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THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


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Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The founders of the discursive in the Russian cinema and their followers:
from Tarkovsky to Zvyagintsev (beginning)

Abstract. The article traces the origins of discourse in contemporary Russian cinema and concludes that it is connected with the tradition of Byzantine Hesychasm, which had a huge impact on Russian culture. Special attention is paid to the continuity of views on the fate of the family and the creative techniques of Tarkovsky and Zvyagintsev.

Keywords. Russian culture, Russian cinema, mentality, messianism, Imperial complex, Tarkovsky, Zvyagintsev, the Byzantine tradition of Hesychasm, a discourse, a new discursiveness, the cultural model of statehood sacralization, desacralization, public life, private life, Liminality, threshold type, Russia, the West, Byzantium.
 

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[6] Sinyavsky the literary process in Russia. Moscow: RSUH, 2003. P. 165.
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[8] Ibid. P. 42.
[9] I. V. Stalin: pro et contra. Anthology. Vol.2. SPb.: Russian Christian Humanities Academy, 2015. P. 681.
[10] Toynbee A. Civilization before the court of history. M.: AST, 2003. P. 381.
[11] Yanov A. The Russian idea of 2000 // 1990.  No. 11. P. 153.
[12] Berdyaev N. Alexey Stepanovich Hamsters. Tomsk: Aquarius, 1996. P.7.
[13] Solzhenitsyn A. Essays: in 3vol. Vol. 3. Articles, letters, interviews, Preface. Yaroslavl: Upper Volga, 1997. P.160.
[14] Demina Andrey Rublev and artists of his circle. M.: Science, 1972. P. 76.
[15] Likhachev D. Man in the literature of Ancient Russia. M.: Science, 1970. P. 95.
[16] Horuzhiy S. Research on the Hesychast tradition. Vol.2.  SPb.:Rhga, 2012. P. 19.
[17] Demina Decree. CIT. p. 61.
[18] Likhachev D. Decree. CIT. P. 95.
[19] Ibid. P. 96.
[20] Ibid.
[21] Demina Decree. Op. 37.
[22] Horuzhiy S. The Decree. CIT. P. 18.
[23] Ibid. P.193.
[24] Florovsky G. Ways of Russian theology. Kyiv: The way to truth. 1991. P. 392.
[25] Ibid. P. 391.
[26] Ibid.
[27] Berdyaev N. Russian idea. The main problems of Russian thought of the NINETEENTH century and early twentieth century. M.: Svarog, 1997. P.9.
[28] Fedotov G. The Fate and sins of Russia. Selected articles on the philosophy of Russian history and culture. Vol.2. SPb.: Sofia, 1992. P. 173.
[29] Gennep A. van. Rites of passage. Moscow: Vostochnaya Literatura, 1999. P. 15.
[30] Turner V. Symbol and ritual. M.: Science, 1983. P. 169.

 

 

ISSN 2311-3723

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