract from an interview with Philip Langridge for Music OMH // URL: http://www.musicomh.com/classical_features/philip-langridge_0307.htm. [7] Edward Seckerson, The Independent, 14 March 2007 // URL: http://enjoyment.independent.co.uk/music/reviews/article2356644.ece [8] Koryabin I. Opera "The Tempest" by Thomas Adès at the Metropolitan Opera. // URL: http://www.belcanto.ru/12120302.html. [9] URL: http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/ opera/article15071 [10] Kurmachev A. Not Sandy, but still a tempest. // URL: http://www.operanews.ru/12111803.html [11] URL: http://music.guardian.co.uk/live/story/0,2033213,00.html [12] Op. Cit. Koryabin I. Ibidem. [13] Voronin T.S. John Boydell Shakespeare Gallery // The Magic of Literary Plot. Problems of Interpretation in Art. M.: Monuments of Historical Thought, 2012. P.262. [14] Koryabin I. Ibidem. [15] Koryabin I. Ibidem. [16] URL: http://tribuna.mosconsv.ru/?p=4317 [17] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html [18] URL: http://arashi-opera.livejournal.com/1238885.html [19] URL: http://www.simonkeenlyside.info/indeg.php/performances/performances-opera/tempest-ades-prospero/2012-new-york-metropolitan-opera-the-tempest/ [20] Shakespeare W. The Complete Works of William Shakespeare. Vol. 2. M.: Olma-Press, 2002. P. 869 [21] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html [22] URL: http://www.classicmus.ru/Lavrova_13.html [23] Shakespeare W. Ibidem. P. 848. [24] Kolchigin S. The Tempest in Shakespeare’s worldview // URL: http://www.proza.ru/2011/09/23/669 [25] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html [26] URL: http://www.w-shakespeare.ru/library/metafori-i-allegorii-v-proizvedeniyah-shekspira26.html [27] Shakespeare W. Ibidem. P. 848. [28] Kolchigin S. Ibidem. [29] Kolchigin S. Ibidem. [30] URL: http://www.simonkeenlyside.info/indeg.php/performances/performances-opera/tempest-ades-prospero/2012-new-york-metropolitan-opera-the-tempest/. [31] Kurmachev A. Ibidem. [32] Anu Mand. Bernt Notke. Between Innovation and Tradition. Tallinn 2010. P.9. [33] Shakespeare W. Ibidem. P. 848.	ISSN 2311-3723 Founder: OOO «Soglasie» publisher Publisher: Scientific Association of Culture Researchers Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013 The magazine is indexed: Issued quarterly in electronic form only *Issue produced by:* Editorial Director A. Flier Editor in Chief T. Glazkova Head of IT Center A. Lukyanov Our banner: Our e-mail: cultschool@gmail.com OUR PARTNERS:

	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG
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