SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses

CULTURE AND LIFE

V.M. Rozin. Life as understanding being



Discussions

SEARCHING THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier’s Section)

A.Ya. Flier. Art in culture or culture in art?

N.А. Khrenov. Revolution and culture: desacralisation of revolution in Russian cinema of the turn of XX-XXI centuries (continuation)

N.А. Khrenov. Desacralisation of the Russian revolution of 1917 as a problem today: M. Gorky's novel "Life of Klim Samgin" in this perspective (continuation)

V.I. Grachev. Information-isomorphic basis of communicative paradigm of culture 2



Analytics

HIGH ART IN CONTEMPORARY CULTURE (E. Shapinskaya’s Section)

E.N. Shapinskaya. Monster as a cultural hero: representations of monstrosity in popular culture (ending)

E.N. Shapinskaya. Eternal values of cultural heritage, creativity and interpretative dyslexia (interview with O. Stefanov)

CULTURAL REFLECTIONS

N.А. Khrenov. Culture and game: activation of the game instinct in the era of transition from the middle ages to Imperial Russia (beginning)

V.G. Vlasov, N.Yu. Lukina. Stanze 5, 6, 7, 8… From talks of the philologist with researcher of art

V.I. Grachev. Cultures the phenomenon of apophatic "the Dialectics of myth" by A. F. Losev in the context topochron-axiogenic paradigm of culture

A. N. Kovalev. Divine proportion in search of the Renaissance (beginning)

REPUBLICATION

A.Ya. Flier. The birth of the temple: the experience of human self-determination in time (beginning)


Information on a forthcoming issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The founders of the discursive in the Russian cinema and their followers:
from Tarkovsky to Zvyagintsev (ending)

Abstract. The article traces the origins of discourse in contemporary Russian cinema and concludes that it is connected with the tradition of Byzantine Hesychasm, which had a huge impact on Russian culture. Special attention is paid to the continuity of views on the fate of the family and the creative techniques of Tarkovsky and Zvyagintsev.

Keywords. Russian culture, Russian cinema, mentality, messianism, Imperial complex, Tarkovsky, Zvyagintsev, the Byzantine tradition of Hesychasm, a discourse, a new discursiveness, the cultural model of statehood sacralization, desacralization, public life, private life, Liminality, threshold type, Russia, the West, Byzantium.
 

[31] The Breath of stone. The world of Andrei Zvyagintsev's films. M.: New literary review, 2014. P. 212.
[32] P. Schrader, Transcendental style in film: OZU, Bresson, Dreyer's // Kinovedcheskie Zapiski. 1997.  No. 32.
[33] the Breath of stone. P. 362.
[34] Dostoevsky F. Complete works: 30 v. Vol. 24. L.: Science, 1982. P. 92.
[35] Solovyov V. the Justification of goodness. M.: Republic, 1996. P. 357.
[36] Fedotov's Saints Of Ancient Russia. New York: 1959. P. 207.
[37] A. Solzhenitsyn Essays: in 3 v. Vol. 3. Articles, letters, interviews, Preface. Yaroslavl: Upper Volga, 1997. P. 166.
[38] P. Florensky's theological heritage. // Theological work. 1977.  No. 7. P.199.
[39] Ibid. Since 198.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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T. Glazkova

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