SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
Scientific peer-reviewed electronic periodical |
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Hypotheses: THEORY OF CULTURAL GENESIS I. V. Kondakov. Culturogenesis to culturogenesis (from diamond to «cat music»)
IN THE SEARCH FOR THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section) A. Ya. Flier. The Culture of Evil N. A. Khrenov. Culture and Historical Memory (end)
HIGH ART IN THE CULTURE OF MODERNITY (E. N. Shapinskaya’sSectoin) N. Yu. Lukina. Up-to-date and up-to-date. Repeatable and unique. Stupid and eternal CULTURAL REFLECTIONS V. I. Grachev. Communication is the connecting substance M. I. Kozyakova. Screen culture as multiplication of space: Paradoxes of new worlds REVIEWS, MESSAGES, MATERIALS Announcement of the next issue
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Shapinskaya Ekaterina Nikolaevna,
Subject positions in musical cognitivism: Abstract. The article examines the problems of understanding music from the point of view of interaction of emotional perceiving and theoretical reflection. Basing on the case of two works on Schubert and J.S.Bach, written by outstanding musicians of our time, I.Bostridge and J.E.Gardiner, the role of author’s subject position is examined as well as of reconstruction of historical and cultural context of the works as the prerequisite for deeper understanding. The author of the article points out changes in the attitude to music pieces after reading these books, which shows relevance of music cognitivism, not diminishing the impact of music, but, on the contrary, showing its new aspects if the author combines personal experience and research capabilities. Special accent is placed on regarding subjective approach to the works performed and analysed used by the authors as the result of merging of performing experience and research work. Such approach is relevant for contemporary art studies in which the subject/object duality is deconstructed and multidisciplinary research prevails.
Keywords: music, cognitivism, performance, interpretation, cultural context, subjectivity, distancing, emotion, verbal expression, theoretic reflection
[1] Adorno T. V. Esteticheskayateoriya. M.: Respublika, 2001. C. 198; Graham G. Filosofiyaiskusstva. Introduction to Aesthetics. L.-NY.: Routledge,1997. 193 p.
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ISSN 2311-3723
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Publisher: Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013 The magazine is indexed: Issued quarterly in electronic form only
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