SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 
 
Kozyakova Maria Ivanovna,
Doctor of Philosophy, Professor of
M.S. Schepkin Higher Theatre School (Institute)
associated with the State Academic Maly Theatre
e-mail: markoz@yandex.ru
 
Utilitarian Tendencies in Art and Archetype of Europe:
"Epoch of Formation"

Abstract: Art which refers to the human sensual world and has a special language of intentionality, like no other activity can help to identify epoch’s cultural code, to reveal his deep archetypal structures. The author regards the history of European art through the prism of its "utility", arguing that the choice of aesthetic practices is determined mainly by societal status of specific groups, their collective needs and preferences.

Keywords: Art, cultural code, intentions, archetype, utility, Antiquity, Greece, Rome, the Middle Ages, the Renaissance, the New Age, music, architecture, sculpture, painting, church, nobility, aristocracy, burghers, Baroque, Rococo, Classicism, Realism.

[1] Simmel G. Conflict of Modern Culture // Cultural Studies. XX Century: Anthology. M.: Yurist, 1995, P. 379.
[2] Jung C.G. Present and Future // Analytical Psychology: Past and Present. M.: Martis, 1995, P. 165.
[3] Jung C.G. The Structure of the Psyche and the Archetypes. M.: Academic Project, 2007. P. 91.
[4] Ibidem. P. 221.
[5] Khrenov N.A. Social Psychology of Art: the Era of Transformation. M.: Alpha-M, 2005, P. 46.
[6] Losev A.F. A History of Ancient Aesthetics. The Sophists. Socrates. Plato. M.: Arts, 1969. P. 265.
[7] Plutarch. On Music. St. Petersburg.: Muzgiz, 1922.
[8] Aristotle. Politics // Aristotle. Works: In 4 vols. Vol.4. M.: Thought, 1983. P. 630.
[9] This cult is considered in detail in works of G.S. Knabe, M.E. Sergeenko.
[10] Lucius Annaeus Seneca. Moral Letters to Lutsilius. M.: Science, 1977. P. 117 (86. 7).
[11] Spengler O. Decline of the West, M.: Thought, 1993. P.257.
[12] Ibisem. P. 90.
[13] Vlasov V.G. Styles in Art. Vol. 1. St. Petersburg: Kolna, 1995.  P. 168.
[14] Eco U. Art and Beauty in the Middle Ages. St. Petersburg: Adeteya, 2003. P. 126.
[15] McCorguodale Ch. The History of Interior Decoration. M.: Svarog and K, 1990. P. 97.
 
 

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

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