SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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AD MEMORIAM ÆTERNAM

A.Ya. Flier. Teacher's memory

 

Hypotheses

ФИЛОСОФИЯ КУЛЬТУРЫ

V.M. Rozin. The spell of death in history, art Nouveau and now

 

Discussions

SEARCHING THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier’s Section)

A.Ya. Flier. History as a cultural artifact

N.А. Khrenov. Revolution and culture: desacralisation of revolution in Russian cinema of the turn of XX-XXI centuries (beginning)

N.А. Khrenov. Desacralisation of the Russian revolution of 1917 as a problem today: M. Gorky's novel "Life of Klim Samgin" in this perspective (beginning)

 

Analytics

HIGH ART IN CONTEMPORARY CULTURE (E. Shapinskaya’s Section)

E.N. Shapinskaya. Monster as a cultural hero: representations of monstrosity in popular culture (beginning)

E.N. Shapinskaya. Education in the digital age: learning or entertainment?

CULTURAL REFLECTIONS

N.А. Khrenov. The founders of the discursive in the Russian cinema and their followers: from Tarkovsky to Zvyagintsev (ending)

V.I. Grachev. Information-isomorphic basis of communicative paradigm of modern culture

V.G. Vlasov, N.Yu. Lukina. Stanze 1, stanze 2, 3, 4… From talks of the philologist with researcher of art

 

РЕПУБЛИКАЦИЯ

A.Ya. Flier. The birth of the home: the spatial self-determination of primitive man

 

Information

NEW BOOKS

Applied cultural studies. Encyclopedia


Information on a forthcoming issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The founders of the discursive in the Russian cinema and their followers:
from Tarkovsky to Zvyagintsev (ending)

Abstract. The article traces the origins of discourse in contemporary Russian cinema and concludes that it is connected with the tradition of Byzantine Hesychasm, which had a huge impact on Russian culture. Special attention is paid to the continuity of views on the fate of the family and the creative techniques of Tarkovsky and Zvyagintsev.

Keywords. Russian culture, Russian cinema, mentality, messianism, Imperial complex, Tarkovsky, Zvyagintsev, the Byzantine tradition of Hesychasm, a discourse, a new discursiveness, the cultural model of statehood sacralization, desacralization, public life, private life, Liminality, threshold type, Russia, the West, Byzantium.
 

[31] The Breath of stone. The world of Andrei Zvyagintsev's films. M.: New literary review, 2014. P. 212.
[32] P. Schrader, Transcendental style in film: OZU, Bresson, Dreyer's // Kinovedcheskie Zapiski. 1997.  No. 32.
[33] the Breath of stone. P. 362.
[34] Dostoevsky F. Complete works: 30 v. Vol. 24. L.: Science, 1982. P. 92.
[35] Solovyov V. the Justification of goodness. M.: Republic, 1996. P. 357.
[36] Fedotov's Saints Of Ancient Russia. New York: 1959. P. 207.
[37] A. Solzhenitsyn Essays: in 3 v. Vol. 3. Articles, letters, interviews, Preface. Yaroslavl: Upper Volga, 1997. P. 166.
[38] P. Florensky's theological heritage. // Theological work. 1977.  No. 7. P.199.
[39] Ibid. Since 198.

 

 

ISSN 2311-3723

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OOO «Soglasie» publisher

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Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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