
Hypotheses:
THEORETICAL REVIEW
E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge
Discussions:
IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)
A.Ya. Flier. Culture as the basis of identity
N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)
V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development
Analytics:
CULTURAL REFLECTIONS
A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction
N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)
V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness
VIEWS
A.Ya. Flier. Culture as a survival system and its 5 strategies
A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos
Announcement of the next issue
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Vlasov Victor Georgievich,
Doctor of Art Studies, Professor of the Department
of Western European Art Department, Institute of History
of St. Petersburg State University,
e-mail: natlukina@list.ru
Triad "Historicism, stylization, eclecticism" and postmodernism in the history and theory of art
Abstract. The article examines the notions of historicism, stylization and eclecticism on several examples from the history of studying architectonic and visual arts. The frequency of these phenomens of artistic thinking in different epochs is noted. According to the author of the article, not binary, but triadno-harmonious relations of notions more fully reflect the collisions of the historical development of culture. The author proposes to call the modern era postmillenism. The approach outlined in the article will allow to present the named terms in the form of a kind of qualification typology. Such a typology is preliminary, but it can be used as one of the methodical tools of art history researches.
Keywords. Art studies, historicism,classification, classicism, postmillenism, style, stylization, triadic relations, modern, postmodernism, eclectics
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[17]Rusakova A. A. At the Turn of Centuries //The Art of Leningrad. 1991, no 3, p. 49
[18]Sternin G. Yu. About the Modern //Museum, 1989, no10, p. 7
[19] Jenks Ch. The Language of the Architecture of Postmodernism. Moscow: Stroiizdat, 1985
[20]Rykov A. V. Postmodernism as "radical Conservatism". The problem of artistic and theoretical conservatism and the American Theory of contemporary Art 1960-1990's. St. Petersburg: Aleteya, 2007
[21] Welsh V. "Postmodern". Genealogy and the Importance of one controversial Concept // Path. International Philosophical Journal. 1992, no 1 (2), p. 129
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[23]Subbotin A. L., Abushenko V. L., Bocharov V. A., Edelman V. A. Classification // Humanitarian Encyclopaedia. Moscow: Center for Humanitarian Technologies. 2002-2018. URL: http://gtmarket.ru/concepts/6879. Date of the application:28.01.2018
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ISSN 2311-3723
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