SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Synthesis of arts as a synthesis of cultures: V. Kandinsky And S. Eisenstein (ending)

Abstract. The article is devoted to the study of the phenomenon of artistic avant-garde in the national culture of the first half of the twentieth century, the origin and basic creative and cultural principles of avant-garde. Directly these problems are analyzed on the example of creativity of V. Kandinsky and S. Eisenstein taking into account features of a cultural context of their activity.

Keywords. Art, avant-garde, new meanings, new forms, tradition, innovation.

[55] Kandinsky V. Decree. Op. 1. P. 270.
[56] Eisenstein S. Method. Vol.2. P. 17.
[57] Ibid. P. 18.
[58] Berdyaev N. Philosophy of freedom. P. 299.
[59] Kandinsky V. Decree. Op. 1. P. 166.
[60] JungK. The Archetype and symbol. M.: Renaissance, 1991. P. 219.
[61] Ibid. P. 220.
[62] Kandinsky V. Decree. Op. 1. P. 319.
[63] Ibid. Vol.2. P.291.
[64] Ibid. Vol.1. P.326.
[65] Vakar I. In search of the lost sense. Crisis of subject art and access to" abstract content " / / non-Objectivity and abstraction. M.: Science, 2011. P.20.
[66] Kandinsky V. Decree. Op. 1. P. 321.
[67] Ibid. Vol.1. P. 324.
[68] Khrenov N. Russian culture at the crossroads of East and West. East as the subconscious of Russia // Art. 2013. № 3-4. P. 110.
[69] Frank S. Russian worldview. SPb.: Science, 1996. P. 180.
[70] Kandinsky V. Decree. Op. 1. P. 74.
[71] Eisenstein S. Method. Vol.2. P.146.
[72] Ibid.
[73] Ibid.
[74] Kandinsky V. Decree. Op. vol.2. P. 42.
[75] Jung K. Decree. CIT. p. 220.
[76] Khrenov N. Russian culture at the crossroads of East and West. P. 110.
[77] Kandinsky V. Decree. Op. 1. P. 302.
[78] BazinJ. The History of art history. From Vasari to the present day. M.: Progress, 1995. P.136.
[79] Ibid.
[80] Ibid.
[81] Ibid. P. 137.
[82] Berdyaev N. Philosophy of freedom. P. 504.
[83] Kandinsky V. Decree. Op. 1. P. 86.
[84] Bulgakov S. Two hail. Research on the nature of social ideals. SPb.: RHGI, 1997. P.259.
[85] Kandinsky V. Decree. Op. 1. P. 88.
[86] Berdyaev N. Philosophy of freedom. P. 507.
[87] Malevich K. collected works in 5 vol. 3. M.: Gilea, 2000. P. 92.
[88] Kandinsky V. Decree. Op. 1. P. 325.
[89] Ibid. P. 305.
[90] Kandinsky V. Decree. Op. vol.2. P.160.
[91] Kandinsky V. Decree. Op. 1. P. 191.
[92] Dvorak M. History of art as a history of spirit. SPb.: Academic project, 2001.
[93] Kandinsky V. Decree. Op. 1. P. 165.
[94] Ibid. P. 175.
[95] Ibid. P. 321.
[96] Hanzen-Leva O. Decree. CIT. P. 17.
[97] Lotman Yu.M. The Problem of "learning culture" as its typological characteristics] / / Works on sign systems. Issue 5. Tartu: Ed. Tartu University press, 1971. P.168.
[98] Kandinsky V. Decree. Op. 1. P.122.
[99] Kandinsky V. Decree. Op. Vol.2. P.160.
[100] Panofsky E. Idea. On the history of concepts in art theories. From antiquity to classicism. SPb.: Andrew Heirs Of, 1999.
[101] Kandinsky V. Decree. Op. 1. P. 128.
[102] Kandinsky V. Decree. Op. 1. P.168.
[103] Kandinsky V. Decree. Op. Vol.2. P. 207.
[104] Ibid.
[105] Khrenov N. The history of art from the perspective of the socio-dynamics of culture // Questions of cultural studies. 2015. No. 4. № 5-6.
[106] Kandinsky V. Decree. Op. Vol.2. P. 44.
[107] Ibid.

 

 

ISSN 2311-3723

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