SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

РУС ENG

Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 

 

Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Russian State University of Physical Education,
 Sport, Youth and Tourism.
e-mail: reenash@mail.ru

A woman in culture: from the eternal "Otherness" to the triumph of femininity
Part one

Abstract. This article is the first in a series of publications devoted to the place of a woman in the culture of the past and present. The role of women in culture from the point of view of its historical roots and socio-cultural dynamics is considered. For thousands of years, the woman in culture was assigned the secondary role of the Other, which, according to the representatives of feminism, was constructed by the tradition of masculine domination. Changing the stereotypes of "ousting" a woman from important spheres of culture, particularly creativity, begins to occur already in the XIX century, when women become the subject of creativity, which is the beginning of the feminization of culture, characteristic of our time.

Keywords. Gender, culture, femininity, myth, tradition, stereotype, creativity, art, representation.
 

[1] Beauvoir C. De. Second Floor. Moscow: Progress; S.-Petersburg: Aletheia, 1997. P. 48.
[2] Zherebkina I. Subjectivity and Gender. S.-Petersburg.: Aletheia+, 2007.  P. 104.
[3] Eisler R. The Chalice and the Blade. N.Y.: Harper & Row, 1989. Р. 31.
[4] Platon N. Crete. Geneva: Nagel Publishers, 1966. Р. 148.
[5] Sanday P.R. Female Power and Male Dominance: On the Origins of Sexual Inequality. Cambridge: Cambridge University Press, 1981. Р. 57.
[6] Neumann E. The Great Mother. Princeton: Princeton University Press, 1955. Р. 134-136.
[7] Hallo W.W. and Van Dijk J.A. The Exultation of Inanna. New Haven: Yale University Press, 1968.
[8]  Golan A. Myth and Symbol. Moscow: Russlit, 1993. P. 171.
[9] Eisler R. Op. cit. Р. 41-58.
[10] Bloom H. The Book of J. N.Y.:  Basic books, 1990. 352 р.
[11] Bullough V.L. The Subordinate Sex. A History of Attitudes Towards Women. N.Y.: University of Georgia Press, 1974. Р. 69.
[12] Tickner L. Women and Art: Policies of Representation//Introduction to Gender Studies. Part II. Reader. Kharkov: KCGS, 2001; S.-Petersburg: Aletheia, 2001. C. 698.
[13] Nochlin L. Women, Art and Power and Other Essays. N.Y.: Harper and Row, 1988. Р. 176.
[14] Tickner Л. Op. cit. P. 699.
[15] Harris A.S. and Nochlin L. Women Artists: 1550-1950. N.Y.: Doubleday & Company, Inc. Google Scholar, 1976. Р. 31.
[16] Chernetsov P.b. Troublemaker of the Norms of Female Behaviour in Ethiopia XVII c. – The Heroine of "The life of Our Mother Valata Petros"//Ethnic Stereotypes of Masculine and Feminine Behavior. S.-Petersburg: Nauka, 1991. P. 39-55.
[17] Bashkirtseva M. The Diary of Maria Bashkirceva. Favorite Pages. Moscow: Molodaya gvardiya, 1991. P. 195.
[18] Kamenetskaya N.Y., Yurosovskaya N.M. The Art of Feminine//The Art of Feminine. Women Artists in Russia XV-XX centuries. Moscow: The State Tretyakov Gallery, 20002. P. 17.
[19] Tenisheva M.K. Impressions of my Life. Moscow: Iskusstvo, 1991. C. 11.
[20] Markina L.A. Artist in Russia: from Baroque to Modern//Art of Feminine. Moscow: State Tretyakov Gallery, 20002. P. 63.
[21] Lorber J. Paradoxes of Gender. N.Y.: Yale University Press, 1994. Р. 112.
[22] Usmanova A. Women and Art: Policies of Representation//Introduction to Gender Studies. Part 1. Moscow: Aspekt-Press, 2005. P. 482.
[23] Sixuh E. The Roar of the Jellyfish. Introduction to Gender Studies. Part 2. Moscow: Aspekt-Press, 2005. P. 803.
[24] Bart R. Writing and childbearing//Bart R. Mythology. Moscow: PH by Sabashnikov, 1996. P. 101.
[25]  Ibid.

 

 

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

 

Issue produced by:

Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

 

Our banner:

Our e-mail:
cultschool@gmail.com

 

 
 

OUR PARTNERS:

РУС ENG