SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

ANTHROPOLOGY OF CULTURE

A. Ya. Flier. Culture of a cultured person



Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section)

N. A. Khrenov. Revolution and culture: desacralization of revolution in Russian cinema at the turn of XX-XXI centuries (ending)

N. A. Khrenov. Desacralization of the Russian revolution of 1917 as a problem of today: Gorky's novel "the Life of Klim Samgin" in this perspective (ending)

 

Analytics:

HIGH ART IN A CULTURE OF MODERNITY (E. N. Shapinskaya’s Section)

E. N. Shapinskaya. Relations between culture and society in theoretical reflection: from the history of cultural thought

E. N. Shapinskaya. The existential Other: reflections and representations

CULTURAL REFLECTIONS

N. A. Khrenov. Culture and play: activation of the gaming instinct in the era of transition from the middle ages to Imperial Russia (continued)

A. N. Kovalev. Divine proportion in search of the Renaissance (ending)

V. G. Vlasov, N. Yu. Lukina. New stanzas. Philologist and art critic discussion: symptoms of genius

REPUBLICATION

A. Ya. Flier. The birth of the temple: the experience of human self-determination in time (ending)

 

Information:

REVIEWS, MESSAGES, MATERIALS

A. P. Markov. Postmodern civilization: symptoms of spiritual crisis. Some results of the XIX international Likhachev readings


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Synthesis of arts as a synthesis of cultures: V. Kandinsky And S. Eisenstein (ending)

Abstract. The article is devoted to the study of the phenomenon of artistic avant-garde in the national culture of the first half of the twentieth century, the origin and basic creative and cultural principles of avant-garde. Directly these problems are analyzed on the example of creativity of V. Kandinsky and S. Eisenstein taking into account features of a cultural context of their activity.

Keywords. Art, avant-garde, new meanings, new forms, tradition, innovation.

[55] Kandinsky V. Decree. Op. 1. P. 270.
[56] Eisenstein S. Method. Vol.2. P. 17.
[57] Ibid. P. 18.
[58] Berdyaev N. Philosophy of freedom. P. 299.
[59] Kandinsky V. Decree. Op. 1. P. 166.
[60] JungK. The Archetype and symbol. M.: Renaissance, 1991. P. 219.
[61] Ibid. P. 220.
[62] Kandinsky V. Decree. Op. 1. P. 319.
[63] Ibid. Vol.2. P.291.
[64] Ibid. Vol.1. P.326.
[65] Vakar I. In search of the lost sense. Crisis of subject art and access to" abstract content " / / non-Objectivity and abstraction. M.: Science, 2011. P.20.
[66] Kandinsky V. Decree. Op. 1. P. 321.
[67] Ibid. Vol.1. P. 324.
[68] Khrenov N. Russian culture at the crossroads of East and West. East as the subconscious of Russia // Art. 2013. № 3-4. P. 110.
[69] Frank S. Russian worldview. SPb.: Science, 1996. P. 180.
[70] Kandinsky V. Decree. Op. 1. P. 74.
[71] Eisenstein S. Method. Vol.2. P.146.
[72] Ibid.
[73] Ibid.
[74] Kandinsky V. Decree. Op. vol.2. P. 42.
[75] Jung K. Decree. CIT. p. 220.
[76] Khrenov N. Russian culture at the crossroads of East and West. P. 110.
[77] Kandinsky V. Decree. Op. 1. P. 302.
[78] BazinJ. The History of art history. From Vasari to the present day. M.: Progress, 1995. P.136.
[79] Ibid.
[80] Ibid.
[81] Ibid. P. 137.
[82] Berdyaev N. Philosophy of freedom. P. 504.
[83] Kandinsky V. Decree. Op. 1. P. 86.
[84] Bulgakov S. Two hail. Research on the nature of social ideals. SPb.: RHGI, 1997. P.259.
[85] Kandinsky V. Decree. Op. 1. P. 88.
[86] Berdyaev N. Philosophy of freedom. P. 507.
[87] Malevich K. collected works in 5 vol. 3. M.: Gilea, 2000. P. 92.
[88] Kandinsky V. Decree. Op. 1. P. 325.
[89] Ibid. P. 305.
[90] Kandinsky V. Decree. Op. vol.2. P.160.
[91] Kandinsky V. Decree. Op. 1. P. 191.
[92] Dvorak M. History of art as a history of spirit. SPb.: Academic project, 2001.
[93] Kandinsky V. Decree. Op. 1. P. 165.
[94] Ibid. P. 175.
[95] Ibid. P. 321.
[96] Hanzen-Leva O. Decree. CIT. P. 17.
[97] Lotman Yu.M. The Problem of "learning culture" as its typological characteristics] / / Works on sign systems. Issue 5. Tartu: Ed. Tartu University press, 1971. P.168.
[98] Kandinsky V. Decree. Op. 1. P.122.
[99] Kandinsky V. Decree. Op. Vol.2. P.160.
[100] Panofsky E. Idea. On the history of concepts in art theories. From antiquity to classicism. SPb.: Andrew Heirs Of, 1999.
[101] Kandinsky V. Decree. Op. 1. P. 128.
[102] Kandinsky V. Decree. Op. 1. P.168.
[103] Kandinsky V. Decree. Op. Vol.2. P. 207.
[104] Ibid.
[105] Khrenov N. The history of art from the perspective of the socio-dynamics of culture // Questions of cultural studies. 2015. No. 4. № 5-6.
[106] Kandinsky V. Decree. Op. Vol.2. P. 44.
[107] Ibid.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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