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Culture of culture

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Hypotheses:

ANTHROPOLOGY OF CULTURE

A. Ya. Flier. Culture of a cultured person



Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A. Ya. Flier’s Section)

N. A. Khrenov. Revolution and culture: desacralization of revolution in Russian cinema at the turn of XX-XXI centuries (ending)

N. A. Khrenov. Desacralization of the Russian revolution of 1917 as a problem of today: Gorky's novel "the Life of Klim Samgin" in this perspective (ending)

 

Analytics:

HIGH ART IN A CULTURE OF MODERNITY (E. N. Shapinskaya’s Section)

E. N. Shapinskaya. Relations between culture and society in theoretical reflection: from the history of cultural thought

E. N. Shapinskaya. The existential Other: reflections and representations

CULTURAL REFLECTIONS

N. A. Khrenov. Culture and play: activation of the gaming instinct in the era of transition from the middle ages to Imperial Russia (continued)

A. N. Kovalev. Divine proportion in search of the Renaissance (ending)

V. G. Vlasov, N. Yu. Lukina. New stanzas. Philologist and art critic discussion: symptoms of genius

REPUBLICATION

A. Ya. Flier. The birth of the temple: the experience of human self-determination in time (ending)

 

Information:

REVIEWS, MESSAGES, MATERIALS

A. P. Markov. Postmodern civilization: symptoms of spiritual crisis. Some results of the XIX international Likhachev readings


Announcement of the next issue

 

 

Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography
e-mail: nihrenov@mail.ru

The History of Images after the History of Art:
Culturological Aspect
(Part 3)

Abstract. The article focuses on impoverishment of communication with artistic values and analysis of its interrelation with the period of formation of industrial society. Such a process is classified by the author as regress of culture, which makes expedient the point to be discussed in a culturological aspect. A breakdown of the hierarchy of culture in transitional periods contributes to shifting of marginal aesthetic formations to the center of artistic culture. A specific organizing mosaic principle starts to work. Discussing the history of new visuality, the author marks that to some extent it appears as the history of birth, formation and change of different systems of vision.

Key words. Aesthetic experience, new visuality, mosaic principle, civilization progress, artistic values, contemplation, transformation of perception, oversimplification of culture.
 

[69] Kant I. Works: 6 volumes. Vol. 3. М.: Mysl, 1966. P. 210.
[70] Ibid. P. 363.
[71] Ibid. P. 219.
[72] Ibid. P. 377.
[73] Bitsilli P.M. The Place of the Renaissance in the History of Culture. SPb.: Mifril. 1996. P. 223.
[74] Ibid. P. 222.
[75] Schubart W. Europe and the Oriental Soul. М.: Russkaya Ideaya, 1997.
[76] Dvořák M. A History of Art as History of the Spirit. SPb.: Akademitchesky Proekt, 2001.
[78] Ibid. P. 225.
[79] Winckelmann I.I. The History of Ancient Art. SPb.: Aleteya, Gosudarstvenny Ermitazh, 2000. P. 443.
[80] Ibid. P. 355.
[81] Ibid. P. 358.
[82] Ibid. P. 390.
[83] The History of Reading in the West: from Antiquity to Our Days. М.: «Izdatelstvo FAIR», 2008. P. 139.
[84] Ivanov Vyach. Vs. Montage as a Principle of Construction in Culture in the First Half of the 20th Century // Montage. Literature. Art. Theatre. Cinema. М.: Nauka, 1988. P. 119.
[85] Nietzsche F. Works: two volumes. Vol. 1. М.: Mysl, 1990. P. 181.
[86] Ibid. P. 186.
[87] Ibid.
[88] Spengler О. The Decline of the West. Essays on the Morphology of the World History. Vol. 1. М.: Mysl, 1993. P. 624.
[89] Ibid. P. 625.
[90] Shestov L. Athens and Jerusalem // L.Shestov. Works: 2 volumes. Vol. 1, М.: Nauka, 1993. P. 531.
[91] Ivanov Vyach. I. Native and Universal. М.: Respublika, 1994. P. 68.
[92] Ibid. P. 69.
[93] Moles A. Sociodynamics of Culture. М.: Progress, 1973. P. 51.
[94] Ibid. P. 209.
[95] Ibid. P. 45.
[96] Ibid.
[97] Shklovsky V.B. Hamburg Reckoning. М.: Sovetsy Pisatel, 1990. P. 42.
[98] Shklovsky V.B. Then and Now // Literature of Fact. The first collected works of LEF. М.: Publishing House «Federatsiya», 1929. P. 122.
[99] Aronson M.I., Reiser S.A. Literary Circles and Salons. L.: Priboi, 1929. P. 9.
[100] Ibid. P. 10.
[101] Ivanov Vyach. Vs. The Aesthetics of Eisenstein // Selected Works on Semiotics and the History of Culture. Vol. 1. М.: Yaziki Russkoi Literaturi, 1998. P. 169.
[102] Eisenstein S.М. Selected Works: 6 volumes. Vol. 2. М.: Iskustvo, 1964. P. 283.
[103] Ibid. P. 298.
[104] Khrenov N.A. Russian Culture at the Crossroads of West and East. Russia as Subconscious Mind of West, East as Subconscious Mind of Russia // Art Studies. 2013. № 3-4.
[105] Silunas V.Yu. Transformations of Montage of Attractions // Theatre. 1975. № 8. P. 24.
[106] Ibid.
[107] Khrenov N.A. Cinema: Rehabilitation of Archetypical Reality. М.: Agraf, 2006.
[108] Rudnitsky К.L. Stage Director Meyerhold. М.: Nauka, 1969. P. 229.
[109] Ivanov Vyach. Vs. The Aesthetics of Eisenstein. P. 164.
[110] Ibid.
[111] Bitsilli P.M. The Place of the Renaissance in the History of Culture. P. 87.
[112] Ibid.
[113] Gvozdev А.А. Abroad // The Life of Art. 1928. № 20. P. 8.
[114] Ibid.
[115] Theatrical Manifestos of Nikolai Forreger // Mnemozina. Documents and Facts from the History of the 20th-Century Russian Theatre / Compiling editor V.V. Ivanov. М.: GITIS, 1996. P. 66.
[116] Ibid. P. 56.
[117] Ibid. P. 59.
[118] Ibid.
[119] Bakhtin М.М. Collection of Works: 7 volumes. Vol. 5. М.: Russikiye Slovari, 1996. P. 103.

 

 

ISSN 2311-3723

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