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New Year's greetings (In Russian)

Hypothesis:

The 70th ANNIVERSARY of A. Y. FLIER

O. N. Volkostrelov, A. Ya. Flier. Culture is a program of group adaptive behavior of people. Interview

I. M. Bykhovskaya, O. I. Goryainova. Socialization and inculturation of the individual: a comparative analysis of socially significant practices

G. V. Drach. On cultural variability and social dynamics (referring to the works of A. Ya. Flier)

A.V. Kostina. A. Ya. Flier's concept of culture and its role in the development of Russian cultural studies

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. From the culture of modernity to the "post-culture"

N. A. Khrenov. Between america and china: the concept of the "other" in the formation and transformation of russia's civilizational identity (beginning)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Shapinskaya. "Ah, it's not hard to deceive me..." Love games in cyberspace

CULTURAL REFLECTIONS

N. A. Khrenov. Culture and historical memory (beginning)

A. Ya. Flier. Power and culture: self-organization of society according to the model of vertical hierarchy


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Synthesis of arts as a synthesis of cultures: V. Kandinsky And S. Eisenstein (ending)

Abstract. The article is devoted to the study of the phenomenon of artistic avant-garde in the national culture of the first half of the twentieth century, the origin and basic creative and cultural principles of avant-garde. Directly these problems are analyzed on the example of creativity of V. Kandinsky and S. Eisenstein taking into account features of a cultural context of their activity.

Keywords. Art, avant-garde, new meanings, new forms, tradition, innovation.

[55] Kandinsky V. Decree. Op. 1. P. 270.
[56] Eisenstein S. Method. Vol.2. P. 17.
[57] Ibid. P. 18.
[58] Berdyaev N. Philosophy of freedom. P. 299.
[59] Kandinsky V. Decree. Op. 1. P. 166.
[60] JungK. The Archetype and symbol. M.: Renaissance, 1991. P. 219.
[61] Ibid. P. 220.
[62] Kandinsky V. Decree. Op. 1. P. 319.
[63] Ibid. Vol.2. P.291.
[64] Ibid. Vol.1. P.326.
[65] Vakar I. In search of the lost sense. Crisis of subject art and access to" abstract content " / / non-Objectivity and abstraction. M.: Science, 2011. P.20.
[66] Kandinsky V. Decree. Op. 1. P. 321.
[67] Ibid. Vol.1. P. 324.
[68] Khrenov N. Russian culture at the crossroads of East and West. East as the subconscious of Russia // Art. 2013. № 3-4. P. 110.
[69] Frank S. Russian worldview. SPb.: Science, 1996. P. 180.
[70] Kandinsky V. Decree. Op. 1. P. 74.
[71] Eisenstein S. Method. Vol.2. P.146.
[72] Ibid.
[73] Ibid.
[74] Kandinsky V. Decree. Op. vol.2. P. 42.
[75] Jung K. Decree. CIT. p. 220.
[76] Khrenov N. Russian culture at the crossroads of East and West. P. 110.
[77] Kandinsky V. Decree. Op. 1. P. 302.
[78] BazinJ. The History of art history. From Vasari to the present day. M.: Progress, 1995. P.136.
[79] Ibid.
[80] Ibid.
[81] Ibid. P. 137.
[82] Berdyaev N. Philosophy of freedom. P. 504.
[83] Kandinsky V. Decree. Op. 1. P. 86.
[84] Bulgakov S. Two hail. Research on the nature of social ideals. SPb.: RHGI, 1997. P.259.
[85] Kandinsky V. Decree. Op. 1. P. 88.
[86] Berdyaev N. Philosophy of freedom. P. 507.
[87] Malevich K. collected works in 5 vol. 3. M.: Gilea, 2000. P. 92.
[88] Kandinsky V. Decree. Op. 1. P. 325.
[89] Ibid. P. 305.
[90] Kandinsky V. Decree. Op. vol.2. P.160.
[91] Kandinsky V. Decree. Op. 1. P. 191.
[92] Dvorak M. History of art as a history of spirit. SPb.: Academic project, 2001.
[93] Kandinsky V. Decree. Op. 1. P. 165.
[94] Ibid. P. 175.
[95] Ibid. P. 321.
[96] Hanzen-Leva O. Decree. CIT. P. 17.
[97] Lotman Yu.M. The Problem of "learning culture" as its typological characteristics] / / Works on sign systems. Issue 5. Tartu: Ed. Tartu University press, 1971. P.168.
[98] Kandinsky V. Decree. Op. 1. P.122.
[99] Kandinsky V. Decree. Op. Vol.2. P.160.
[100] Panofsky E. Idea. On the history of concepts in art theories. From antiquity to classicism. SPb.: Andrew Heirs Of, 1999.
[101] Kandinsky V. Decree. Op. 1. P. 128.
[102] Kandinsky V. Decree. Op. 1. P.168.
[103] Kandinsky V. Decree. Op. Vol.2. P. 207.
[104] Ibid.
[105] Khrenov N. The history of art from the perspective of the socio-dynamics of culture // Questions of cultural studies. 2015. No. 4. № 5-6.
[106] Kandinsky V. Decree. Op. Vol.2. P. 44.
[107] Ibid.

 

 

ISSN 2311-3723

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