Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Synthesis of arts as a synthesis of cultures: V. Kandinsky And S. Eisenstein (ending)

Abstract. The article is devoted to the study of the phenomenon of artistic avant-garde in the national culture of the first half of the twentieth century, the origin and basic creative and cultural principles of avant-garde. Directly these problems are analyzed on the example of creativity of V. Kandinsky and S. Eisenstein taking into account features of a cultural context of their activity.

Keywords. Art, avant-garde, new meanings, new forms, tradition, innovation.

[55] Kandinsky V. Decree. Op. 1. P. 270.
[56] Eisenstein S. Method. Vol.2. P. 17.
[57] Ibid. P. 18.
[58] Berdyaev N. Philosophy of freedom. P. 299.
[59] Kandinsky V. Decree. Op. 1. P. 166.
[60] JungK. The Archetype and symbol. M.: Renaissance, 1991. P. 219.
[61] Ibid. P. 220.
[62] Kandinsky V. Decree. Op. 1. P. 319.
[63] Ibid. Vol.2. P.291.
[64] Ibid. Vol.1. P.326.
[65] Vakar I. In search of the lost sense. Crisis of subject art and access to" abstract content " / / non-Objectivity and abstraction. M.: Science, 2011. P.20.
[66] Kandinsky V. Decree. Op. 1. P. 321.
[67] Ibid. Vol.1. P. 324.
[68] Khrenov N. Russian culture at the crossroads of East and West. East as the subconscious of Russia // Art. 2013. № 3-4. P. 110.
[69] Frank S. Russian worldview. SPb.: Science, 1996. P. 180.
[70] Kandinsky V. Decree. Op. 1. P. 74.
[71] Eisenstein S. Method. Vol.2. P.146.
[72] Ibid.
[73] Ibid.
[74] Kandinsky V. Decree. Op. vol.2. P. 42.
[75] Jung K. Decree. CIT. p. 220.
[76] Khrenov N. Russian culture at the crossroads of East and West. P. 110.
[77] Kandinsky V. Decree. Op. 1. P. 302.
[78] BazinJ. The History of art history. From Vasari to the present day. M.: Progress, 1995. P.136.
[79] Ibid.
[80] Ibid.
[81] Ibid. P. 137.
[82] Berdyaev N. Philosophy of freedom. P. 504.
[83] Kandinsky V. Decree. Op. 1. P. 86.
[84] Bulgakov S. Two hail. Research on the nature of social ideals. SPb.: RHGI, 1997. P.259.
[85] Kandinsky V. Decree. Op. 1. P. 88.
[86] Berdyaev N. Philosophy of freedom. P. 507.
[87] Malevich K. collected works in 5 vol. 3. M.: Gilea, 2000. P. 92.
[88] Kandinsky V. Decree. Op. 1. P. 325.
[89] Ibid. P. 305.
[90] Kandinsky V. Decree. Op. vol.2. P.160.
[91] Kandinsky V. Decree. Op. 1. P. 191.
[92] Dvorak M. History of art as a history of spirit. SPb.: Academic project, 2001.
[93] Kandinsky V. Decree. Op. 1. P. 165.
[94] Ibid. P. 175.
[95] Ibid. P. 321.
[96] Hanzen-Leva O. Decree. CIT. P. 17.
[97] Lotman Yu.M. The Problem of "learning culture" as its typological characteristics] / / Works on sign systems. Issue 5. Tartu: Ed. Tartu University press, 1971. P.168.
[98] Kandinsky V. Decree. Op. 1. P.122.
[99] Kandinsky V. Decree. Op. Vol.2. P.160.
[100] Panofsky E. Idea. On the history of concepts in art theories. From antiquity to classicism. SPb.: Andrew Heirs Of, 1999.
[101] Kandinsky V. Decree. Op. 1. P. 128.
[102] Kandinsky V. Decree. Op. 1. P.168.
[103] Kandinsky V. Decree. Op. Vol.2. P. 207.
[104] Ibid.
[105] Khrenov N. The history of art from the perspective of the socio-dynamics of culture // Questions of cultural studies. 2015. No. 4. № 5-6.
[106] Kandinsky V. Decree. Op. Vol.2. P. 44.
[107] Ibid.