SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORY OF CULTURE

V. M. Rozin. Postculture as the basis for the distinction of the concepts of culture

 

Discussions:

In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

A. Ya. Flier. Phenomenon of cultural form

N. A. Khrenov. On the way to «Posthuman»: anthropological, mythological and artistic potential of the puppet (beginning)

V. I. Grachev. Information-rhizomorphic basis of the communicative paradigm of modern culture 4 (ending)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Sapinska, A. A. Lisenkova. Education vs neo-enlightenment: some trends in digital culture

N. Yu. Lukina. About the beauty of antique statues, Picassos and traffic lights

CULTURAL REFLECTIONS

N. A. Khrenov. Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (beginning)

M. A. Poletaeva. Evolution of ideas about the «alien»

V. V. Breitburg. The principle of clip thinking when creating musicals

REVIEWS, MESSAGES, MATERIALS

M. I. Kozyakova. Review of the book by A. S. Zapesotsky «The Formation of global culture and conflicts of civilizations»

E. N. Polyudova. Modern cultural research as a book of reflections: reflections on the book of E. N. Shapinskaya «Philosophy of music»


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The founders of the discursive in the Russian cinema and their followers:
from Tarkovsky to Zvyagintsev (ending)

Abstract. The article traces the origins of discourse in contemporary Russian cinema and concludes that it is connected with the tradition of Byzantine Hesychasm, which had a huge impact on Russian culture. Special attention is paid to the continuity of views on the fate of the family and the creative techniques of Tarkovsky and Zvyagintsev.

Keywords. Russian culture, Russian cinema, mentality, messianism, Imperial complex, Tarkovsky, Zvyagintsev, the Byzantine tradition of Hesychasm, a discourse, a new discursiveness, the cultural model of statehood sacralization, desacralization, public life, private life, Liminality, threshold type, Russia, the West, Byzantium.
 

[31] The Breath of stone. The world of Andrei Zvyagintsev's films. M.: New literary review, 2014. P. 212.
[32] P. Schrader, Transcendental style in film: OZU, Bresson, Dreyer's // Kinovedcheskie Zapiski. 1997.  No. 32.
[33] the Breath of stone. P. 362.
[34] Dostoevsky F. Complete works: 30 v. Vol. 24. L.: Science, 1982. P. 92.
[35] Solovyov V. the Justification of goodness. M.: Republic, 1996. P. 357.
[36] Fedotov's Saints Of Ancient Russia. New York: 1959. P. 207.
[37] A. Solzhenitsyn Essays: in 3 v. Vol. 3. Articles, letters, interviews, Preface. Yaroslavl: Upper Volga, 1997. P. 166.
[38] P. Florensky's theological heritage. // Theological work. 1977.  No. 7. P.199.
[39] Ibid. Since 198.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

 

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Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

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