SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORY OF CULTURE

V. I. Grachev. About dissonances and consonances in the relationship between modern culture and art

 

Discussions:

In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

A. Ya. Flier. Cultural variability and progress

N. A. Khrenov. On the way to «Posthuman»: anthropological, mythological and artistic potential of the puppet (continuation)

V. M. Rozin. Unusual Anton Pavlovich Chekhov (the artist's life and work in the optics of everyday culture)

 

Analytics:

HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Sapinskaya. Subcultures in the digital world: anachronism or the basis for creating virtual communities?

M. I. Kozyakova. Museum in the history of culture: postmodern discourse

CULTURAL REFLECTIONS

N. A. Khrenov. Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (continuation)

M. A. Poletaeva. Social practice of attitude to foreign culture

REPUBLICATION

A. Ya. Flier. Cultural history as a change dominant identity types (beginning)


Announcement of the next issue

 

 
 
Kozyakova Maria Ivanovna,
Doctor of Philosophy, Professor of
M.S. Schepkin Higher Theatre School (Institute)
associated with the State Academic Maly Theatre
e-mail: markoz@yandex.ru
 
Utilitarian Tendencies in Art and Archetype of Europe:
"Epoch of Formation"

Abstract: Art which refers to the human sensual world and has a special language of intentionality, like no other activity can help to identify epoch’s cultural code, to reveal his deep archetypal structures. The author regards the history of European art through the prism of its "utility", arguing that the choice of aesthetic practices is determined mainly by societal status of specific groups, their collective needs and preferences.

Keywords: Art, cultural code, intentions, archetype, utility, Antiquity, Greece, Rome, the Middle Ages, the Renaissance, the New Age, music, architecture, sculpture, painting, church, nobility, aristocracy, burghers, Baroque, Rococo, Classicism, Realism.

[1] Simmel G. Conflict of Modern Culture // Cultural Studies. XX Century: Anthology. M.: Yurist, 1995, P. 379.
[2] Jung C.G. Present and Future // Analytical Psychology: Past and Present. M.: Martis, 1995, P. 165.
[3] Jung C.G. The Structure of the Psyche and the Archetypes. M.: Academic Project, 2007. P. 91.
[4] Ibidem. P. 221.
[5] Khrenov N.A. Social Psychology of Art: the Era of Transformation. M.: Alpha-M, 2005, P. 46.
[6] Losev A.F. A History of Ancient Aesthetics. The Sophists. Socrates. Plato. M.: Arts, 1969. P. 265.
[7] Plutarch. On Music. St. Petersburg.: Muzgiz, 1922.
[8] Aristotle. Politics // Aristotle. Works: In 4 vols. Vol.4. M.: Thought, 1983. P. 630.
[9] This cult is considered in detail in works of G.S. Knabe, M.E. Sergeenko.
[10] Lucius Annaeus Seneca. Moral Letters to Lutsilius. M.: Science, 1977. P. 117 (86. 7).
[11] Spengler O. Decline of the West, M.: Thought, 1993. P.257.
[12] Ibisem. P. 90.
[13] Vlasov V.G. Styles in Art. Vol. 1. St. Petersburg: Kolna, 1995.  P. 168.
[14] Eco U. Art and Beauty in the Middle Ages. St. Petersburg: Adeteya, 2003. P. 126.
[15] McCorguodale Ch. The History of Interior Decoration. M.: Svarog and K, 1990. P. 97.
 
 

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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T. Glazkova

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