Hypotheses:
THE THEORY OF CULTURE
E.A. Orlova. The anthropological foundations of scientific knowledge
Discussions:
IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's section)
A.V. Kostin, A.Ya. Flier. Ternary functional model of culture (continued)
N.A. Khrenov. Russian culture at the turn of the XIX–XX centuries: the Gnostic "Renaissance" in the context of symbolism (continued)
V.M. Rozin. Some features of modern art
V.I. Ionesov. Memory of things in images and plots of cultural introspection
Analytics:
CULTURAL REFLECTIONS
A.Ya. Flier. Social and organizational functions of culture
M.I. Kozyakova. The Ancient cosmos and its evolution: ritual, spectacle, entertainment
N.A. Malshina. The post-non-classical paradigm in the study of the Russian cultural industry: A new type of rationality and value system
N.A. Khrenov. A Century later: the tragic experience of Soviet Culture (continued)
Announcement of the next issue
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Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
Deputy Research Director of
State Institute of Art Studies of
the Ministry of Culture of Russian Federation
e-mail: nihrenov@mail.ru
The Interaction Between Art Studies and Cultural Studies:
Methodological and Historical Aspects (Part 1)
Abstract: The article presents the author’s understanding of cultural studies as contemporary “art studies without names”, based on theories of numerous philosophers and scholars of the past. The author interprets his understanding from the standpoint of cyclic conception of culture, which he shares. The article also substantiates the author's view of art as the main historical and social form of culture.
Keywords: Culture, art, history, cultural studies, art history, society as a product of culture, the transitional period.
[1] Khrenov N.A. Art history as a Sphere of Study: Some Reflections about its Current State and Methodological Perspectives // Art Criticism. 2011. N 1. P. 33.
[2] Bazin G. History of Art History. From Vasari to Today. Moscow: Progress-Culture 1995. P. 119.
[3] Ibidem. P. 121.
[4] Ibidem. P. 403.
[5] Prokofiev V.N. Art criticism, Art History, General Theory of the Artistic Process: Their Specificity and Problems of Interaction within Art Studies // Soviet Art Studies. Issue 2. Moscow: Sovetsky Khudozhnik, 1978.
[6] Khrenov N.A. History of Art as History of Culture // Culture and Art. 2011. N 1. P. 92.
[7] Davydov Y.N. Art as a Sociological Phenomenon. On the Characterization of Aesthetic and Political Views of Plato and Aristotle. Moscow: Nauka, 1968.
[8] Lazarev V.N. Oswald Spengler and his Views on Art. Moscow: A.G. Mironov Press, 1922.
[9] Mandelstam O.E. Collected Works in 4 vols. Vol. 2. Moscow: Terra, 1991. P. 287.
[10] Goethe J.W. Winckelmann and His Century // Goethe J.W. Collected Works in 10 vols. Vol. 10. Moscow: Khudozhestvennaya Literatura, 1980. P. 171.
[11] Ibidem. P. 171.
[12] Bazin G. Ibidem. P. 137.
[13] Wolfflin G. Principals of Art History. Moscow-Leningrad: Academia, 1930. P. 14.
[14] Bazin G. Ibidem. P. 136.
[15] Ibidem.
[16] Bart R. Selected Works. Semiotics. Poetics. Moscow: Progress, 1989. P. 231.
[17] Khrenov N.A. Audience in History of Culture. The Phenomenon of the Public from the Perspective of Mass Psychology. Moscow: Agraf, 2007.
[18] Gombrich E. The Story of Art. Moscow: Iskusstvo – XXI vek, 2013. P. 111.
[19] Shklovsky V.V. In Defense of the Sociological Method // Novy Lef. 1927. N 3.
[20] Adorno T. Selected Works: Sociology of Music. Moscow – St. Peterburg: University Book, 1999.
[21] Khrenov N.A. Sociological Studies of Theater in the Context of Sociological and Cultural Knowledge Development // Dmitrievsky V.N. Theater and the Audience. An Experience of Sociological Research of 1960-1970's. Moscow: State Institute of Art, "Canon +" ROOI "Rehabilitation" 2013.
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ISSN 2311-3723
Founder:
OOO «Soglasie» publisher
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Scientific Association of Culture Researchers
Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013
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Issued quarterly in electronic form only
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T. Glazkova
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