Электронный журнал «Культура культуры» :: Opera Paradox-3. Opera in the Post-Culture Period: Transformation of the Cultural Form or the Death of the Genre?

SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Scientific peer-reviewed electronic periodical
Since 2014

Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos

Announcement of the next issue

Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Deputy Director of the Expert-Analytical Center
for Development of Educational Systems
in the Sphere of Culture,
the Lykhachev Russian Research Institute
for Cultural and Natural Heritage
e-mail: reenash@mail.ru

Tsodokov Yevgeny Samsonovich,
Editor-in-Chief
E-Journal “OperaNews”
e-mail: tsodokov.es@mail.ru

Opera Paradox-3.
Opera in the Post-Culture Period:
Transformation of the Cultural Form or the Death of the Genre?

Abstract. The authors continue their dialogue on the history of opera as a cultural form, discussing its transformations in different contexts, on changes in ratio between musical, verbal and visual elements depending on cultural dominants of the certain ages. The article is also devoted to preservation of cultural form in terms of full destruction of its traditional characteristics and shifting of accents to stage’s visual elements. The key question, the authors put in this part of the dialogue, is whether in contemporary conditions opera can survive as a genre or is sure to “die”.

Key words. Cultural form, opera, genre, art, history, creativity, Romanticism, context, transformation.

The article is prepared with the support of the Russian Humanitarian Scientific Fund, grant № 14-03-00035.
[1] Cited after: Adamchik V. Picasso. Minsk: Harvest, 2009. P. 438.
[2] Bart R. Selected Works. Semiotics. Poetics. М.: Progress, 1989. P. 413.
[3] Alexandrov N. The Autumn of Postmodernism // New Time, № 33, 14 October 2013.
[4] Samokhvalova V.I. The Ugly: Thoughts on Its Nature, Essence and Place in the World. M.: Bris-L, 2012.
[5] On Ugliness / ed. By Umberto Eco. М.: Slovo, 2014.
[6] Hugo V. Preface to “Cromwell” // History of Ugliness. M.: Slovo, 2014. P. 281.
[7] Op. cit., p. 370.
[8] Marinetti F.T. Technical Manifesto of Futurist Literature // History of Ugliness. M. Slovo, 2014. P. 370.
[9] Shapinskaya E.N. Prospero’s Dreams Prospero’s Dreams Told in the Language of Contemporary Music: Thomas Adès’s Opera Based on W. Shakespeare’s “The Tempest” // Culture of Culture. 2014. № 3. [e-resource] URL: http://cult-cult.ru/sny-prospero-rasskazannye-yazykom-sovremennoj-muzyki-fantasmagoriya-tomasa-adesa/
[10] Shlegel F. On Study of the Poetry oа the Greeks // Literary Manifests of Western European Romantics. M.: Publishing house of the Moscow University, 1980. Pp. 48-49
[11]. Davydova M. The Only Good Author Is a Dead Author [e-resource] URL: http://os.colta.ru/theatre/projects/139/details/3782/
[12] URL. http://www.classicalmusicnews.ru/news/moskovskaya-filarmoniya-za-11-dney-prodala-72-tyisyachi-abonementov/
[13] Cited after: Adamchik V. Op. cit., p. 98.
[14] Cited after: Dimitrin Yu. Opera Round the Surgical Table. [e-resource] URL: http://www.operanews.ru/13092209.html

ISSN 2311-3723

Founder:
OOO «Soglasie» publisher

Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

The magazine is indexed:

Issued quarterly in electronic form only

Issue produced by:

Editorial Director
A. Flier

Editor in Chief
T. Glazkova

Head of IT Center
A. Lukyanov

Our banner:

Our e-mail:
cultschool@gmail.com

OUR PARTNERS:

SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS Scientific peer-reviewed electronic periodical Since 2014
	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG

Hypotheses: THEORETICAL REVIEW E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge Discussions: IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric) A.Ya. Flier. Culture as the basis of identity N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued) V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development Analytics: CULTURAL REFLECTIONS A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued) V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness VIEWS A.Ya. Flier. Culture as a survival system and its 5 strategies A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos Announcement of the next issue	*Shapinskaya Ekaterina Nikolaevna, Doctor of Philosophy, Professor, Deputy Director of the Expert-Analytical Center for Development of Educational Systems in the Sphere of Culture, the Lykhachev Russian Research Institute for Cultural and Natural Heritage e-mail: reenash@mail.ru* Tsodokov Yevgeny Samsonovich, Editor-in-Chief E-Journal “OperaNews” e-mail: tsodokov.es@mail.ru Opera Paradox-3. Opera in the Post-Culture Period: Transformation of the Cultural Form or the Death of the Genre? Abstract. The authors continue their dialogue on the history of opera as a cultural form, discussing its transformations in different contexts, on changes in ratio between musical, verbal and visual elements depending on cultural dominants of the certain ages. The article is also devoted to preservation of cultural form in terms of full destruction of its traditional characteristics and shifting of accents to stage’s visual elements. The key question, the authors put in this part of the dialogue, is whether in contemporary conditions opera can survive as a genre or is sure to “die”. Key words. Cultural form, opera, genre, art, history, creativity, Romanticism, context, transformation. The article is prepared with the support of the Russian Humanitarian Scientific Fund, grant № 14-03-00035. [1] Cited after: Adamchik V. Picasso. Minsk: Harvest, 2009. P. 438. [2] Bart R. Selected Works. Semiotics. Poetics. М.: Progress, 1989. P. 413. [3] Alexandrov N. The Autumn of Postmodernism // New Time, № 33, 14 October 2013. [4] Samokhvalova V.I. The Ugly: Thoughts on Its Nature, Essence and Place in the World. M.: Bris-L, 2012. [5] On Ugliness / ed. By Umberto Eco. М.: Slovo, 2014. [6] Hugo V. Preface to “Cromwell” // History of Ugliness. M.: Slovo, 2014. P. 281. [7] Op. cit., p. 370. [8] Marinetti F.T. Technical Manifesto of Futurist Literature // History of Ugliness. M. Slovo, 2014. P. 370. [9] Shapinskaya E.N. Prospero’s Dreams Prospero’s Dreams Told in the Language of Contemporary Music: Thomas Adès’s Opera Based on W. Shakespeare’s “The Tempest” // Culture of Culture. 2014. № 3. [e-resource] URL: http://cult-cult.ru/sny-prospero-rasskazannye-yazykom-sovremennoj-muzyki-fantasmagoriya-tomasa-adesa/ [10] Shlegel F. On Study of the Poetry oа the Greeks // Literary Manifests of Western European Romantics. M.: Publishing house of the Moscow University, 1980. Pp. 48-49 [11]. Davydova M. The Only Good Author Is a Dead Author [e-resource] URL: http://os.colta.ru/theatre/projects/139/details/3782/ [12] URL. http://www.classicalmusicnews.ru/news/moskovskaya-filarmoniya-za-11-dney-prodala-72-tyisyachi-abonementov/ [13] Cited after: Adamchik V. Op. cit., p. 98. [14] Cited after: Dimitrin Yu. Opera Round the Surgical Table. [e-resource] URL: http://www.operanews.ru/13092209.html	ISSN 2311-3723 Founder: OOO «Soglasie» publisher Publisher: Scientific Association of Culture Researchers Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013 The magazine is indexed: Issued quarterly in electronic form only *Issue produced by:* Editorial Director A. Flier Editor in Chief T. Glazkova Head of IT Center A. Lukyanov Our banner: Our e-mail: cultschool@gmail.com OUR PARTNERS:

	NEW ISSUE ABOUT EDITORS TO AUTORS ARCHIVE	РУС ENG
Разработка сайта Мнение редакции может не совпадать с мнением авторов. При полном или частичном использовании материалов ссылка на «Культуру культуры» обязательна. © Научная ассоциация исследователей культуры, 2014-2023