Culture of culture

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E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge




A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development




A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness



A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos

Announcement of the next issue



Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography

The History of Images after the History of Art:
Culturological Aspect
(Part 3)

Abstract. The article focuses on impoverishment of communication with artistic values and analysis of its interrelation with the period of formation of industrial society. Such a process is classified by the author as regress of culture, which makes expedient the point to be discussed in a culturological aspect. A breakdown of the hierarchy of culture in transitional periods contributes to shifting of marginal aesthetic formations to the center of artistic culture. A specific organizing mosaic principle starts to work. Discussing the history of new visuality, the author marks that to some extent it appears as the history of birth, formation and change of different systems of vision.

Key words. Aesthetic experience, new visuality, mosaic principle, civilization progress, artistic values, contemplation, transformation of perception, oversimplification of culture.

[69] Kant I. Works: 6 volumes. Vol. 3. М.: Mysl, 1966. P. 210.
[70] Ibid. P. 363.
[71] Ibid. P. 219.
[72] Ibid. P. 377.
[73] Bitsilli P.M. The Place of the Renaissance in the History of Culture. SPb.: Mifril. 1996. P. 223.
[74] Ibid. P. 222.
[75] Schubart W. Europe and the Oriental Soul. М.: Russkaya Ideaya, 1997.
[76] Dvořák M. A History of Art as History of the Spirit. SPb.: Akademitchesky Proekt, 2001.
[78] Ibid. P. 225.
[79] Winckelmann I.I. The History of Ancient Art. SPb.: Aleteya, Gosudarstvenny Ermitazh, 2000. P. 443.
[80] Ibid. P. 355.
[81] Ibid. P. 358.
[82] Ibid. P. 390.
[83] The History of Reading in the West: from Antiquity to Our Days. М.: «Izdatelstvo FAIR», 2008. P. 139.
[84] Ivanov Vyach. Vs. Montage as a Principle of Construction in Culture in the First Half of the 20th Century // Montage. Literature. Art. Theatre. Cinema. М.: Nauka, 1988. P. 119.
[85] Nietzsche F. Works: two volumes. Vol. 1. М.: Mysl, 1990. P. 181.
[86] Ibid. P. 186.
[87] Ibid.
[88] Spengler О. The Decline of the West. Essays on the Morphology of the World History. Vol. 1. М.: Mysl, 1993. P. 624.
[89] Ibid. P. 625.
[90] Shestov L. Athens and Jerusalem // L.Shestov. Works: 2 volumes. Vol. 1, М.: Nauka, 1993. P. 531.
[91] Ivanov Vyach. I. Native and Universal. М.: Respublika, 1994. P. 68.
[92] Ibid. P. 69.
[93] Moles A. Sociodynamics of Culture. М.: Progress, 1973. P. 51.
[94] Ibid. P. 209.
[95] Ibid. P. 45.
[96] Ibid.
[97] Shklovsky V.B. Hamburg Reckoning. М.: Sovetsy Pisatel, 1990. P. 42.
[98] Shklovsky V.B. Then and Now // Literature of Fact. The first collected works of LEF. М.: Publishing House «Federatsiya», 1929. P. 122.
[99] Aronson M.I., Reiser S.A. Literary Circles and Salons. L.: Priboi, 1929. P. 9.
[100] Ibid. P. 10.
[101] Ivanov Vyach. Vs. The Aesthetics of Eisenstein // Selected Works on Semiotics and the History of Culture. Vol. 1. М.: Yaziki Russkoi Literaturi, 1998. P. 169.
[102] Eisenstein S.М. Selected Works: 6 volumes. Vol. 2. М.: Iskustvo, 1964. P. 283.
[103] Ibid. P. 298.
[104] Khrenov N.A. Russian Culture at the Crossroads of West and East. Russia as Subconscious Mind of West, East as Subconscious Mind of Russia // Art Studies. 2013. № 3-4.
[105] Silunas V.Yu. Transformations of Montage of Attractions // Theatre. 1975. № 8. P. 24.
[106] Ibid.
[107] Khrenov N.A. Cinema: Rehabilitation of Archetypical Reality. М.: Agraf, 2006.
[108] Rudnitsky К.L. Stage Director Meyerhold. М.: Nauka, 1969. P. 229.
[109] Ivanov Vyach. Vs. The Aesthetics of Eisenstein. P. 164.
[110] Ibid.
[111] Bitsilli P.M. The Place of the Renaissance in the History of Culture. P. 87.
[112] Ibid.
[113] Gvozdev А.А. Abroad // The Life of Art. 1928. № 20. P. 8.
[114] Ibid.
[115] Theatrical Manifestos of Nikolai Forreger // Mnemozina. Documents and Facts from the History of the 20th-Century Russian Theatre / Compiling editor V.V. Ivanov. М.: GITIS, 1996. P. 66.
[116] Ibid. P. 56.
[117] Ibid. P. 59.
[118] Ibid.
[119] Bakhtin М.М. Collection of Works: 7 volumes. Vol. 5. М.: Russikiye Slovari, 1996. P. 103.



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