Hypotheses:

COMMUNICATION AS A MECHANISM OF CULTURE

V.M. Rozin. The Foundations of Communication Theory

Discussions:

WHERE ARE THE LIMITS OF CULTURAL STUDIES? A RETURN TO OLD DISPUTES

A.Y. Flier. Limiting the Unlimited (Introduction to the Discussion)

V.M. Rozin. The Features of Cultural Studies Discourse

N.A. Khrenov. The Interaction Between Art Studies and Cultural Studies: Methodological and Historical Aspects (Part 1)

A.Y. Flier. Cultural Studies as a Research Paradigm

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Y.Flier’s Section)

A.A. Pelipenko. Episteme of Complexity and its Manifestation in Culture

V.A. Kutz. Protective Functions of Culture

A.Y. Flier. Human and Culture: Factors of Congruence

Analytics:

HIGH ART IN CONTEMPORARY CULTURE (E.N. Shapinskaya’s Section)

To 175th anniversary of Peter Tchaikovsky

E.N. Shapinskaya. “Eugene Onegin” from the point of view of the Other: British Interpretation in Film and Opera Production

D.Y. Gustyakova. Modern European Staging of Russian Operas as a Model of Interaction between Classic and Popular Cultures

Claudia Hentsler, an Austrian photo artist: on art, problems of contemporary culture and the meaning of artist’s work. Interview with Ekaterina Shapinskaya

METAMORPHOSIS OF THE WORLDVIEW IN CULTURE

N.A. Khrenov. Myth and Culture in the XX Century: Filmmaking of Myths (Part 2)

I.A. Urmina. Inheritance of Culture in an Organization

V.M. Rozin. “The End of the World” in Scientific and Humanitarian Understanding
 

Information:

New Books:

Griber Y.A. Architectural Painting and Kazimir Malevich. Monograph. Moscow: Ltd. Soglasie Publishing House, 2014. 160 p.