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AD MEMORIAM ÆTERNAM

A.Ya. Flier. Teacher's memory

 

Hypotheses

ФИЛОСОФИЯ КУЛЬТУРЫ

V.M. Rozin. The spell of death in history, art Nouveau and now

 

Discussions

SEARCHING THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier’s Section)

A.Ya. Flier. History as a cultural artifact

N.А. Khrenov. Revolution and culture: desacralisation of revolution in Russian cinema of the turn of XX-XXI centuries (beginning)

N.А. Khrenov. Desacralisation of the Russian revolution of 1917 as a problem today: M. Gorky's novel "Life of Klim Samgin" in this perspective (beginning)

 

Analytics

HIGH ART IN CONTEMPORARY CULTURE (E. Shapinskaya’s Section)

E.N. Shapinskaya. Monster as a cultural hero: representations of monstrosity in popular culture (beginning)

E.N. Shapinskaya. Education in the digital age: learning or entertainment?

CULTURAL REFLECTIONS

N.А. Khrenov. The founders of the discursive in the Russian cinema and their followers: from Tarkovsky to Zvyagintsev (ending)

V.I. Grachev. Information-isomorphic basis of communicative paradigm of modern culture

V.G. Vlasov, N.Yu. Lukina. Stanze 1, stanze 2, 3, 4… From talks of the philologist with researcher of art

 

РЕПУБЛИКАЦИЯ

A.Ya. Flier. The birth of the home: the spatial self-determination of primitive man

 

Information

NEW BOOKS

Applied cultural studies. Encyclopedia


Information on a forthcoming issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

Synthesis of arts as a synthesis of cultures: V. Kandinsky And S. Eisenstein (ending)

Abstract. The article is devoted to the study of the phenomenon of artistic avant-garde in the national culture of the first half of the twentieth century, the origin and basic creative and cultural principles of avant-garde. Directly these problems are analyzed on the example of creativity of V. Kandinsky and S. Eisenstein taking into account features of a cultural context of their activity.

Keywords. Art, avant-garde, new meanings, new forms, tradition, innovation.

[55] Kandinsky V. Decree. Op. 1. P. 270.
[56] Eisenstein S. Method. Vol.2. P. 17.
[57] Ibid. P. 18.
[58] Berdyaev N. Philosophy of freedom. P. 299.
[59] Kandinsky V. Decree. Op. 1. P. 166.
[60] JungK. The Archetype and symbol. M.: Renaissance, 1991. P. 219.
[61] Ibid. P. 220.
[62] Kandinsky V. Decree. Op. 1. P. 319.
[63] Ibid. Vol.2. P.291.
[64] Ibid. Vol.1. P.326.
[65] Vakar I. In search of the lost sense. Crisis of subject art and access to" abstract content " / / non-Objectivity and abstraction. M.: Science, 2011. P.20.
[66] Kandinsky V. Decree. Op. 1. P. 321.
[67] Ibid. Vol.1. P. 324.
[68] Khrenov N. Russian culture at the crossroads of East and West. East as the subconscious of Russia // Art. 2013. № 3-4. P. 110.
[69] Frank S. Russian worldview. SPb.: Science, 1996. P. 180.
[70] Kandinsky V. Decree. Op. 1. P. 74.
[71] Eisenstein S. Method. Vol.2. P.146.
[72] Ibid.
[73] Ibid.
[74] Kandinsky V. Decree. Op. vol.2. P. 42.
[75] Jung K. Decree. CIT. p. 220.
[76] Khrenov N. Russian culture at the crossroads of East and West. P. 110.
[77] Kandinsky V. Decree. Op. 1. P. 302.
[78] BazinJ. The History of art history. From Vasari to the present day. M.: Progress, 1995. P.136.
[79] Ibid.
[80] Ibid.
[81] Ibid. P. 137.
[82] Berdyaev N. Philosophy of freedom. P. 504.
[83] Kandinsky V. Decree. Op. 1. P. 86.
[84] Bulgakov S. Two hail. Research on the nature of social ideals. SPb.: RHGI, 1997. P.259.
[85] Kandinsky V. Decree. Op. 1. P. 88.
[86] Berdyaev N. Philosophy of freedom. P. 507.
[87] Malevich K. collected works in 5 vol. 3. M.: Gilea, 2000. P. 92.
[88] Kandinsky V. Decree. Op. 1. P. 325.
[89] Ibid. P. 305.
[90] Kandinsky V. Decree. Op. vol.2. P.160.
[91] Kandinsky V. Decree. Op. 1. P. 191.
[92] Dvorak M. History of art as a history of spirit. SPb.: Academic project, 2001.
[93] Kandinsky V. Decree. Op. 1. P. 165.
[94] Ibid. P. 175.
[95] Ibid. P. 321.
[96] Hanzen-Leva O. Decree. CIT. P. 17.
[97] Lotman Yu.M. The Problem of "learning culture" as its typological characteristics] / / Works on sign systems. Issue 5. Tartu: Ed. Tartu University press, 1971. P.168.
[98] Kandinsky V. Decree. Op. 1. P.122.
[99] Kandinsky V. Decree. Op. Vol.2. P.160.
[100] Panofsky E. Idea. On the history of concepts in art theories. From antiquity to classicism. SPb.: Andrew Heirs Of, 1999.
[101] Kandinsky V. Decree. Op. 1. P. 128.
[102] Kandinsky V. Decree. Op. 1. P.168.
[103] Kandinsky V. Decree. Op. Vol.2. P. 207.
[104] Ibid.
[105] Khrenov N. The history of art from the perspective of the socio-dynamics of culture // Questions of cultural studies. 2015. No. 4. № 5-6.
[106] Kandinsky V. Decree. Op. Vol.2. P. 44.
[107] Ibid.

 

 

ISSN 2311-3723

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