SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

A.Ya. Flier. A systematic model of the social functions of culture

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's column)

A.V. Kostina, A.Ya. Flier. Ternary functional model of culture (continued)

V.M. Rozin. Features and constitution of musical reality

N.A. Khrenov. Russian culture at the turn of the XIX-XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)

 

Analytics:

CULTURAL REFLECTIONS

I.V. Kondakov. The cat as a cultural hero: from Puss in Boots to Schrodinger's Cat

N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)

I.E. Isakas. Hypothesis. The Christmas tree is a symbol of the second coming of Christ

THE DUEL

A.Ya. Flier. Is culture inevitable? (on the limits of the social usefulness of culture) (Philosophical dystopia)

A.A. Pelipenko. Culture as an inevitability (on the subjective status of culture)


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The founders of the discursive in the Russian cinema and their followers:
from Tarkovsky to Zvyagintsev (ending)

Abstract. The article traces the origins of discourse in contemporary Russian cinema and concludes that it is connected with the tradition of Byzantine Hesychasm, which had a huge impact on Russian culture. Special attention is paid to the continuity of views on the fate of the family and the creative techniques of Tarkovsky and Zvyagintsev.

Keywords. Russian culture, Russian cinema, mentality, messianism, Imperial complex, Tarkovsky, Zvyagintsev, the Byzantine tradition of Hesychasm, a discourse, a new discursiveness, the cultural model of statehood sacralization, desacralization, public life, private life, Liminality, threshold type, Russia, the West, Byzantium.
 

[31] The Breath of stone. The world of Andrei Zvyagintsev's films. M.: New literary review, 2014. P. 212.
[32] P. Schrader, Transcendental style in film: OZU, Bresson, Dreyer's // Kinovedcheskie Zapiski. 1997.  No. 32.
[33] the Breath of stone. P. 362.
[34] Dostoevsky F. Complete works: 30 v. Vol. 24. L.: Science, 1982. P. 92.
[35] Solovyov V. the Justification of goodness. M.: Republic, 1996. P. 357.
[36] Fedotov's Saints Of Ancient Russia. New York: 1959. P. 207.
[37] A. Solzhenitsyn Essays: in 3 v. Vol. 3. Articles, letters, interviews, Preface. Yaroslavl: Upper Volga, 1997. P. 166.
[38] P. Florensky's theological heritage. // Theological work. 1977.  No. 7. P.199.
[39] Ibid. Since 198.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

Editor in Chief
T. Glazkova

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