SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The History of Images after the History of Art:
Culturological Aspect
(Part 2)

Abstract. The article focuses on impoverishment of communication with artistic values and analysis of its interrelation with the period of formation of industrial society. Such a process is classified by the author as regress of culture, which makes expedient the point to be discussed in a culturological aspect. A breakdown of the hierarchy of culture in transitional periods contributes to shifting of marginal aesthetic formations to the centre of artistic culture. A specific organizing mosaic principle starts to work. Discussing the history of new visuality, the author marks that to some extent it appears as the history of birth, formation and change of different systems of vision.

Key words. Aesthetic experience, new visuality, mosaic principle, civilization progress, artistic values, contemplation, transformation of perception, oversimplification of culture.
 

[35] Meyerhold V.E. Articles. Letters. Speeches. Conversations. Part 1. 1891–1917. М.: Iskusstvo, 1968. P. 162.
[36] Ibid. P. 171.
[37] Ashkinazi Z.G. Op. cit. P. 3.
[38] Gvozdev А.А. The West European Theatre at the Turn of the 19-20th Centuries. М.-L.: «Iskusstvo», 1939. P. 258.
[39] Vengerova Z.A. Maurice Maeterlinck // The Beginning. 1899. № 1–2. P. 157.
[40] Beryayev N.A. Decadence and Mystical Realism // Beryayev N.A. A Spiritual Crisis of Intelligence. М.: Kanon+, 1998. P. 23.
[41] Ibid. P. 24.
[42] Ibid.
[43] Ibid.
[44] Nordau М. Complete Works: 12 volumes. Vol. 2. Devolution. Kiev: edition of B.K. Fuks, 1902. P. 31.
[45] Mikhailovsky N.K. Heroes and Crowd // Mikhailovsky N.K. Complete Works: 6 volumes. Vol. 2. SPb.:B.V. Wolf’s Print Shop, 1897.
[46] Vasilyev N.A. On the Fall of Western Roman Empire and Ancient Culture in Historiographic Literature and the History of Philosophy in the Context of the Theory of Exhaustion of the Peoples and Mankind // Bulletin of the Society for Archeology, History and Ethnography under the Kazan University. Vol. 31, Issue № 1-4. Kazan, 1920. P. 128.
[47] Ibid.
[48] Ibid. P. 129.
[49] Ibid. P. 206.
[50] Ibid. P. 219.
[51] Adorno Т. Introduction into the Sociology of Music. Twelve Theoretical Lectures // Adorno Т. Selected Works: The Sociology of Music. М.–SPb.: Universitetskaya Kniga, 1999.
[52] Focht-Babushkin Yu.U. Art in People’s Life. Concrete Sociological Studies of Art in Russian in the Second half of the 20th century. The History and Methodology. SPb.: Aleteya, 2001.
[53] Davydov Yu.N. Vulgar Consumer Hedonizm and Crisis of Arts Perception // The Crisis of Bourgeois Culture and Music. Issue № 2, М., 1973. P. 20.
[54] Beryayev N.A. Op. cit. P. 188.
[55] Ilovaisky D.I. On Some Phenomena of Public Press // Moscow Bulletin. 1893. № 61.
[56] Rozanov V.V. The Nightfall of Education. М.: Pedagogika, 1990. P. 99.
[57] Ibid.
[58] Ibid.
[59] Rubakin N.A. Etudes on Russian Readers. SPb.: О.N. Popova, 1895.
[60] Rozanov V.V. Op. cit. P. 74.
[61] Berdyayev N.А. On Philosophy of Tragedy of Maurice Maeterlinck // Berdyayev N.А.
The Philosophy of Creativity, Culture and Art. Vol. 2. М.: Iskusstvo, 1994. P. 188.
[62] Schopenhauer А. Complete Works: 5 volumes. Vol. 1. World as Will and Idea. М.: Moskovsky klub, 1992. P. 65.
[63] Rousseau J.-J. Selected Works: 3 volumes. Vol. 3. М.: Gos. Izd. Khud. Literatury, 1961. P. 635.
[64] Ibid. P. 633.
[65] Schopenhauer А. Op. cit. P. 198.
[66] Ibid. P. 187.
[67] Ibid. P. 198.
[68] Ibid. P. 237.

 

 

ISSN 2311-3723

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Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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