Culture of culture

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A. Ya. Flier. Local cultural system: sustainability factors


In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. Conceptualization of G. R. Baltanova Muslim women and culture

N. A. Khrenov. On the history of the formation of the science of culture: Oswald Spengler (to the 100th anniversary of the book «the Decline of Europe»)

M. I. Kozyakova. Synesthesia in the postmodern era: aesthetics déjà'vu


HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’sSectoin)

E. N. Shapinskaya. Bulgarian culture in Russia: traditions and modernity (interview with Maya Pramatarova)

E. N. Shapinskaya. Digital history: the future of our past


N. A. Khrenov. Culture and play: activation of the gaming instinct in the era of transition from the middle ages to Imperial Russia (end)

V. I. Grachev. Information-rhizomorphic basis of communicative paradigm of modern culture. Three

A. Ya. Flier.  Culture and the problem of the noosphere: it is not necessary to make a fairy tale come true


A. Ya. Flier. Theory of culture


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Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography

The founders of the discursive in the Russian cinema and their followers:
from Tarkovsky to Zvyagintsev (beginning)

Abstract. The article traces the origins of discourse in contemporary Russian cinema and concludes that it is connected with the tradition of Byzantine Hesychasm, which had a huge impact on Russian culture. Special attention is paid to the continuity of views on the fate of the family and the creative techniques of Tarkovsky and Zvyagintsev.

Keywords. Russian culture, Russian cinema, mentality, messianism, Imperial complex, Tarkovsky, Zvyagintsev, the Byzantine tradition of Hesychasm, a discourse, a new discursiveness, the cultural model of statehood sacralization, desacralization, public life, private life, Liminality, threshold type, Russia, the West, Byzantium.

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[8] Ibid. P. 42.
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[13] Solzhenitsyn A. Essays: in 3vol. Vol. 3. Articles, letters, interviews, Preface. Yaroslavl: Upper Volga, 1997. P.160.
[14] Demina Andrey Rublev and artists of his circle. M.: Science, 1972. P. 76.
[15] Likhachev D. Man in the literature of Ancient Russia. M.: Science, 1970. P. 95.
[16] Horuzhiy S. Research on the Hesychast tradition. Vol.2.  SPb.:Rhga, 2012. P. 19.
[17] Demina Decree. CIT. p. 61.
[18] Likhachev D. Decree. CIT. P. 95.
[19] Ibid. P. 96.
[20] Ibid.
[21] Demina Decree. Op. 37.
[22] Horuzhiy S. The Decree. CIT. P. 18.
[23] Ibid. P.193.
[24] Florovsky G. Ways of Russian theology. Kyiv: The way to truth. 1991. P. 392.
[25] Ibid. P. 391.
[26] Ibid.
[27] Berdyaev N. Russian idea. The main problems of Russian thought of the NINETEENTH century and early twentieth century. M.: Svarog, 1997. P.9.
[28] Fedotov G. The Fate and sins of Russia. Selected articles on the philosophy of Russian history and culture. Vol.2. SPb.: Sofia, 1992. P. 173.
[29] Gennep A. van. Rites of passage. Moscow: Vostochnaya Literatura, 1999. P. 15.
[30] Turner V. Symbol and ritual. M.: Science, 1983. P. 169.



ISSN 2311-3723

OOO «Soglasie» publisher

Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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