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A.Ya. Flier. Teacher's memory

 

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V.M. Rozin. The spell of death in history, art Nouveau and now

 

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SEARCHING THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier’s Section)

A.Ya. Flier. History as a cultural artifact

N.А. Khrenov. Revolution and culture: desacralisation of revolution in Russian cinema of the turn of XX-XXI centuries (beginning)

N.А. Khrenov. Desacralisation of the Russian revolution of 1917 as a problem today: M. Gorky's novel "Life of Klim Samgin" in this perspective (beginning)

 

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HIGH ART IN CONTEMPORARY CULTURE (E. Shapinskaya’s Section)

E.N. Shapinskaya. Monster as a cultural hero: representations of monstrosity in popular culture (beginning)

E.N. Shapinskaya. Education in the digital age: learning or entertainment?

CULTURAL REFLECTIONS

N.А. Khrenov. The founders of the discursive in the Russian cinema and their followers: from Tarkovsky to Zvyagintsev (ending)

V.I. Grachev. Information-isomorphic basis of communicative paradigm of modern culture

V.G. Vlasov, N.Yu. Lukina. Stanze 1, stanze 2, 3, 4… From talks of the philologist with researcher of art

 

РЕПУБЛИКАЦИЯ

A.Ya. Flier. The birth of the home: the spatial self-determination of primitive man

 

Information

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Applied cultural studies. Encyclopedia


Information on a forthcoming issue

 

 

Vlasov Victor Georgievich,
Doctor of Art Studies, Professor of
St. Petersburg State University
natlukina@list.ru

Lukina Natalia Yurievna,
bibliographer and literary critic
natlukina@list.ru

Stanze 1, stanze 2, 3, 4… From talks of the philologist with researcher of art

Abstract. The article is written in the form of a dialogue between a literary critic and an art theorist. The subject of conversation is the specificity of perception of works of different types of art, their existence in time and in the representation of the viewer, listener or reader. The authors, claiming the specifics of different types of art, tend to move away from the stereotypes of eternal values, the authorities of geniuses and the formal foundations of the so-called synthesis of the arts. The thesis is approved on the duration of the process of perception and understanding of a work of art. Such artistic communication lasts throughout the whole life of a person and even a whole generation of viewers, readers, listeners.

Keywords. Types of art, perception, visual arts, psychology of art, art synthesis.
 

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[2] Averintsev S. S. “Two Meetings” of Sergius Bulgakov in a historical and cultural Context. URL: http://www.tinlib.ru/religiovedenie/dve_stati_i_odna_lekcija/index.php. Date of the application: 01.26.2019
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[6] Vlasov V. G. Instant and Continuance: Artistical Time and Space in the Architectonic-Pictorial Arts. To the Problem of "Synthesis of the Arts." // Electronic scientific Journal "Architecton: News of Universities". UralGAHU, 2019. No. 66. URL: http://archvuz.ru/2019_2/16. Date of the application: 01.26.2019
[7] Goethe I.W. Collected Works. In 10 vol. Moscow: Hudozestvennaya Literatura, 1980. Vol. 9. P. 65.
[8] K. P. Bryullov in Letters, Documents and Memoirs of Contemporaries. Moscow: Publishing House of the Academy of Arts of the USSR, 1961. P. 44.
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[10] Anton Chekhov: «Who has not been in Italy, He has not yet lived ...». URL: http://italiareport.com//2015/09/13/anton-czech-vitalia/. Date of the application: 01.11.2019

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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